The son realized the justice of the father's criticisms, and resolved to amend his faults. The means to which he resorted he has laid before us in the Autobiography:
About this time [he says] I met with an odd volume of the Spectator. It was the third. I had never before seen any of them. I bought it, read it over and over, and was much delighted with it. I thought the writing excellent, and wished, if possible, to imitate it. With this view I took some of the papers, and, making short hints of the sentiment in each sentence, laid them by a few days, and then, without looking at the book, try'd to compleat the papers again, by expressing each hinted sentiment at length, and as fully as it had been expressed before, in any suitable words that should come to hand. Then I compared my Spectator with the original, discovered some of my faults, and corrected them. But I found I wanted a stock of words, or a readiness in recollecting and using them, which I thought I should have acquired before that time if I had gone on making verses; since the continual occasion for words of the same import, but of different length, to suit the measure, or of different sound for the rhyme, would have laid me under a constant necessity of searching for variety, and also have tended to fix that variety in my mind, and make me master of it. Therefore I took some of the tales, and turned them into verse; and, after a time, when I had pretty well forgotten the prose, turned them back again. I also sometimes jumbled my collection of hints into confusion, and after some weeks endeavoured to reduce them into the best order, before I began to form the full sentences and compleat the paper. This was to teach me method in the arrangement of thoughts. By comparing my work afterwards with the original, I discovered many faults and amended them; but I sometimes had the pleasure of fancying that, in certain particulars of small import, I had been lucky enough to improve the method of the language, and this encouraged me to think I might possibly in time come to be a tolerable English writer, of which I was extreamly ambitious. My time for these exercises and for reading was at night, after work or before it began in the morning, or on Sundays, when I contrived to be in the printing-house alone, evading as much as I could the common attendance on public worship which my father used to exact of me when I was under his care, and which indeed I still thought a duty, though I could not, as it seemed to me, afford time to practise it.
The next step in Benjamin's literary development was when he contrived to disguise his handwriting and thrust the first of his Silence Dogood letters under the door of his brother's printing-house; and we can readily imagine what his feelings were when the group of contributors to the Courant, who frequented the place, read it and commented on it, in his hearing, and afforded him what he terms in the Autobiography the exquisite pleasure of finding that it met with their approbation; and that in their different guesses at the author none were named but men of some character in the town for learning and ingenuity. Encouraged by his success, he wrote and communicated to the Courant in the same furtive way the other letters in the Silence Dogood series, keeping his secret, he tells us, until his small fund of sense for such performances was pretty well exhausted, when he disclosed his authorship, only to arouse the jealousy of the churlish brother, who, alone of the Courant circle, failed to regard him with augmented respect. If there was no extrinsic evidence to fix the authorship of the Dogood letters, their intrinsic characteristics, incipient as they are, would be enough to disclose the hand of Franklin. The good dame, who finally succumbed to the rhetoric of her reverend master and protector, after he had made several fruitless attempts on the more topping part of her sex, bears very much the same family lineaments as the Anthony Afterwit and Alice Addertongue of the Pennsylvania Gazette. Deprived of her good husband by inexorable death, when her sun was in its meridian altitude, she proceeds to gratify her natural inclination for observing and reproving the faults of others, and to open up her mind in a way that leaves us little room for doubt as to who the lively, free-spirited and free-spoken boy was that she concealed beneath her petticoats. "A hearty Lover of the Clergy and all good Men, and a mortal Enemy to arbitrary Government & unlimited Power," she was, she assures us in one letter, besides being courteous and affable, good-humored (unless first provoked) and handsome, and sometimes witty. In her next paper, she tells us that she had from her youth been indefatigably studious to gain and treasure up in her mind all useful and desirable knowledge, especially such as tends to improve the mind and enlarge the understanding. With this frontispiece, she, from time to time, delivers her views on various topics with glib vivacity, set off by Latin quotations. In one letter, she falls asleep in her usual place of retirement under the Great Apple Tree, and is transported in a dream to the Temple of Learning (Harvard College), which we can only hope was not quite so bad as it appeared to be when seen through the distorting medium of her slumbers. Describing the concourse of outgoing students, she says, "Some I perceiv'd took to Merchandizing, others to Travelling, some to one Thing, some to another, and some to Nothing; and many of them from henceforth, for want of Patrimony, liv'd as poor as church Mice, being unable to dig, and asham'd to beg, and to live by their Wits it was impossible." In another letter, Silence unsparingly lashes the existing system of female education. "Their Youth," she says, borrowing the words of an "ingenious writer," is spent to teach them to stitch and sow, or make Baubles. "They are taught to read indeed and perhaps to write their Names, or so; and that is the Heigth of a Womans Education."
In another letter, she holds up hoop-petticoats to laughter. If a number of them, she declared, were well mounted on Noddle's Island, they would look more like engines of war for bombarding the town than ornaments of the fair sex; and she concludes by asking her sex, "whether they, who pay no Rates or Taxes, ought to take up more Room in the King's Highway, than the Men, who yearly contribute to the Support of the Government."
Another letter makes unmerciful fun of an Elegy upon the much Lamented Death of Mrs. Mehitebell Kitel, the wife of Mr. John Kitel, of Salem etc.
Two lines,
"Come let us mourn, for we have lost a
Wife, a Daughter, and a Sister,"
affords Silence an opportunity for some merry satire. Contrasting these lines with Dr. Watts'
"Gunston the Just, the Generous, and the Young,"
she says: