The outlay upon 'recreation' is made in the form of subventions and prizes granted to associations of the workmen, such as shooting and gymnastic clubs and musical societies. The manufactory, for example, boasts a philharmonic society of its own, and there is a Choral Society of St.-Gobain. Both of these have scored successes in various public exhibitions. There is a rifle club, founded in 1861, and reconstituted in 1874, with an eye to the possible military necessities of the country.
The relations between the company and its employees under this system, the germs of which were planted here two centuries ago, have assumed such a character that the workmen habitually speak not of the manufactory but of the 'maison.' They are and feel themselves to be members of a great economic family. Of 2,650 persons now actively employed in St.-Gobain, Chauny, and Cirey, 432, or 16.3 per cent., have been employed for more than thirty years; 411, or 15.5 per cent., for more than twenty and less than thirty years; 553, or 20.9 per cent., for more than ten and less than twenty years; and only 1,254, or 47.3 per cent., for less than ten years.
It would be instructive to compare this record with the records of the most important industrial establishments in England and America during the past thirty years, and I should be glad to see this done by some of the people who talk so glibly in England and America of the inherent fickleness and instability of the French character, as offering an adequate explanation of the political catastrophes which have so often recurred in France during the past century.
One of the most curious features of the establishment at St.-Gobain is a subterranean lake. The fine forests around St.-Gobain and La Fère—forests of oak, beech, elm, ash, birch, maple, yoke-elm, aspen, wild cherry, linden, elder, and willow—flourish upon a tertiary formation. The surface of clay keeps the soil marshy and damp, but this checks the infiltration of the rainwater and therefore favours the growth of the trees. In the calcareous rock the early inhabitants hollowed out for themselves caverns, in which they took refuge from their enemies and from the beasts of the forest; and these caverns, called by the people creuttes—an obvious corruption of the name of crypts, given them by the Roman conquerors of Gaul, just as the early French trappers gave the name of 'caches' to the Indian hiding-places of the Far West—are to be found all about Soissons and Laon. The more modern lords of St.-Gobain, its monks and its barons, dug out of the calcareous rock the stones which they used to build their châteaux and their churches, and they created great creuttes beneath St.-Gobain. It seems to have occurred to M. Deslandes, during his long and skilful supervision of the works here, that these caverns might be put to the very practical use of securing an adequate water-supply. The idea has been thoroughly carried out, and the subterranean reservoir of St.-Gobain is much more impressive as a spectacle than the crypts of the Cisterns at Constantinople. It is kept filled to an average depth of one mètre by the infiltration of the surface waters and by the overflow of a pond, La Marette, on the plateau of St.-Gobain, and it covers an area of some 1,200 square mètres.
After two or three hours spent in visiting the various departments of the glassworks overhead, M. Henrivaux led me through winding passages, which reminded me of the dismal vomitories at Baiæ, down into this strange underworld. Walls and pillars, partly of the natural rock, left in the working of the quarries, partly of masonry built up to strengthen the reservoir, give this weird water, when you reach it, the aspect rather of a stream than of a lake. A workman, who had preceded and guided us with a swinging lantern, put out a long boathook, and drew slowly around to the landing-place a long, shallow boat, into which he invited us to step. M. Henrivaux had kindly sent orders in the morning to have the reservoir illuminated with Venetian and Chinese lanterns of various colours. These had been hung from hooks in the rocks and pillars with infinite good taste at long intervals, so as to illuminate not too brilliantly the mystical darkness of the scene. Looking upon the vague, indefinite vista, as it glimmered away into an indefinable distance, one seemed really to stand
Where Alp, the sacred river, ran
Through caverns measureless by man,
Down to a shoreless sea.
Seating ourselves carefully in the boat, our silent boatman, like a spectral gondolier, rowed us silently along the labyrinthine canals of this dim and ghostly Venice. Vathek Beckford would have made them waterways to the Hall of Eblis.