She rose, still holding his hand, and stood by him, so that he could not quite see her face. Then she said, in a very low voice indeed,

"Dearest, may I give you a ring?—you do not wear one at all—"

"But surely, Natalie, it is for me to choose a ring for you?"

"Ah, it is not that I mean," she said, quickly, and with her face flushing. "It is a ring that will remind you of the promise you have given me to-day—when we may not be able to see each other."


CHAPTER XXVII.

KIRSKI.

To this pale student from the Reading-room of the British Museum, as he stands on a bridge crossing one of the smaller canals, surely the scene around him must seem one fitted to gladden the heart; for it is Venice at mid-day, in glowing

sunlight: the warm cream-white fronts of the marble palaces and casemented houses, the tall campanili with their golden tips, the vast and glittering domes of the churches, all rising fair and dream-like into the intense dark-blue of a cloudless sky. How the hot sunlight brings out all the beautiful color of the place—the richly laden fruit-stalls in the Riva dei Schiavoni; the russet and saffron sails of the vessels; the canal-boats coming in to the steps with huge open tuns of purple wine to be ladled out with copper buckets; and then all around the shining, twinkling plain of the green-hued sea, catching here and there a reflection from the softly red walls of San Giorgio and the steel-gray gleaming domes of Santa Maria della Salute.

Then the passers-by: these are not like the dusky ghosts that wander through the pale-blue mists of Bloomsbury. Here comes a buxom water-carrier, in her orange petticoat and sage-green shawl, who has the two copper cans at the end of the long piece of wood poised on her shoulders, pretty nearly filled to the brim. Then a couple of the gayer gondoliers in white and blue, with fancy waist-belts, and rings in their ears. A procession of black-garbed monks wends slowly along; they have come from the silence of the Armenian convent over there at the horizon. Some wandering minstrels shoot their gondola into the mouth of the canal, and strike up a gay waltz, while they watch the shaded balconies above. Here is a Lascar ashore from the big steamer that is to start for Alexandria on the morrow. A company of soldiers, with blue coats, canvas trousers, and white gaiters, half march and half trot along to the quick, crackling music of the buglers. A swarthy-visaged maiden, with the calm brow of a Madonna, appears in the twilight of a balcony, with a packet of maize in her hand, and in a minute or two she is surrounded with a cloud of pigeons. Then this beggar—a child of eight or ten—red-haired and blue-eyed: surely she has stepped out of one of Titian's pictures? She whines and whimpers her prayers to him; but there is something in her look that he has seen elsewhere. It belongs to another century.