Floral Games of Toulouse.
Over a door in the consistory of the Hôtel de Ville at Toulouse, is a small marble figure of Clemence Isaure. In this consistory, the meetings were held for distributing the prizes in the floral games; the figure had flowers in her hand, but they are broken off. Below it on a tablet of brass, is a Latin inscription, in Roman capitals, but with so many abbreviations, and some of these of a nature so unintelligible, that the meaning is scarcely to be deciphered. This much, however, is to be collected from it, that Clemence Isaure is represented to have been the daughter of L. Isaurus, of the ancient and illustrious family of the Isauræ of Toulouse; that the institution of the “floral games” is ascribed to her; that she is said to have built the Hôtel de Ville at her own expense; to have bequeathed to the city the markets for corn, wine, fish, and vegetables; and to have left the remainder of her property in perpetuity to the city for the support of the floral games; yet, it does not mention her age, or at what period she lived, or whether she was maiden, wife, or widow.
“Le Roman de Clemence Isaure,” an old ballad story, represents her to have been a fair lady of Toulouse, with whom the handsome Lautrec was deeply enamoured, and that she returned his love with equal passion. Alphonso, her father, having chosen another husband for Clemence, she resisted the union, declaring that her life was at his disposal, but that as long as she should live, her heart must be wholly Lautrec’s. Then Alphonso caused her to be chained, and shut her up in a strong tower, and threatened Lautrec’s life if he could get him into his power; and Lautrec, having found the place of his mistress’s imprisonment, like a true lover despised her cruel father’s threats, and went to the tower and repeated his vows and sorrows to the fair Clemence, who came to the grate and told him of his danger, and prayed him to enter into the service of the French king, and follow military glory, and chase the recollection of their loves and their misfortunes; and as a pledge, she presented him with three flowers, a violet, an eglantine, and a marigold. The first she gave him as her colour, that he might appear as her knight; the second was her favourite flower; and the third an emblem of the chagrin and sorrow by which her heart was consumed. Then Clemence kissed the flowers, and let her tears fall on them, and threw them to her lover, and her father appeared, and Lautrec gathered up the flowers, and hastily withdrew. In obedience to the injunctions of his mistress, he departed from Toulouse for the French king’s court; but before he had proceeded far on his journey, he heard that the English were marching against the city; and he returned when the inhabitants were flying before the enemy, and abandoning the ramparts, and leaving them defenceless: and only one old man resisted and valiantly maintained his ground. Then Lautrec fled to his assistance, and discovered him to be Alphonso, the father of Clemence: and at the moment when a fatal stroke was aimed at the old man, he rushed forward and received the mortal wound himself, and died in Alphonso’s arms, and gave him the flowers he received from Clemence, and conjured him to deliver them to his daughter, and to console her under the distress his fate would bring upon her. And Alphonso relented, and in great sorrow carried the flowers to Clemence, and related the untimely death of Lautrec; and her afflictions were too heavy for her to bear, and she fell a victim to despair and anguish, and followed her lover to the grave. But in remembrance of their sad story, she bequeathed her whole property to the city of Toulouse for the celebration of annual games, at which, prizes of golden flowers, like those she had given to Lautrec, were to be distributed to the skilful troubadours who should compose the best poem, upon the occasion. This is the history of the gallant Lautrec and the fair Clemence, in the poetical romance.
But according to Pierre Caseneuve, the author of an “Inquiry into the Origin of the Floral Games at Toulouse,” there is strong reason to doubt whether such a person as Clemence ever existed. Among the archives of the Hôtel de Ville are several chronicles of the floral games, the oldest of which states, that in the year 1324, seven of the principal inhabitants of Toulouse, desirous to promote the fame and prosperity of the city, resolved to establish an annual festival there, for the cultivation of the Provençal poetry, a spirit of piety, and suavity of manners. They therefore proposed that all persons skilled in Provençal poetry, should be invited to assemble at Toulouse every year in the beginning of May, to recite their compositions, and that a violet of gold should be given to him whose verses the judges should determine the most worthy; and a circular letter in the Provençal poetry was dispersed over the province of Languedoc, inviting competitors to assemble in the beginning of May the following year, to celebrate this festival.
The poetical compositions were not to be confined to the lays of lovers reciting their passion, and the fame of their mistresses; but the honour of God, and glorifying his name, was to be their first object. It was wished that poetry should conduce to the happiness of mankind, and by furnishing them a source of innocent and laudable amusement, make time pass pleasantly, repress the unjust sallies of anger, and dissipate the dark vapours of sadness. For these reasons it was termed, by the institutors, the “Gay Science.”
In consequence of this invitation, a large concourse of competitors resorted to Toulouse; and in May, 1325, the first festival of the floral games was celebrated. Verses were recited by the candidates before a numerous assembly. The seven persons with whom the meeting originated, presided under the title of the chancellor of the “Gay Science,” and his six assessors, and there also sat with them, the capitouls or chief magistrates of the town as judges; and there was a great assemblage of knights, of gentlemen, and of ladies. The prize was given to the candidate whose verses were determined by the majority of the judges to be the most worthy.
The “floral games” of Toulouse continued to be celebrated in like manner, at the sole expense of the institutors, till the magistrates seeing the advantage they were of to the town, by the vast concourse of people brought thither, and considering that their continuance must be precarious while they depended upon the ability and disposition of a few individuals for their support, resolved to convert the institution into a public concern; and, with the concurrence of the principal inhabitants, it was determined that the expense should in future be defrayed by the city, that to the original prize two others should be added, a silver eglantine, and a silver marigold; and that occasional ones might be distributed at the option of the judges to very young poets, as stimulants to them to aim at obtaining the principal prizes.
After about thirty years it was judged expedient to appoint a committee, who should draw up such a code of statutes as might include every possible case that could occur, and these statutes were laid before the judges for their approbation.
Among these decrees the principal were, that no prize could be given to a heretic, a schismatic, or an excommunicated person; that whoever was a candidate for any of the prizes, should take a solemn oath that the poetry was his own composition, without the least assistance from any other person; that no woman should be admitted to the competition, unless her talents in composing verses were so celebrated as to leave no doubt of her being capable of writing the poetry offered:—that no one who gained a prize was allowed to be a candidate again till after a lapse of three years, though he was expected in the intervening years to compose verses for the games, and recite them; and that if any or all the prizes remained undisposed of, from no verses being produced that were judged worthy of them, the prizes were to remain over to the next year, then to be given away in addition to the regular prizes of the year.