“Naturally. There are not many people, even in a planet so overpeopled as this, who are the peers of David Hughes. He goes far to make me respect my species. Of course he is ridiculous. A man so hopeful as Hughes is the reductio ad absurdum of the human proposition. How can there reasonably be hope in a world where poverty and death are? To be sure, Hughes proposes to eliminate poverty and explain death. You know he thinks—he really believes, I suppose—that if he could once get his millenium going, and everybody so blessed in this life that the absolute knowledge of heavenly conditions in another would not tempt us to suicide, then the terror and the mystery of death would be taken away, and the race would be trusted with its benificent meaning. It’s rather a pretty notion.”
Ray, with his narrow experience, would not have been able to grasp it fully. Now he broke out without the least relevancy to it, “I wonder how it would do to remodel my story so far as to transfer the scene to New York? It might be more popular.” The criticism that one of those readers had made on the helplessness of his fidelity to simple rustic conditions had suddenly begun to gall him afresh. “I beg your pardon. I didn’t notice what you were saying! I can’t get my mind off that miserable thing!”
Kane laughed. “Oh, don’t apologize. I know how it is. Perhaps a change of scene would be good; it’s often advised, you know.” He laughed again, and Ray with him, ruefully, and now he rose.
“Oh, must you go?” Ray entreated.
“Yes. You are best alone; when we are in pain we are, alone, anyway. If misery loves company, company certainly does not love misery. I can stand my own troubles, but not other people’s. Good-by! We will meet again when you are happier.”
XXII.
Mr. Brandreth tried hard to escape from the logic of his readers’ opinions. In the light of his friendly optimism they took almost a favorable cast. He argued that there was nothing absolutely damnatory in those verdicts, that they all more or less tacitly embodied a recommendation to mercy. So far his personal kindliness carried him, but beyond this point business put up her barrier. He did not propose to take the book in spite of his readers; he said he would see; and after having seen for a week longer, he returned the MS. with a letter assuring Ray of his regret, and saying that if he could modify the story according to the suggestions of their readers, Chapley & Co. would be pleased to examine it again.
Ray had really expected some such answer as this, though he hoped against reason for something different. In view of it he had spent the week mentally recasting the story in this form and in that; sometimes it yielded to his efforts in one way or another; when the manuscript came into his hands again, he saw that it was immutably fixed in the terms he had given it, and that it must remain essentially what it was, in spite of any external travesty.
He offered Mr. Brandreth his thanks and his excuses for not trying to make any change in it until he had first offered it as it was to other publishers. He asked if it would shut him out of Chapley & Co.’s grace if he were refused elsewhere, and received an answer of the most flattering cordiality to the effect that their desire to see the work in another shape was quite unconditioned. Mr. Brandreth seemed to have put a great deal of heart in this answer; it was most affectionately expressed; it closed with the wish that he might soon see Ray at his house again.
Ray could not have believed, but for the experience which came to him, that there could be so many reasons for declining to publish any one book as the different publishers now gave him. For the most part they deprecated the notion of even looking at it. The book-trade had never been so prostrate before; events of the most unexpected nature had conspired to reduce it to a really desperate condition. The unsettled state of Europe had a good deal to do with it; the succession of bad seasons at the West affected it most distinctly. The approach of a Presidential year was unfavorable to this sensitive traffic. Above all, the suspense created by the lingering and doubtful fate of the international copyright bill was playing havoc with it; people did not know what course to take; it was impossible to plan any kind of enterprise, or to risk any sort of project. Men who had been quite buoyant in regard to the bill seemed carried down to the lowest level of doubt as to its fate by the fact that Ray had a novel to offer them; they could see no hope for American fiction, if that English trash was destined to flood the market indefinitely. They sympathized with him, but they said they were all in the same boat, and that the only thing was to bring all the pressure each could to bear upon Congress. The sum of their counsel and condolence came to the effect in Ray’s mind that his best hope was to get A Modern Romeo printed by Congress as a Public Document and franked by the Senators and Representatives to their constituents. He found a melancholy amusement in noting the change in the mood of those who used to meet him cheerfully and carelessly as the correspondent of a newspaper, and now found themselves confronted with an author, and felt his manuscript at their throats. Some tried to joke; some became helplessly serious; some sought to temporize.