Nor need we dwell longer either upon Franklin as a poet. Considered seriously as such, he was undoubtedly one of the kind, that, as Horace says, neither Gods nor men can endure. But he should not be seriously regarded as a poet at all. We should bring no severer judgment, to his couplets than was brought to them by the plowmen and frontiersmen, who kept Poor Richard's Almanac suspended over their mantelpieces; and his anacreontics should be read, as they were sung, after the edge of criticism has been dulled by a bottle or so. It is only fair to Poor Richard, however, to say that no one had a poorer opinion of his gifts as a poet than himself. "I know as thee," he says in one of his prefaces, "that I am no Poet born: and it is a Trade I never learnt, nor indeed could learn. If I make Verses, 'tis in Spight of Nature and my Stars, I write." In another preface, after honoring his friend Taylor, of Ephemerides fame, with a considerable number of lines, he exclaims: "Souse down into Prose again, my Muse; for Poetry's no more thy Element, than Air is that of the Flying-Fish." And we need go no further than one of Franklin's lively letters to Polly, at which we have already glanced, to satisfy ourselves that he placed quite as low an estimate on his verses as Poor Richard did on his. Speaking of the Muse, which he mentioned in his letter as having visited him that morning, he observes in his light-hearted way:
This Muse appear'd to be no Housewife. I suppose few of them are. She was drest (if the Expression is allowable) in an Undress, a kind of slatternly Negligée, neither neat nor clean, nor well made; and she has given the same sort of Dress to my Piece. On reviewing it, I would have reform'd the lines and made them all of a Length, as I am told Lines ought to be; but I find I can't lengthen the short ones without stretching them on the Rack, and I think it would be equally cruel to cut off any Part of the long ones. Besides the Superfluity of these makes up for the Deficiency of those; and so, from a Principle of Justice, I leave them at full Length, that I may give you, at least in one Sense of the Word, good Measure.
Of all the productions of Franklin, the Autobiography and Poor Richard's Almanac, are those upon which his literary fame will chiefly rest. Of the former, we have already said too much to say much more about it. It is the only thing written by Franklin that can properly be called a book, and even it is marked by the brevity which he regarded as one of the essentials of good writing. If he did not write other books, it was not, so far as we can see, because, as has been charged, he lacked constructive capacity, but rather because, when he resorted to the pen, he did it not for literary celebrity, but for practical purposes of the hour, best subserved by brief essays or papers. It is true that in writing the early chapters of the Autobiography, which brought his life down to the year 1730, he was not exactly writing for the moment, but, still, the motive by which he was actuated was a purely practical one. "They were written to my Son," he said in a letter to Matthew Carey, "and intended only as Information to my Family." Even in the later chapters, which brought his life down to his fiftieth year, he still had a similar incentive to literary effort, highly congenial with the general bent of his character, that is to say, the opportunity that they afforded him to point to his business success as an example of what might be accomplished by frugality and industry. "What is to follow," he wrote to the Duc de la Rochefoucauld, "will be of more important Transactions: But it seems to me that what is done will be of more general Use to young Readers; as exemplifying strongly the Effects of prudent and imprudent Conduct in the Commencement of a Life of Business." Two days later, he wrote to Benjamin Vaughan from Philadelphia that he was diligently employed in writing the Autobiography, to which his persuasions had not a little contributed.
To shorten the work [he said], as well as for other reasons, I omit all facts and transactions, that may not have a tendency to benefit the young reader, by showing him from my example, and my success in emerging from poverty, and acquiring some degree of wealth, power, and reputation, the advantages of certain modes of conduct which I observed, and of avoiding the errors which were prejudicial to me.
To the limited nature of the inducements to the composition of the Autobiography, disclosed by these letters, it was due that the interest of Franklin in the subsequent continuation of the work was too languid for the completion of the whole plan of the Autobiography, as intimated in the Hints which he gives of its intended scope, notwithstanding the urgent appeals which his friends never ceased to make to him to complete it.
If one of the effects of the fearless self-arraignment of the Autobiography has been to lower the standing of Franklin in some respects with posterity, we should remember the unselfish motive, which induced him to turn his youthful errors to the profit of others, and also the fact that he had his own misgivings about the bearing upon his reputation of such outspoken self-exposure, and submitted the propriety of publishing the Autobiography unreservedly to the judgment of friends who were certainly competent judges in every regard of what the moral sense of their time would approve.
I am not without my Doubts concerning the Memoirs, whether it would be proper to publish them, or not, at least during my Life time [he wrote to the Duc de la Rochefoucauld], and I am persuaded there are many Things that would, in Case of Publication, be best omitted; I therefore request it most earnestly of you, my dear Friend, that you would examine them carefully & critically, with M. Le Veillard, and give me your candid & friendly Advice thereupon, as soon as you can conveniently.
Later, he wrote to Benjamin Vaughan from Philadelphia that he had, of late, been so interrupted by extreme pain, which obliged him to have recourse to opium, that, between the effects of both, he had but little time, in which he could write anything, but that his grandson was copying what was done, which would be sent to Vaughan for his opinion by the next vessel; for he found it a difficult task to speak decently and properly of one's own conduct, and felt the want of a judicious friend to encourage him in scratching out. The next time that Franklin wrote to Vaughan it was when opium alone could render existence tolerable to him, but in the interim, he had happily discovered that he could dictate even when he could not write.
What is already done [he said] I now send you, with an earnest request that you and my good friend Dr. Price [later in the letter he calls him "my dear Dr. Price">[ would be so good as to take the trouble of reading it, critically examining it, and giving me your candid opinion whether I had best publish or suppress it; and if the first, then what parts had better be expunged or altered. I shall rely upon your opinions, for I am now grown so old and feeble in mind, as well as body, that I can not place any confidence in my own judgment.
Of the same tenor was a still later letter to M. Le Veillard, in which Franklin expressed the hope that Le Veillard would, with the Duc de la Rochefoucauld, read the Memoirs over carefully, examine them critically and send him his friendly, candid opinion of the parts that he would advise him to correct or expunge, in case he should think that the work was generally proper to be published, but, if he judged otherwise, that he would inform him of that fact, too, as soon as possible, and prevent him from incurring further trouble in the endeavor to finish the work. The world has reason to be thankful that the fate of the Autobiography should thus have been left to the decision of men who, even if they had not lived in the eighteenth century, would have been robust enough, in point of intelligence and morals, to believe that the youthful errata laid bare in that book were more than atoned for by the manly and generous aims that inspired it.