Of the Autobiography it is enough now to say that it is one of the few books which have arrested and permanently riveted the attention of the whole civilized world. Commenting in it on the copy of Pilgrim's Progress, "in Dutch, finely printed on good paper, with copper cuts," which the drunken Dutchman, whom he drew up by the shock-pate from the waters of New York Bay, on his first journey to Philadelphia, handed to him to dry, Franklin says: "I have since found that it has been translated into most of the languages of Europe, and suppose it has been more generally read than any other book, except perhaps the Bible." The Autobiography is hardly less popular. It, too, has been translated into most of the languages of Europe, and has been printed and reprinted until it is one of the most widely-read books in existence. Such it is likely to remain always, not simply because it was written by a very famous man, who possessed, to an extraordinary degree, the power of impressing his thoughts and fancies on the hearts and imagination of the human race, but because it tells a story of self-conquest and self-promotion full of warning, guidance and hope for every human being, who wishes to make the best of his own opportunities and powers. As a mere composition, dressed though it is like the poetic Muse described by Franklin in his letter to Polly "in a kind of slatternly Negligée," it is one of the masterpieces of literature. Its very careless loquacity is but suggestive of a mind overflowing with its own profusion of experience and reflection. There is no better test of the extent, to which a writer has proved himself equal to the highest possibilities of his art, than to ask how readily his conceptions can be pictured; for the mind of a great writer is but a gallery hung with such pictures as the painter reduces to material form and color. Tried by this test, the universal popularity of the Autobiography can be readily understood. The Book of Genesis, the plays of Shakespeare, Pilgrim's Progress, the novels of Sir Walter Scott, are not more easily illustrated than are the incidents depicted to the life in its early chapters. Some of them wear a hard and coarse aspect as if they had been struck off from ruder plates than any belonging to the present state of the art of engraving, but this is only another proof of the fidelity of Franklin to his eighteenth century background. We might as well quarrel with the squalor and sluttishess of Hogarth's scenes.
Poor Richard's Almanac, including the "Way to Wealth," or Father Abraham's Speech is Franklin's other master-work. One would hardly look to almanac-making for a classic contribution to letters, but it is not extravagant to say that Poor Richard is one of the most lifelike figures in the literature of the world. Nestor, Falstaff, Don Quixote, Robinson Crusoe, Sir Roger de Coverley, Captain Dugald Dalgetty and Colonel Newcome are not more distinctly delineated, or rather we should say are not more manifest to the eye and palpable to the touch. To the people of Pennsylvania, its tradesmen, its farmers, even its rude borderers, he was a personage fully as real as the colonial governor at Philadelphia, and far more popular. Thousands of its inhabitants never turned over the pages of any other book except those of the Bible. And finally the wise sayings of Poor Richard, in the form of the "Way to Wealth," applicable as they were to the primal and universal conditions of human existence everywhere, became known from the Thames to the Ganges. The middle of the eighteenth century was the heyday of almanac-making, and the best proof of the durable stuff, of which Poor Richard's Almanac was woven, is the utter oblivion that has overtaken all his competitors except those who are preserved in his pages like flies in amber. The prefaces of Poor Richard, the proverbial maxims with which his almanacs are bestrewn, the compendious speech on which these maxims are finally strung like bright beads, have survived, because they were adapted, with consummate art, to the simple habits and mental wants of the rude audience, to which they were addressed. For upwards of thirty years, Poor Richard, with a distinctness and consistency of character as perfect as those of Santa Claus, made his annual bow to the People of Pennsylvania, and served up to their delighted palates his highly seasoned ollapodrida of mock astrology, homely wisdom and coarse jollity in prose and verse. Sometimes the humor is mere horse laughter. But always the shrewd, worldly-wise, merry-tempered old philomath and stargazer hits the fancy of his readers with unerring accuracy between wind and water. His weather predictions and prognostications of planetary conjunctions are just serious enough for unlettered rustics whose minds have been partially but not wholly disabused of the belief that rain comes with the change of the moon. His proverbs are the proverbs of men whose lives are too meagre and straitened to permit them to forget his saying that if you will not hear Reason she'll surely rap your knuckles. His humor is the humor of men whose grave, weather-beaten features do not relax into a smile or grin except under the compelling influence of some broad joke or ridiculous spectacle. Just as the most successful inventor is the one who invents the device that has the widest application to material uses, so the most successful writer is the one who conceives the thoughts that have the widest application to the moral and intellectual needs of mankind. The thoughts that Poor Richard conceived or adopted are such thoughts; for what he taught was full of significance to every man who desires to obtain a correct insight into the moral and economic laws that govern the world for the purpose of winning its favor; which means all men except those who either prey on the world or merely drift along with its current.
In the Prefaces to his Almanac, Poor Richard manages to keep both his wife Bridget and himself close to the footlights. In the first preface, he says that, if he were to declare that he wrote almanacs with no other view than of the public good, he should not be sincere.
The plain Truth of the Matter is [he confesses], I am excessive poor, and my Wife, good Woman, is, I tell her, excessive proud; she cannot bear, she says, to sit spinning in her Shift of Tow, while I do nothing but gaze at the Stars; and has threatned more than once to burn all my Books and Rattling-Traps (as she calls my Instruments) if I do not make some profitable Use of them for the Good of my Family.
In the preface of the succeeding year he announces that the patronage of his readers the year before had made his circumstances much easier. His wife had been enabled to get a pot of her own, and was no longer obliged to borrow one from a neighbor; nor had they ever since been without something of their own to put in it. She had also got a pair of shoes, two new shifts, and a new, warm petticoat, and for his part he had bought a second-hand coat, so good that he was no longer ashamed to go to town or be seen there. These things had rendered Bridget's temper so much more pacific than it used to be that he might say that he had slept more, and more quietly within the last year than in the three foregoing years put together.
In a later preface, he declares that, if the generous purchaser of his labors could see how often his fi-pence helped to light up the comfortable fire, line the pot, fill the cup and make glad the heart of a poor man and an honest good old woman, he would not think his money ill laid out, though the almanac of his Friend and Servant, R. Saunders, were one half blank paper.
A year later, Mistress Saunders avails herself of the fact that her good man had set out the week before for Potowmack to visit an old stargazer of his acquaintance, and to see about a little place for the couple to settle, and end their days on, to scratch out the preface to the copy of the almanac for that year which he had left behind him for the press, because it had undertaken to let the world know that she, who had already been held out in former prefaces as proud and loud and the possessor of a new petticoat, had lately, forsooth, taken a fancy to drink a little tea now and then. Upon looking over the months, she saw that he had put in abundance of foul weather this year, and therefore she had scattered here and there, where she could find room, some fair, pleasant sunshiny days for the good women to dry their clothes in. If what she promised did not come to pass, she would at any rate have shown her goodwill.
In the next preface, referring to the impression that the great yearly demand for his almanac had made him so rich that he should call himself Poor Dick no longer, and pretending that he and the printer were different persons, Poor Richard says:
When I first begun to publish, the Printer made a fair Agreement with me for my copies, by Virtue of which he runs away with the greatest Part of the Profit—However much good may't do him; I do not grudge it him; he is a Man I have a great Regard for, and I wish his Profit ten times greater than it is. For I am, dear Reader, his as well as thy