[35] Perhaps the most conspicuous of these historical compositions for mere literary execution is the Chronicle of Alvaro de Luna, to which I have had occasion to refer, edited in 1784, by Flores, the diligent secretary of the Royal Academy of History. He justly commends it for the purity and harmony of its diction. The loyalty of the chronicler seduces him sometimes into a swell of panegyric, which may he thought to savor too strongly of the current defect of Castilian prose; but it more frequently imparts to his narrative a generous glow of sentiment, raising it far above the lifeless details of ordinary history, and occasionally even to positive eloquence.
Nic. Antonio, in the tenth book of his great repository, has assembled the biographical and bibliographical notices of the various Spanish authors of the fifteenth century, whose labors diffused a glimmering of light over their own age, which has become faint in the superior illumination of the succeeding.
[36] Sempere, in his Historia del Luxo, (tom. i. p. 177,) has published an extract from an unprinted manuscript of the celebrated marquis of Villena, entitled Triunfo de las Doñas, in which, adverting to the petits- maîtres of his time, he recapitulates the fashionable arts employed by them for the embellishment of the person, with a degree of minuteness which might edify a modern dandy.
[37] Crónica de Juan II., p. 499.—Faria y Sousa, Europa Portuguesa, (1679,) tom. ii. pp. 335, 372.
[38] Crónica de Alvaro de Luna, tit. 128.—Crónica de Juan II., pp. 457, 460, 572.—Abarca, Reyes de Aragon, tom. ii. fol. 227, 228.—Garibay, Compendio Historial de las Chrónicas de España, (Barcelona, 1628,) tom. ii. p. 493.
[39] Crónica de Alvaro de Luna, tit. 128.—What a contrast to all this is afforded by the vivid portrait, sketched by John de Mena, of the constable in the noontide of his glory.
"Este caualga sobre la fortuna
y doma su cuello con asperas riendas
y aunque del tenga tan muchas de prendas
ella non le osa tocar de ninguna," etc.
Laberinto, coplas 235 et seq.
[40] Cibdareal, Centon Epistolario, ep. 103.—Crónica de Juan II., p. 564.—Crónica de Alvaro de Luna, tit. 128, and Apend. p. 458.
[41] Entitled "Doctrinal de Privados." See the Cancionero General, fol. 37 et seq.—In the following stanza, the constable is made to moralize with good effect on the instability of worldly grandeur.
"Quo se hizo la moneda que guarde para mis daños tantos tiempos tantos años plata joyas oro y seda y de todo no me queda sine este cadahalso; mundo malo mundo falso no ay quien contigo pueda."