(For the Every-Day Book.)
I love our real old English footpaths. I love those rustic and picturesque stiles, opening their pleasant escapes from frequented places, and dusty highways, into the solitudes of nature. It is delightful to catch a glimpse of one on the village green, under the old elder-tree by some ancient cottage, or half hidden by the overhanging boughs of a wood. I love to see the smooth dry track, winding away in easy curves, along some green slope, to the churchyard, to the embosomed cottage, or to the forest grange. It is to me an object of certain inspiration. It seems to invite one from noise and publicity, into the heart of solitude and of rural delights. It beckons the imagination on, through green and whispering corn fields, through the short but verdant pasture; the flowery mowing-grass; the odorous and sunny hayfield; the festivity of harvest; from lovely farm to farm; from village to village; by clear and mossy wells; by tinkling brooks, and deep wood-skirted streams; to crofts, where the daffodil is rejoicing in spring, or meadows, where the large, blue geraneum embellishes the summer wayside; to heaths, with their warm, elastic sward and crimson bells, the chithering of grasshoppers, the foxglove, and the old gnarled oak; in short, to all the solitary haunts, after which the city-pent lover of nature pants, as “the hart panteth after the water-brooks.” What is there so truly English? What is so linked with our rural tastes, our sweetest memories, and our sweetest poetry, as stiles and fieldpaths? Goldsmith, Thomson, and Milton have adorned them with some of their richest wreaths. They have consecrated them to poetry and love. It is along the footpath in secluded fields,—upon the stile in the embowered lane,—where the wild-rose and the honey-suckle are lavishing their beauty and their fragrance, that we delight to picture to ourselves rural lovers, breathing in the dewy sweetness of a summer evening vows still sweeter. It is there, that the poet seated, sends back his soul into the freshness of his youth, amongst attachments since withered by neglect, rendered painful by absence, or broken by death; amongst dreams and aspirations which, even now that they pronounce their own fallacy, are lovely. It is there that he gazes upon the gorgeous sunset,—the evening star following with silvery lamp the fading day, or the moon showering her pale lustre through the balmy night air, with a fancy that kindles and soars into the heavens before him,—there, that we have all felt the charm of woods and green fields, and solitary boughs waving in the golden sunshine, or darkening in the melancholy beauty of evening shadows. Who has not thought how beautiful was the sight of a village congregation pouring out from their old grey church on a summer day, and streaming off through the quiet meadows, in all directions, to their homes? Or who, that has visited Alpine scenery, has not beheld with a poetic feeling, the mountaineers come winding down out of their romantic seclusions on a sabbath morning, pacing the solitary heath-tracks, bounding with elastic step down the fern-clad dells, or along the course of a riotous stream, as cheerful, as picturesque, and yet as solemn as the scenes around them?
Again I say, I love fieldpaths, and stiles of all species,—ay, even the most inaccessible piece of rustic erection ever set up in defiance of age, laziness, and obesity. How many scenes of frolic and merry confusion have I seen at a clumsy stile! What exclamations, and charming blushes, and fine eventual vaulting on the part of the ladies, and what an opportunity does it afford to beaux of exhibiting a variety of gallant and delicate attentions. I consider a rude stile as any thing but an impediment in the course of a rural courtship.
Those good old turn-stiles too,—can I ever forget them? the hours I have spun round upon them, when a boy; or those in which I have almost laughed myself to death at the remembrance of my village pedagogue’s disaster! Methinks I see him now. The time a sultry day;—the domine a goodly person of some eighteen or twenty stone;—the scene a footpath sentinelled with turn-stiles, one of which held him fast, as in utter amazement at his bulk. Never shall I forget his efforts and agonies to extricate himself, nor his lion-like roars, which brought some labourers to his assistance, who, when they had recovered from their convulsions of laughter, knocked off the top, and let him go. It is long since I saw a turnstile, and I suspect the Falstaffs have cried them down. But, without a jest, stiles and fieldpaths are vanishing every where. There is nothing upon which the advance of wealth and population has made so serious an inroad. As land has increased in value, wastes and heaths have been parcelled out and enclosed, but seldom have footpaths been left. The poet and the naturalist, who before had, perhaps, the greatest real property in them, have had no allotment. They have been totally driven out of the promised land. Nor is this all. Goldsmith complained, in his day, that—
“The man of wealth and pride
Takes up a space that many poor supplied;
Space for his lake, his park’s extended bounds,
Space for his horses, equipage, and hounds;
The robe, that wraps his limbs in silken sloth,
Has robbed the neighbouring fields of half their growth;
His seat, where solitary sports are seen,
Indignant spurns the cottage from the green.”
And it is but too true that “the pressure of contiguous pride” has driven farther and farther, from that day to this, the public from the rich man’s lands. “They make a solitude and call it peace.” Even the quiet and picturesque footpath that led across his lawn, or stole along his wood-side, giving to the poor man, with his burden, a cooler and a nearer cut to the village, is become a nuisance. One would have thought that the rustic labourer with his scythe on his shoulder, or his bill-hook and hedging mittens in his hand, the cottage dame in her black bonnet and scarlet cloak, the bonny village maiden in the sweetness of health and simplicity, or the boy strolling along full of life and curiosity, might have had sufficient interest, in themselves, for a cultivated taste, passing occasionally at a distance across the park or lawn not only to be tolerated, but even to be welcomed as objects agreeably enlivening the stately solitude of the hall. But they have not. And what is more, they are commonly the most jealous of pedestrian trespassers who seldom visit their own estates, but permit the seasons to scatter their charms around their villas and rural possessions without the heart to enjoy, or even the presence to behold them. How often have I myself been arrested in some long-frequented dale, in some spot endeared by its own beauties and the fascinations of memory, by a board, exhibiting, in giant characters, Stopped by an order of Sessions! and denouncing the terms of the law upon trespassers. This is a little too much. I would not be querulous for the poor against the rich. I would not teach them to look with an envious and covetous eye upon their villas, lawns, cattle, and equipage; but when the path of immemorial usage is closed, when the little streak, almost as fine as a mathematical line, along the wealthy man’s ample field, is grudgingly erased, it is impossible not to feel indignation at the pitiful monopoly. Is there no village champion to be found bold enough to put in his protest against these encroachments, to assert this public right—for a right it is, as authentic as that by which the land itself is held, and as clearly acknowledged by the laws? Is there no local “Hampden with dauntless breast” to “withstand the little tyrant of the fields,” and to save our good old fieldpaths? If not, we shall, in a few years, be doomed to the highways and the hedges: to look, like Dives, from a sultry region of turnpikes, into a pleasant one of verdure and foliage which we may not approach. Already the stranger, if he lose his way, is in jeopardy of falling into the horrid fangs of a steel-trap; the botanist enters a wood to gather a flower, and is shot with a spring-gun; death haunts our dells and copses, and the poet complains, in regretful notes, that he—
“Wanders away to field and glen
Far as he may for the gentlemen.”
I am not so much of a poet, and so little of a political economist, as to lament over the progress of population. It is true that I see, with a poetical regret, green fields and beautiful fresh tracts swallowed up in cities; but my joy in the increase of human life and happiness far outbalances that imaginative pain. But it is when I see unnecessary and arbitrary encroachments upon the rural privileges of the public that I grieve. Exactly in the same proportion as our population and commercial habits gain upon us, do we need all possible opportunities to keep alive in us the spirit of nature.
“The world is too much with us, late and soon
Getting and spending; we lay waste our powers,
Little there is in nature that is ours.”