The writer of the "French Gardener," of which I have had occasion to say a good deal in my small volume on that subject, also produced, "Les Délices de la Campagne," which Evelyn excused himself from translating because, whatever experience he had in the garden, he had none, he says, in the shambles; and it was for those who affected such matters to get it done, but not by him who did the "French Cook" [Footnote: I have not seen this book, nor is it under that title in the catalogue of the British Museum]. He seems to imply that the latter, though an excellent work in its way, had not only been marred in the translation, but was not so practically advantageous to us as it might have been, "for want of skill in the kitchen"—in other words, an evil, which still prevails, was then appreciated by intelligent observers—the English cook did not understand her business, and the English mistress, as a rule, was equally ignorant.

One of the engravings in the "French Gardener" represents women rolling out paste, preparing vegetables, and boiling conserves.

There is a rather quaint and attractive class of miscellaneous receipt-books, not made so on account of any particular merit in their contents, but by reason of their association with some person of quality. MS. Sloane 1367, is a narrow octavo volume, for instance, containing "My Lady Rennelagh's choice Receipts: as also some of Capt. Gvilt's, who valued them above gold." The value for us, however, is solely in the link with a noble family and the little touch about the Captain. There are many more such in public and private libraries, and they are often mere transcripts from printed works—select assemblages of directions for dressing food and curing diseases, formed for domestic reference before the advent of Dr. Buchan, and Mrs. Glasse, and Mrs. Rundell.

Among a valuable and extensive assemblage of English and foreign cookery books in the Patent Office Library, Mr. Ordish has obligingly pointed out to me a curious 4to MS., on the cover of which occurs, "Mrs. Mary Dacres her booke, 1666."

Even in the latter part of the seventeenth century the old-fashioned dishes, better suited to the country than to the Court taste, remained in fashion, and are included in receipt-books, even in that published by Joseph Cooper, who had been head-cook to Charles I, and who styles his 1654 volume "The Art of Cookery Refined and Augmented." He gives us two varieties of oatmeal pudding, French barley pudding, and hasty pudding in a bag. There is a direction for frying mushrooms, which were growing more into favour at the table than in the days when Castelvetri, whom I cite in my monograph on Gardening, was among us. Another dainty is an ox-palate pie.

Cooper's Preface is quaint, and surely modest enough. "Though the cheats," says he, "of some preceding pieces that treated on this subject (whose Title-pages, like the contents of a weekly Pamphlet, promised much more than the Books performed) may have provided this but a cold intertainment at its first coming abroad; yet I know it will not stay long in the world, before every rational reader will clear it of all alliance to those false pretenders. Ladies, forgive my confidence, if I tell you, that I know this piece will prove your favourite."

Yet Cooper's performance, in spite of its droll, self-complacent vein in the address to the Reader, is a judicious and useful selection, and was, in fact, far more serviceable to the middle-class gentry than some of those which had gone before. It adapted itself to sundry conditions of men; but it kept in view those whose purses were not richly lined enough to pay for dainties and "subtleties." It is pleasant to see that, after the countless centuries which had run out since Arthur, the bag-pudding and hot-pot maintained their ground—good, wholesome, country fare.

After the fall of the Monarchy in 1648, the chef de cuisine probably found his occupation gone, like a greater man before him; and the world may owe to enforced repose this condescension to the pen by the deposed minister of a king.

Soon after the Restoration it was that some Royalist brought out a small volume called "The Court and Kitchen of Elizabeth, commonly called Joan Cromwell, the wife of the late Usurper, truly described and represented," 12mo, 1664. Its design was to throw ridicule on the parsimony of the Protectoral household. But he recites some excellent dishes which made their appearance at Oliver's table: Dutch puddings, Scotch collops of veal, marrow puddings, sack posset, boiled woodcocks, and warden pies. He seems to have understood that eight stone of beef were cooked every morning for the establishment, and all scraps were diligently collected, and given alternately to the poor of St. Margaret's, Westminster, and St. Martin's-in-the-Fields. The writer acquaints us that, when the Protector entertained the French ambassador and the Parliament, after the Sindercome affair, he only spent £1,000 over the banquet, of which the Lady Protectress managed to save £200. Cromwell and his wife, we are told, did not care for suppers, but contented themselves with eggs and slops.

A story is told here of Cromwell and his wife sitting down to a loin of veal, and his calling for an orange, which was the sauce he preferred to that joint, and her highness telling him that he could not have one, for they were not to be had under a groat.