Plate 19.
BIRD'S-EYE MAPLE, OVERGRAINED.
Plate 20.
CHESTNUT.
Plate 21.
BIRD'S-EYE MAPLE, MOTTLED, READY FOR THE EYES.
This wood is almost invariably imitated in water color, as oil is too slow in drying to be used with any success. Stale beer is the best vehicle with which to apply the color. The implements needed are a good sponge, a piece of soft cotton rag or chamois leather, a brush to apply the color, a large and a small mottler or cut tool, a badger blender, an overgrainer and fitch tool, and a camel's-hair pencil. First dampen the ground-work over with the sponge, which has been wrung out of clean water, or of beer and water; then rub in the color, doing a panel or a small piece at a time, and while wet wipe out the high lights and put in the shadows with the sponge or the mottler or the backs of the fingers, or draw the color up into small bunches or clusters with the blender or mottler and blend lightly crosswise. When the lights and the shadows are dry, the eyes are put in. By observing the real wood it will be found that the eyes invariably appear in the darker portions of the grain, and that the shadows seem to slope away from them. Very often the shadows all slant one way and the eyes in the same way; this must be taken into consideration in imitating maple. Do not have all the eyes and all the shadows slanting the same way in different panels, as is often seen in the interior of cars, but reverse the style, bringing the opposite panels to balance with each other.