In the Halsey collection is shown a silver coffee pot by Samuel Minott, and several beautiful specimens of the handiwork of Paul Revere, whose name is more often connected with the famous "midnight ride" than with the art of the silversmith. Of all the American silversmiths, Paul Revere was the most interesting. Not only was he a silversmith of renown, but a patriot, soldier, grand master Mason, confidential agent of the state of Massachusetts Bay, engraver, picture-frame designer, and die-sinker. He was born in Boston in 1735, and died in 1818. He was the most famous of all the Boston silversmiths, although he is more widely known as a patriot. He was the third of a family of twelve children, and early entered his father's shop. When only nineteen, his father died; but he was able to carry on the business. The engraving on his silver bears witness to his ability. He engraved also on copper, and made many political cartoons. He joined the expedition against the French at Crown Point, and in the war of the Revolution was a lieutenant-colonel of artillery. After the close of the war, he resumed his business of a goldsmith and silversmith in 1783. Decidedly a man of action, he well played many parts; and in all his manifold undertakings achieved brilliant success. There clings, therefore, to the articles of silver made by him an element of romantic and patriotic association which endears them to those who possess them.

French Silver Coffee Pot
Grand Prize, Union Centrale, 1886.

Revere had a real talent that enabled him to impart an unwonted elegance to his work, and he was famous as an engraver of the beautiful crests, armorial designs, and floral wreaths that adorn much of his work. His tea pots and coffee pots are unusually beautiful.

Revere coffee pots are to be seen in the Boston Museum of Fine Arts as well as in the Metropolitan Museum in New York. The Boston Museum of Fine Arts has also a coffee pot made by William Shaw and William Priest in 1751–52 for Peter Faneuil, the wealthiest Bostonian of his time, who gave to Boston Faneuil Hall, New England's cradle of American liberty.

Among other American silversmiths who produced striking designs in coffee pots, mention should be made of G. Aiken (1815); Garrett Eoff (New York, 1785–1850); Charles Faris (who worked in Boston about 1790); Jacob Hurd (1702–1758, known in Boston as Captain Hurd); John McMullin (mentioned in the Philadelphia Directory for 1796); James Musgrave (mentioned in Philadelphia directories of 1797, 1808, and 1811); Myer Myers (admitted as freeman, New York, 1746; active until 1790; president of the New York Silversmiths Society, 1786); and Anthony Rasch (who is known to have worked in Philadelphia, 1815).

In the museums of the many historical societies throughout the United States are to be seen interesting specimens of coffee pots in pewter, Britannia metal, and tin ware, as well as in pottery, porcelain, and silver. Some of these are illustrated.