The Campo Santo of Genoa is a mortuary gloss of Genoese history: of the long succession of civic strifes and foreign wars common to all the Italian republics, now pacified at last by a spirit of unity, of brotherhood. At Genoa, more than anywhere else in Italy except Milan, you are aware of the North—its strenuousness, its enterprise, its restless outstretching for worlds beyond itself. Columbus came with the gift of a New World in his hand, and, in the fulness of time, Mazzini came with the gift of a Newer World in his hand: the realization of Christ in the ideal of duties without which the old ideal of rights is heathen and helpless. Against the rude force of Genoa, the aristocratic beauty of such a place as Pisa was nothing; only Florence and Venice might vie with her. But she had not the inspiration of Florence, her art, her literature; the dialect in which she uttered herself is harsh and crabbed, and no poet known beyond it has breathed his soul into it; her architecture was first the Gothic from over the Alps, and then of the Renaissance which built the palaces of her merchants in a giant bulk and of a brutal grandeur. She had not the political genius of Venice, the oligarchic instinct of self-preservation from popular misgovernment and princely aggression. Her story is the usual Italian story of a people jealous of each other, and, in their fear of a native tyrant, impatiently calling in one foreign tyrant after another and then furiously expelling him. When she would govern herself, she first made her elective chief magistrate Doge for life, and then for two years; under both forms she submitted and rebelled at will from 1359 till 1802, when, after having accepted the French notion of freedom from Bonaparte, she enjoyed a lion's share of his vicissitudes. For a hundred years before that the warring powers had fought over her in their various quarrels about successions, and she ought to have been well inured to suffering when, in 1800, the English and the Austrians besieged her French garrison, and twenty thousand of her people starved in a cause not their own. The English restored the Doges, and the Republic of Genoa fell at last nineteen years after the Republic of Venice and three hundred years after the Republic of Florence. She was given to Piedmont in 1815 by the Congress of Vienna, and she has formed part of Italy ever since the unification. I believe that now she is of rather radical opinions in politics, though the bookseller who found on his shelves a last copy of the interesting sketch of Genoese history which I have profited by so little, said that the Genoese had been disappointed in the Socialists, lately in power, and were now voting Clerical by a large majority.
The fact may have been colored by the book-seller's feelings. If the Clericals are in superior force, the clerics are not: nowhere in Italy did I see so few priests. All other orders of people throng the narrow, noisy, lofty streets, where the crash of feet and hoofs and wheels beats to the topmost stories of the palaces towering overhead in their stony grandiosity. Everywhere in the structures dating after the Gothic period there is want of sensibility; the art of the Renaissance was not moulded here in the moods of a refined and effeminate patriciate, such as in Venice tempered it to beauty; but it renders in marble the prepotence of a commercialized nobility, and makes good in that form the right of the city to be called Genoa the Proud. Perhaps she would not wish to be called proud because of these palaces alone. It is imaginable that she would like the stranger to remember the magnificence with which she rewarded the patriotism of her greatest citizen after Columbus and Mazzini: that mighty admiral, Andrea Doria, who freed this country first from the rule of Charles V. and then from the rule of Francis I.; who swept the Barbary corsairs from the seas; who beat the Turks in battles on ship and on shore; who took Corsica from the French when he was eighty-eight years old; who suffered from civil faction; who outlived exile as he had outlived war, and who died at the age of ninety-four, after he had refused the sovereignty of the country he had served so long; who was the Washington of his day, and was equally statesman and soldier, and, above all, patriot. It is his portrait that you see in that old palace (called the Palace of the Prince because Charles V. had called him Prince) overlooking the port, where he sits an old, old man, very weary, in the sole society of his sarcastic cat, as I have noted before. The cat seems to have just passed some ironical reflection on the vanity of human things and to be studying him for the effect. Both appear indifferent to the spectator, but perhaps they are not, and you must not for all that fail of a visit to the Church of San Matteo, set round with the palaces of the Doria family—the palace which his grateful country gave the Admiral after he refused to be her master, and the palaces of his kindred neighboring it round.
I do not remember any equal space in all Europe which, through a very little knowledge, so takes the heart as the gentle little church founded by an earlier Doria, and, after four hundred years, restored by a later, and then environed with the stately homes of the race, where they could be domesticated in the honor and reverence of their countrymen because of the goodness and greatness of the loftiest of their line. It is such a place as one may revere and yet possess one's soul in self-respect, very much as one may revere Mount Vernon. The church, as well as the piazza, is full of Dorian memories, and the cloister must be visited not only for its rather damp beauty, but for the full meaning of the irony which Doria's cat in the portrait wished to convey: against the wall here are gathered the fragments of the statue of Doria which, when the French Revolution came to Genoa, the patriots threw out of the ducal palace and broke in the street below.
We were some time in finding our way into the magnificent hall of the Great Council where this statue once stood, with the statues of many other Genoese heroes and statesmen, and I am not sure that it was worth all our trouble. Magnificent it certainly was, but coarsely magnificent, like so much elsewhere in Genoa; but, if we had been at ten times the trouble we were in seeing the Palace of the Municipality, I should not think it too much. There in the great hall are the monuments of those Genoese notables whose munificence their country wished to remember in the order of their generosity. I do not remember just what the maximum was, but the Doge or other leading citizen who gave, say, twenty-five thousand ducats to the state had a statue erected to him; one who gave fifteen, a bust; and one who gave five, an honorary tablet. The surprising thing is that nearly all the statues and busts, whether good likenesses or not, are delightful art: it is as if the noble acts of the benefactors of their country had inspired the sculptors to reproduce them not only in true character, but in due dignity. To the American who views them and remembers that we have now so much money that some of us do not know what to do with it, they will suggest that our millionaires have an unrivalled opportunity of immortality in the same sort. There is hardly a town of ten thousand inhabitants in the country where there are not men who could easily afford to give a hundred thousand dollars, or fifty, or twenty to their native or adoptive place and so enter upon a new life in bronze or marble. This would enrich us beyond the dreams of avarice in a high-grade portrait statuary; it would give work to hundreds of sculptors who now have little or nothing to do, and would revive or create the supplementary industries of casting in metal or carving in stone.
The time was in Genoa, it seems, as the time is now with us, when a great many people did not know what to do with their money. There were sumptuary laws which forbade their spending it, either they or their wives or daughters, in dress; apparently they could not even wear Genoa velvet, which had to be sold abroad for the corruption of the outside world; and this is said to be the reason why there were so many palaces built in Genoa in the days of the republic. People who did not wish to figure in that hall of fame put their surplus into the immense and often ugly edifices which we still see ministering to their pride in the wide and narrow streets of the city. Now and then a devout family built or rebuilt a church and gave it to the public; but by far the greater number put up palaces, where, after the house-warming, they dwelt in a cold and economical seclusion. Some of their palaces are now devoted to public uses; they are galleries of pictures and statues most worthy to be seen, or they are municipal offices, or museums, or schools of art or science; but part are still in the keeping of the families that contributed them to the splendor of their city. The streets in which they stand are loud with transit and traffic, but the palaces hold aloof from the turmoil and lift their lofty heads to the level of the gardens behind them. Huge, heavy they are, according to the local ideal, and always wanting the delicacy of Venetian architecture, where something in the native genius tempered to gentleness the cold severity of Palladio, and where Sansovino knew how to bridge the gulf between the Gothic and the Renascent art that would have been Greek but halted at being Roman.
The grandeur of those streets of palaces in Genoa cannot be denied, but perhaps, if the visitor quite consulted his preference or indulged his humor, he would wander rather through the arcades of the busy port, up the chasmal alleys of little shops into the tiny piazzas, no bigger than a good-sized room, opening before some ancient church and packed with busy, noisy people. The perspective there is often like the perspective in old Naples, but the uproar in Genoa does not break in music as it does in Naples, and the chill lingering in the sunless depths of those chasms is the cold of a winter that begins earlier and a spring that loiters later than the genial seasons of the South.
X. EDEN AFTER THE FALL
A few years ago an Englishman who had lived our neighbor in the same villa at San Remo, came and said that he was going away because it was so dull at San Remo. He was going with his wife to Monte Carlo, because you could find amusement every day in the week at the tables of the different games of chance, and Sundays there was a very nice little English church. He did not seem to think there was anything out of the way in his grouping of these advantages, but he did not strongly urge them upon us, and we restricted ourselves in turn to our tacit reflections on the indifference of the English to a point of morals on which the American conscience is apt to suffer more or less anguish if it offends. So far as I know they do not think it wrong to take money won at any game; but possibly their depravity in this matter rather comforted us than offended. At any rate, I am sure of the superiority of our own morals in visiting Monte Carlo after we left Genoa. If we did not look forward with our Englishman's complacency to the nice little church there, we certainly did not mean to risk our money at the tables of Roulette, nor yet at the tables of Trente et Quarante, in the Casino. What we really wished to do was to look on in the spiritual security of saints while the sinners of both sexes lost and gained to the equal hurt of their souls. We perhaps expected to hear the report of a pistol in the gardens of the Casino, if we did not actually see the ruined gambler falling among the flowers, or if not so much as this, we thought we might witness his dramatic despair as the croupier drew in the last remnant of his fortune and mechanically invited the other Messieurs and Mesdames to make their game; secretly, we might even have been willing to see something hysterical on the part of the Mesdames if fate frowned upon them, or something scandalously exuberant if it smiled. If our motives were not the worst, they were, at any rate, not the best; I suppose they were the usual human motives, and I am afraid they were mixed.