The Coast of Bohemia

by William Dean Howells

His studio stood a little back from the sidewalk; it was approached by a broad sloping pavement, and had two wide valves for the doorway. He opened the door himself, at their ring, and they found themselves in a large, gray room which went to the roof, with its vaulted ceiling; this was pierced with a vast window, that descended half-way down the northward wall. "My studio started in life as a gentleman's stable; then it fell into the hands of a sculptor, and then it got as low as a painter." He said to Charmian, "Mr. Plaisdell has told me how ingeniously you treated one of your rooms that you took for a studio."

Charmian answered with dark humility, "But a studio without a painter in it!" and there were some offers and refusals of compliment between them, which ended in his saying that he would like to see her studio, and her saying that Mrs. Maybough would always be glad to see him. Then he talked with Mrs. Westley, who was very pleasant to Cornelia while the banter with Charmian went on, and proposed to show his pictures; he fancied that was what he had got them there, for; but he would make a decent pretence of the Manet, first.

The Manet was one of that painter's most excessive; it was almost insolent in its defiance of the old theory and method of art. "He had to go too far, in those days, or he wouldn't have arrived anywhere," Ludlow said, dreamily, as he stood looking with them at the picture. "He fell back to the point he had really meant to reach." He put the picture away amidst the sighs and murmurs of Mrs. Westley and Charmian, and the silence of Cornelia, which he did not try to break. He began to show his own pictures, taking them at random, as it seemed, from the ranks of canvasses faced against the wall. "You know we impressionists are nothing if not prolific," he said, and he kept turning the frame on his easel, now for a long picture, and now for a tall one. The praises of the others followed him, but Cornelia could not speak. Some of the pictures she did not like; some she thought were preposterous; but there were some that she found brilliantly successful, and a few that charmed her with their delicate and tender poetry. He said something about most of them, in apology or extenuation; Cornelia believed that she knew which he liked by his not saying anything of them.

Suddenly he set a large picture on the easel that quite filled the frame. "Trotting Match at the Pymantoning County Fair," he announced, and he turned away and began to make tea in a little battered copper kettle over a spirit-lamp, on a table strewn with color-tubes in the corner.

"Ah, yes," said Mrs. Westley. "I remember this at the American Artists; three or four years ago, wasn't it? But you've done something to it, haven't you?"

"Improved with age," said Ludlow, with his back toward them, bent above his tea-kettle. "That's all."

"It seems like painting a weed, though," said Charmian. "How can you care for such subjects?"

Ludlow came up to her with the first cup of tea. "It's no use to paint lilies, you know."

"Do you call that an answer?"

"A poor one."