The parish church of Tinterne Parva is a small but very ancient building, irregularly divided into porch, nave, and chancel. Its erection, according to the historian of the abbey, was anterior to the foundation of the monastery itself; and by some writers it is even considered to have been the parent church. The evidences of its great antiquity may be found in the building itself; and a practised eye will detect indications of a British origin, in certain niches or circular arched windows in the massive walls of the western side. The porch, which is chaste and in good preservation, is a subsequent erection, and yet of a remote age. The chancel, which “most uncouthly joins the nave,” is the latest portion of the fabric. There are fragments of some antique monuments scattered about the floor—memorials of ecclesiastics—which, the writer sarcastically observes, “have been judiciously cut up, and squared, to mend the pavement!” By this sage arrangement, the parochial economy has been brought into the sharpest practice; and although it has evinced no special veneration for the sainted dead, or the hallowed relics of antiquity, yet “the ruinous expense of hauling fresh slabs from the quarry, on the opposite side of the way, has been most considerately spared.” Moreover, he adds, “the pipe of the stove within, is picturesquely thrust through the only Gothic window remaining in the nave!”[99]
As if its smoke, though dark and somewhat denser,
Were meant to represent the ancient Censer,
That once, with daily sacrifice, perfumed
The ground where saints and heroes lay inhumed.
By the churchyard stile, as Mr. Thomas happily describes it, “and beneath the dark mantling boughs of the yew-tree, a scene of exquisite sweetness steals upon the eye. The beautiful meadows beyond are skirted by a ridge of lofty woods, with the gentle Wye flowing like a liquid mirror below. Beneath the
The Ferry at Tintern.
renewed limbs of an aged elm-tree, hollowed and blasted by the storms of many winters, a flock of unmolested sheep repose in grateful shade; these are, indeed, made “to lie down in green pastures,” and are “led beside the still waters.”
It would be difficult to picture to the mind’s eye a scene of more enchanting repose; in such a place as this, with such objects before him, the verdant pastures, the pendent groves, the winding river, the tranquil sky,—where the very clouds, with their fleecy wings stretched forth in vain to catch the subtile current, seem like a fleet becalmed on the wide ocean, waiting for the breeze;—with these before him, ambition forgets the world; sorrow looks up with more cheerful resignation; cares and disappointments lose both their weight and their sting: with so little of sordid earth, so much of the sublimity of nature to contemplate, his thoughts become chastened, soothed, and elevated; and the heart expands under a new sense of happiness, and a feeling of brotherly kindness and benevolence towards everything that breathes. He feels the poet’s exhortation in all its force—
When thoughts
Of the last bitter hour come, like a blight,
Over thy spirit, and sad images
Of the stern agony, the shroud, and pall,
And breathless darkness, and the narrow house,
Make thee to shudder and grow sick at heart,
Go forth into the open sky, and list
To Nature’s teaching!
And then turning to Wordsworth:—