Plate 18.
HUNGARIAN ASH, WIPED OUT.
[CHAPTER VI.]
CHESTNUT.
This wood is not frequently used as an interior finish, but sixteen years ago it was almost the only hardwood used for interior finish in the New England States; and any grainer who succeeded in matching it was considered very skilful. It is a highly-porous wood, and on that account is undesirable, as, if not entirely protected from the changes in temperature by being thoroughly filled, it will warp or swell; and I have seen doors concave or convex as much as three inches in a two foot eight inch door. It also turns very dark with age, and its hearts or prominent grains are very coarse. I have seen specimens which measured eighteen inches from point to point at the heart. The colors used are raw sienna, burnt umber, Vandyke brown and a little burnt sienna. There is some resemblance to ash in the finer growth of chestnut, but its general characteristics are more angular—that is, the hearts run more to points than those of ash—and in most of the hearts a faint outline appears between the points. The combing also is much coarser than that meant for ash. Chestnut can be done in either oil or water color. I think it can be done best in oil, using the rag to wipe out the color and combing in the edges of the hearts with a rubber comb covered with a thin piece of rag. This comb should not be over two inches in width, and the teeth should be about five to the inch. When the hearts are wiped out and lightly-blended, the fine outline may be put in between the points in the hearts by using a sharp-pointed stick or the round corner of a steel comb. The work, when dry, may be lightly stippled in distemper, or a thin glaze of color without stippling may be applied to bring the work to the desired depth of color; this shading-color may be mixed in oil or water color.
In imitating this wood in water color the work should first be stippled in very fine and allowed to dry; then put in the growths with the small fitch tool, and use the overgrainer for the same purpose as that for which the comb is used in oil color to follow the edges of the hearts, and to produce the "combed" work; a piped bristle over-grainer will be found useful for this purpose.
BIRD'S-EYE MAPLE.
To my mind, this is the most beautiful of our native woods, and it is a shame that it is often cut down for firewood; however, it seems to be growing in favor among the furniture-makers, and is far more generally used in the interior of horse-cars and railway-cars than it was ten years ago. The colors used in representing maple are raw sienna, raw umber, a little Vandyke brown or ivory black and a little burnt sienna, to be added to the color when over-graining or putting in the pencil-work and the eyes.
