Charlemont; Or, The Pride of the Village. a Tale of Kentucky

by William Gilmore Simms

“Whose instant touches, slightest pause,”

teach the approach of the smallest forms of danger, however inoffensive their shapes, however unobtrusive their advance. When the sensibilities are neglected and suffered to fall into disrepute, they grow idle first, and finally obtuse! even as the limb which you forbear to exercise loses its muscle, and withers into worthlessness.

When Alfred Stevens discovered this condition, his plan was simple enough. He had only to stimulate her mind into bolder exercise—to conduct it to topics of the utmost hardihood—to inspire that sort of moral recklessness which some people call courage—which delights to sport along the edge of the precipice, and to summon audacious spirits from the great yawning gulfs which lie below. This practice is always pursued at the expense of those guardian feelings which keep watch over the virtues of the tender heart.

The analysis of subjects commonly forbidden to the sex, necessarily tends to make dull those habitual sentinels over the female conduct. These sentinels are instincts rather than principles. Education can take them away, but does not often confer them. When, through the arts of Alfred Stevens, Margaret Cooper was led to discuss, perhaps to despise, those nice and seemingly purposeless barriers which society—having the experience of ages for its authority—has wisely set up between the sexes—she had already taken a large stride toward passing them. But of this, which a judicious education would have taught her, she was wholly ignorant. Her mind was too bold to be scrupulous; too adventurous to be watchful; and if, at any moment, a pause in her progress permitted her to think of the probable danger to her sex of such adventurous freedom, she certainly never apprehended it in her own case. Such restraints she conceived to be essential only for the protection of THE WEAK among her sex. Her vanity led her to believe that she was strong; and the approaches of the sapper were conducted with too much caution, with a progress too stealthy and insensible, to startle the ear or attract the eye of the unobservant, yet keen-eyed guardian of her citadel. An eagle perched upon a rock, with wing outspread for flight, and an eye fixed upon the rolling clouds through which it means to dart, is thus heedless of the coiled serpent which lies beneath its feet.

The bold eye of Margaret Cooper was thus heedless. Gazing upon the sun, she saw not the serpent at her feet. It was not because she slept: never was eye brighter, more far-stretching; never was mind more busy, more active, than that of the victim at the very moment when she fell. It was because she watched the remote, not the near—the region in which there was no enemy, nothing but glory—and neglected that post which is always in danger. Her error is that of the general who expends his army upon some distant province, leaving his chief city to the assault and sack of the invader.

We have dwelt somewhat longer upon the moral causes which, in our story, have produced such cruel results, than the mere story itself demands; but no story is perfectly moral unless the author, with a wholesome commentary, directs the attention of the reader to the true weaknesses of his hero, to the point where his character fails; to the causes of this failure, and the modes in which it may be repaired or prevented. In this way alone may the details of life and society be properly welded together into consistent doctrine, so that instruction may keep pace with delight, and the heart and mind be informed without being conscious of any of those tasks which accompany the lessons of experience.

To return now to our narrative.

Margaret Cooper lived! She might as well have died. This was HER thought, at least. She prayed for death. Was it in mercy that her prayer was denied? We shall see! Youth and a vigorous constitution successfully resisted the attacks of the assailant. They finally obtained the victory. After a weary spell of bondage and suffering, she recovered. But she recovered only to the consciousness of a new affliction. All the consequences of her fatal lapse from virtue have not yet been told. She bore within her an indelible witness of her shame. She was destined to be a mother without having been a wife!

This, to her mother at least, was a more terrible discovery than the former. She literally cowered and crouched beneath it. It was the WRITTEN shame, rather than the actual, which the old woman dreaded. She had been so vain, so criminally vain, of her daughter—she had made her so constantly the subject of her brag—that, unwitting of having declared the whole melancholy truth, in the first moment of her madness, she shrank, with an unspeakable horror, from the idea that the little world in which she lived should become familiar with the whole cruel history of her overthrow. She could scarcely believe it herself though the daughter, with an anguish in her eyes that left little to be told, had herself revealed the truth. Her pride as well as her life, was linked with the pride and the beauty of her child. She had shared in her constant triumphs over all around her; and overlooking, as a fond, foolish mother is apt to do, all her faults of temper or of judgment, she had learned to behold nothing but her superiority. And now to see her fallen! a thing of scorn, which was lately a thing of beauty!—the despised, which was lately the worshipped and the wondered at! No wonder that her weak, vain heart was crushed and humbled, and her head bowed in sorrow to the earth. She threw herself upon the floor, and wept bitter and scalding tears.

The daughter had none. Without sob or sigh, she stooped down and tenderly assisted the old woman to rise. Why had she no tears? She asked herself this question, but in vain. Her external emotions promised none. Indeed, she seemed to be without emotions. A weariness and general indifference to all things was now the expression of her features. But this was the deceitful aspect of the mountain, on whose breast contemplation sits with silence, unconscious of the tossing flame which within is secretly fusing the stubborn metal and the rock. Anger was in her breast—feelings of hate mingled up with shame—scorn of herself, scorn of all—feelings of defiance and terror, striving at mastery; and, in one corner, a brooding image of despair, kept from the brink of the precipice only by the entreaties of some fiercer principle of hate. She felt life to be insupportable. Why did she live? This question came to her repeatedly. The demon was again at work beside her.