In a Turkish Coffee House

Certainly there never was any such thing as a coffee-house architecture. It may be that up to the time of Abdul Hamid, when money was more plentiful than it has been for the past fifty years, there were coffee houses more comfortably appointed than now exist.

The coffee house in a modernized form is, however, quite as numerous in Turkey as in the days of Amurath III and the notorious Kuprili.

H.G. Dwight[369] writing on the present day Turkish coffee house, says:

Roasting Coffee Before a Café, Turkey

There are thoroughfares in any Turkish city that carry on almost no other form of traffic. There is no quarter so miserable or so remote as to be without one or two. They are the clubs of the poorer classes. Men of a street, a trade, a province, or a nationality—for a Turkish coffee-house may also be Albanian, Armenian, Greek, Hebrew, Kurd, almost anything you please—meet regularly when their work is done, at coffee-houses kept by their own people. So much are the humbler coffee-houses frequented by a fixed clientèle that a student of types or dialects may realize for himself how truly they used to be called Schools of Knowledge.

The arrangement of a Turkish coffee-house is of the simplest. The essential is that the place should provide the beverage for which it exists and room for enjoying the same. A sketch of a coffee-shop may often be seen on the street, in a scrap of shade or sunshine according to the season, where a stool or two invite the passer-by to a moment of contemplation. Larger establishments, though they are rarely very large, are most often installed in a room longer than it is wide, having as many windows as possible at the street end and what we would call the bar at the other. It is a bar that always makes me regret I do not etch, with its pleasing curves, its high lights of brass and porcelain striking out of deep shadow, and its usually picturesque kahvehji.

You do not stand at it. You sit on one of the benches running down the sides of the room. They are more or less comfortably cushioned, though sometimes higher and broader than a foreigner finds to his taste. In that case you slip off your shoes, if you would do as the Romans do, and tuck your feet up under you. A table stands in front of you to hold your coffee—and often in summer an aromatic pot of basil to keep the flies away. Chairs or stools are scattered about. Decorative Arabic texts, sometimes wonderful prints, adorn the walls. There may even be hanging rugs and china to entertain your eyes. And there you are.