“I have a canoe,

I will stick to you like a burr,

I have lost my mind.”

may, to the languishing Uap youths or lovelorn maids express all the tenderness of Lover’s

“What would you do, love, if I were going,

With white sail flowing,

The seas beyond?” etc.

In both songs we have a limitless expanse of seas, and eternal fidelity (how full is the image of a “burr” with its side glance of annoying persistence!). It is in the last line, however, that the Uap song bears the palm, and rises to a height of self-knowledge rarely attained by poets, of all men, and beyond all praise in its open confession of what is patent to all.

Let no one hereafter cast a slur on Uap poetry,—least of all those who admire Emily Dickinson, that belated Uap poetess, who would have been hailed as a Sappho had she been born under the palms of The Carolines.

CHAPTER VI
DANCE AND POSTURE SONGS