The Analysis of Beauty / Written with a view of fixing the fluctuating ideas of taste

by William Hogarth

The peculiar movements of each person, as the gate in walking, are particularised in such lines as each part describes by the habits they have contracted. The nature and power of habit may be fully conceived by the following familiar instance, as the motions of one part of the body may serve to explain those of the whole.

Observe that whatever habit the fingers get in the use of the pen, you see exactly delineated to the eye by the shapes of the letters. Were the movements of every writer's fingers to be precisely the same, one hand-writing would not be known from another, but as the fingers naturally fall into, or acquire different habits of moving, every hand-writing is visibly different. Which movements must tally with the letters, tho' they are too quick and too small to be as perfectly traced by the eye; but this shews what nice differences are caused, and constantly retained by habitual movements.

It may be remark'd, that all useful habitual motions, such as are readiest to serve the necessary purposes of life, are those made up of plain lines, i. e. straight and circular lines, which most animals have in common with mankind, tho' not in so extensive a degree: the monkey from his make hath it sufficiently in his power to be graceful, but as reason is required for this purpose, it would be impossible to bring him to move genteelly.

Though I have said that the ordinary actions of the body are performed in plain lines, I mean only comparatively so with those of studied movements in the serpentine line, for as all our muscles are ever ready to act, when one part is moved, (as an hand, or arm, by its proper movers, for raising up or drawing down) the adjacent muscles act in some degree in correspondence with them: therefore our most common movements are but seldom performed in such absolutely mean lines, as those of jointed dolls and puppets. A man must have a good deal of practice to be able to mimic such very straight or round motions, which being incompatible with the human form, are therefore ridiculous.

Let it be observed, that graceful movements in serpentine lines, are used but occasionally, and rather at times of leisure, than constantly applied to every action we make. The whole business of life may be carried on without them, they being properly speaking, only the ornamental part of gesture; and therefore not being naturally familiarised by necessity, must be acquired by precept or imitation, and reduced to habit by frequent repetitions. Precept is the means I should recommend as the most expeditious and effectual way. But before we proceed to the method I have to propose, for the more ready and sure way of accustoming the limbs to a facility in the ornamental way of moving; I should observe, that quick time gives it spirit and vivacity, as slow time, gravity, and solemnity, and further, that the latter of these allows the eye an opportunity of seeing the line of grace to advantage, as in the address of heroes on the stage, or in any solemn act of ceremony; and that although time in movement is reduced to certain rules for dancing, it is left more at large and at discretion for deportment.

We come now to offer an odd, but perhaps efficacious method of acquiring a habit of moving in the lines of grace and beauty.

1. Let any one chalk the line fig. [119 L p. II], on a flat surface, beginning at either end, and he will move his hand and arm in a beautiful direction, but if he chalks the same sort of line on an ogee-moulding of a foot or two in breadth, as the dotted line on figure [120 L p. II], his hand must move in that more beautiful direction, which is distinguished by the name of grace; and according to the quantity given to those lines, greatness will be added to grace, and the movement will be more or less noble.

Gentle movements of this sort thus understood, may be made at any time and any where, which by frequent repetitions will become so familiar to the parts so exercised, that on proper occasion they make them as it were of their own accord.

The pleasing effect of this manner of moving the hand, is seen when a snuff-box, or fan is presented gracefully or genteely to a lady, both in the hand moving forward and in its return, but care must be taken that the line of movement be but gentle, as No. 3, fig. 49, plate I, and not too S-like and twirling, as No. 7 in the same figure: which excess would be affected and ridiculous.