A numerous group of the young ladies’ kindred stood ready at the street-door, with all that hospitable courtesy for which the Portuguese are so remarkably distinguished, to usher the strangers up-stairs into a gallery hung with arras and sconces, not unlike the great room of an Italian inn, once the palace of a nobleman. To keep up these post-house ideas, we scented a strong effluvia of the stable, and heard certain stampings and neighings, as if a party of hounnyms had arrived to partake of the concert.
Many strange, aboriginal figures of both sexes were assembled, an uncouth collection enough, I am apt to conjecture; however, I soon ceased giving them any notice. The young lady of the house charmed me at first sight by her graceful, modest manner; but when she sang some airs, composed by the famous Perez, I was not less delighted than surprised. Her voice modulates with unaffected carelessness into the most pathetic tones.[15] Though she has adopted the masterly and scientific style of Ferracuti, one of the first singers in the Queen’s service, she gives a simplicity of expression to the most difficult passages, that makes them appear the effusions of a young romantic girl warbling to herself in the secret recesses of a forest.
I sat in a dark corner, unconscious of every thing that passed in the apartment, of the singular figures that entered, or those that went away; the starings, whisperings, and fan-flirtings of the assembly were lost upon me: I could not utter a syllable, and was vexed when an arbitrary old aunt insisted upon no more singing, and proposed a faro-table and a dance.
Most eagerly did I wish all the kindred and their friends petrified for the time being by some obliging necromancer, and would have done any thing, short of engaging my own dear self to the devil, to have obtained an uninterrupted audience of the syren till morning.
LETTER XVI.
Ups-and-downs of Lisbon.—Negro Beldames.—Quinta of Marvilla.—Moonlight view of Lisbon.—Illuminated windows of the Palace.—The old Marquis of Penalva.—Padre Duarte, a famous Jesuit.—Conversation between him and a conceited Physician.—Their ludicrous blunders.—Toad-eaters.—Sonatas.—Portuguese minuets.
30th June, 1787.
...WE sallied out after dinner to pay visits. Never did I behold such cursed ups-and-downs, such shelving descents and sudden rises, as occur at every step one takes in going about Lisbon. I thought myself fifty times on the point of being overturned into the Tagus, or tumbled into sandy ditches, among rotten shoes, dead cats, and negro beldames, who retire into such dens and burrows for the purpose of telling fortunes and selling charms for the ague.
The Inquisition too often lays hold of these wretched sibyls, and works them confoundedly. I saw one dragging into light as I passed by the ruins of a palace thrown down by the earthquake. Whether a familiar of the Inquisition was griping her in his clutches, or whether she was being taken to account by some disappointed votary, I will not pretend to answer. Be that as it may, I was happy to be driven out of sight of this hideous object, whose contortions and howlings were truly horrible.
The more one is acquainted with Lisbon, the less it answers the expectations raised by its magnificent appearance from the river. Could a traveller be suddenly transported without preparation or prejudice to many parts of this city, he would reasonably conclude himself traversing a succession of villages awkwardly tacked together, and overpowered by massive convents. The churches in general are in a woful taste of architecture, the taste of Borromini, with crinkled pediments, furbelowed cornices and turrets, somewhat in the style of old-fashioned French clock-cases, such as Boucher designed with many a scrawl and flourish to adorn the apartments of Madame de Pompadour.