For I have learnt
To look on Nature, not as in the hour
Of thoughtless youth, but hearing oftentimes
The still, sad music of humanity,
Nor harsh, nor grating, though of ample power
To chasten and subdue. And I have felt
A presence that disturbs me with the joy
Of elevated thoughts: a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the roused ocean, and the living air,
And the blue sky, and in the mind of man;
A motion and a spirit that impels
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows, and the woods,
And mountains, and of all that we behold
From this green earth; of all the mighty world
Of eye and ear, both what they half create,
And what perceive.
Striguil.—The whole frontier of this interesting country—the land of Gwent—is sprinkled over with picturesque ruins,—the crumbling remains of those warlike strongholds raised by the Norman barons, as a defence to their newly-acquired possessions, which were brought into frequent jeopardy by the martial and reluctant subjects of the new dynasty. To these we can only advert in passing—for the plan on which this work is conducted, does not admit of their being noticed in detail. In the second century after the Conquest, six of these strongholds were erected near the British forest of Wentwood[100]—a still venerable chase of between two and three thousand acres in extent, and associated with many events in the history and traditions of the Welsh frontiers. The grand object of these castles was to form a chain of garrisoned forts for the protection of Norman interests against the incursions of a people who, although compelled to pass under a foreign yoke, still gloried in their independence, and embraced every occasion to prove that their martial spirit, though bowed, was not broken.
One of the strongest of these embattled fastnesses was Castell-glyn-y-Striguil,[101] erected, according to Doomsday-book, by the Norman warrior so often named in this work, William Fitzosborne. In Hammer’s Irish Chronicle,[102] however, its erection is ascribed to Gilbert Strongbow, whose life and family we have already noticed in the account of Tinterne Abbey. The remains of this castle, though inadequate to convey any just notion of its original strength, are still sufficiently marked with regard to its size and proportions. Its outworks have mouldered down into shapeless masses, over which nature has thrown so dense a matting of underwood, that the traces of art have been almost obliterated. The form “was that of an oblong square, the angles of which, as usual in such cases, were defended by octagonal towers;”[103] at one extremity was the donjon, or keep, the situation of which is indicated by the shapeless mound of vegetation, which draws nutriment from its débris. The walls were encircled by a deep moat, supplied by two mountain rivulets, which unite at this point to form the Troggy, one of the silver tributaries of the river Usk.
The other castles Avhich deserve a cursory notice, are, Llanvair, Llanvaches, Pencoed, Dinham, and Penhow.[104] The latter, an ancient seat of the Seymours, occupies a bold and romantic situation. The acclivity which forms the direct approach to it, is nearly perpendicular. The view which it commands consists of a valley, or rather wooded ravines, in the foreground; and in the distance, a range of barren hills that bound the horizon—
Hills that, giving birth
To circling fountains, glad the parent earth;
And from their bosom, framed for martial toil,
Sent forth the guardian heroes of the soil.
By the marriage of the Lady Jane, daughter of Sir John Seymour, with Henry the Eighth, and the birth of their son, afterwards Edward the Sixth, the house of Penhow was placed in a situation to compete with that of Raglan; and by the fortuitous influence thus acquired, the Seymours took a leading authority in the management and direction of county affairs.
This castle, or rather fortalice, appears to have derived its strength, more from its isolated and once inaccessible position, than from the extent of its walls or outworks. A portion of the interior has been repaired and rendered habitable, or rather a house has been erected on the site of the old berçeau, and thus future patriots and statesmen may yet “come forth of Penhow.”
Llanvair, about six miles west from Chepstow, was the ancient residence of the Kemeys family, from whom sprang Sir Nicholas Kemeys, the last governor of Chepstow Castle, whose heroic but tragical fate has been already noticed in these pages. The ruins of this ancient homestead are too inconsiderable to challenge more than a passing glance from the tourist. The same may be said of Dinham, a hamlet in the parish of Llanvair-Discoed.
Goldcliffe, “so called,” says Camden, “because the stones there, of a golden colour, by reverberation of the sunne shining full upon them, glitter with a wonderful brightnesse. Neither can I be easilie perswaded that nature hath given this brightnesse in vaine unto the stones, and that there should be a flowre here without fruit; were there any man that would serch into the veines there, and using the direction of Art, enter into the inmost and secretest bowels of the earth.”[105] But what was a mystery in the days of Giraldus, and even of Camden, admits of a very simple solution. The Gold Cliff, so called, consists of a rock nearly perpendicular, which rises abruptly to the height of a hundred feet in an extensive moor.[106] It consists of limestone strata, nearly horizontal and parallel, supported by a base of brown sandstone, abounding with yellow mica. The brilliant effect of the sun upon this micaceous surface, was a reason for the old belief in the neighbourhood, that the rock contained gold, and was therefore considered as a situation of peculiar value and sanctity.[107] The church of Goldcliffe belonged to a priory founded and endowed in 1113, by Robert de Chandos, eighteen years earlier than that of Tinterne Abbey, who, by the persuasion of Henry the First, annexed it to the Abbey of Bec, in Normandy, whence a prior and twelve Black, or Benedictine, friars were conveyed to it. On the suppression of alien priories, Henry Beauchamp, Earl of Warwick, obtained of King Henry the Sixth the patronage of the priory, with permission to annex it to the Abbey of St. Mary, at Tewkesbury, to which it was made a cell in 1442. The Cambro-Britons, however, being offended at this measure, obliged the prior and monks of Tewkesbury to quit Goldcliffe in 1445; but in the following year they were permitted to return. In the twenty-ninth of the reign of Henry the Sixth, Goldcliffe Priory was granted to the college at Eton, and to Tewkesbury again. At the accession of Edward the Fourth, but seven years later, it was restored to Eton college, in whose possession it has since remained.[108]
Caldicot.—The castle of this name is said to have been erected by one of the ancient Bohuns, earls of Hereford, hereditary lords-high-constables of England,[109] for nearly two hundred years. From them the castle descended to Henry, Duke of Lancaster, and upon his accession to the throne as Henry the Fourth, it was invested in the crown. The ivy-mantled walls enclose a large court, with three entrances. The principal gateway is flanked by lofty square towers; and on the east side are the remains of the hall, comprising a range of windows, of large size and elegant workmanship. The style of masonry, as shown in the construction of the walls, is excellent; the courses of large and equal sized stones, are accurately squared and jointed; but the whole construction has more the appearance of an ancient domestic residence, than of a British stronghold—well suited for the accommodation of a feudal baron and his retinue in times of peace, but ill prepared to resist an enemy, or sustain a siege.