We traversed the city this evening in all its extent in our way to the Duke d’Alafoens’s villa, and gave vast numbers of her most faithful Majesty’s subjects an opportunity of staring at the height of the coach-box, the short jacket of the postilion, and other Anglicisms of the equipage. The Duke had been summoned to a council of state; but we found the Marquis of Marialva, who went with us round the apartments of the villa, which have nothing remarkable except one or two large saloons of excellent and striking proportions.
He afterwards proposed accompanying us about half-a-mile farther to the quinta of Marvilla, which belongs to his father. This spot has great picturesque beauties. The trees are old and fantastic, bending over ruined fountains and mutilated statues of heroes in armour, variegated by the lapse of years with innumerable tints of purple, green, and yellow. In the centre of almost impenetrable thickets of bay and myrtle, rise strange pyramids of rock-work surrounded by marble lions, that have a magic, symbolical appearance. M—— has feeling enough to respect these uncouth monuments of an age when his ancestors performed so many heroic achievements, and readily promised me never to sacrifice them and the venerable shades in which they are embowered, to the pert, gaudy taste of modern Portuguese gardening.
We walked part of the way home by the serene light of the full moon rising from behind the mountains on the opposite shore of the Tagus, at this extremity of the metropolis above nine miles broad. Lisbon, which appeared to me so uninteresting a few hours ago, assumed a very different aspect by these soft gleams. The flights of steps, terraces, chapels, and porticos of several convents and palaces on the brink of the river, shone forth like edifices of white marble, whilst the rough cliffs and miserable sheds rising above them were lost in dark shadows. The great square through which we passed was filled with idlers of all sorts and sexes, staring up at the illuminated windows of the palace in hopes of catching a glimpse of her Majesty, the Prince, the Infantas, the Confessor, or Maids of Honour, whisking about from one apartment to the other, and giving ample scope to amusing conjectures. I am told the Confessor, though somewhat advanced in his career, is far from being insensible to the allurements of beauty, and pursues the young nymphs of the palace from window to window with juvenile alacrity.
It was nine before we got home, and I had not been long reposing myself after my walk, and arranging some plants I had gathered in the thickets of Marvilla, before three distinct ringings of the bell at my door announced the arrival of some distinguished personage; nor was I disappointed, for in came the old Marquis of Penalva and his son, who till a year ago, when the Queen granted him the same title as his father, was called Conde de Tarouca.
You must have heard frequently of that name. A grandfather of the old Marquis rendered it very illustrious by several important and successful embassies: the splendid entertainments he gave at the Congress of Utrecht, are amply described in Madame du Noyers and several other books of memoirs.
The Penalvas brought this evening in their suite a famous Jesuit, Padre Duarte, whom Pombal thought of sufficient consequence to be imprisoned for eighteen years, and a tall, knock-kneed, rhubarb-faced physician, in a gorgeous suit of glistening satin, one of the most ungain, conceited professors of the art of murdering I ever met with. Between the Jesuit and the doctor I had enough to do to keep my temper or countenance. They prated incessantly, pretended to have the most implicit admiration for everything that came from England, either in the way of furniture or poetry, and confounding dates, names, and subjects in one strange jumble, asked whether Sir Peter Lely was not the actual President of our Royal Academy, and launched forth into a warm encomium of my countryman Hans Holbein. I begged leave to assure these complaisant sages, that the last-mentioned artist was born at Basle, and that Sir Peter Lely had been dead a century. They stared a little at this information, but continued, nevertheless, in full song, playing off a sounding peal of compliments upon our national proficiency in painting, watch-making, the stocking-manufactory, &c. when General Forbes came in and made a diversion in my favour. We had some conversation upon the present state of Portugal, and the risks it runs of being swallowed up by the negotiations, not by the arms of Spain, ere many years are elapsed....
Our discourse was interrupted by the arrival of a fiddler, a priest, and an Italian musician, humble servants and toad-eaters to my illustrious guests. They fell a thumping my poor piano-forte, and playing sonatas whether I would or not. You are aware I am no great friend to sonatas, and that certain chromatic, squeaking tones of a fiddle, when the performer turns up the whites of his eyes, waggles a greasy chin, and affects ecstasies, set my teeth on edge. The griping countenance of the doctor was enough to produce that effect already, without the assistance of his fellow parasites, the priest and musician. Padre Duarte seemed to like them no better than myself; General Forbes had wisely withdrawn; and the old Marquis, inspired by a pathetic adagio, glided suddenly across the room in a step which I took for the beginning of a ballet heroique, but which turned out a minuet in the Portuguese style, with all its kicks and flourishes, in which Miss S——, who had come in to tea, was persuaded to join much against her inclination. It was no sooner ended, than the doctor displayed his rueful length of person in such a twitching angular minuet, as I want words to describe; so, between the sister-arts of music and dancing, I passed a delectable evening. This set shan’t catch me at home again in a hurry.
LETTER XVII.
Dog-howlings.—Visit to the Convent of San Josè di Ribamar.—Breakfast at the Marquis of Penalvas.—Magnificent and hospitable reception.—Whispering in the shade of mysterious chambers.—The Bishop of Algarve.—Evening scene in the garden of Marvilla.
July 2nd, 1787.