Ceubren yr Ellyll,
THE SPIRIT’S BLASTED TREE.
All nations have their omens drear,
Their legions wild of woe and fear,
To Cambria look—the peasant see,
Bethink him of Glendowerdy,
And shun “the spirit’s Blasted Tree.”
Marmion.
“The spirit’s Blasted Tree” grew in a picturesque part of Wales, abounding with local superstitions and memorials of ancient times. At the distance of a few miles from the beautiful valley of Tal y Lyn, the aspect of the country is peculiarly wild. The hills almost meet at their basis, and change their aspect. Instead of verdure, they have a general rude and savage appearance. The sides are broken into a thousand forms; some are spiring and sharp pointed; but the greater part project forward, and impend in such a manner as to render the apprehension of their fall tremendous. A few bushes grow among them, but their dusky colour as well as the darkness of the rocks only add horror to the scene. One of the precipices is called Pen y Delyn, from its resemblance to a harp. Another is styled Llam y Lladron, or “the Thieves’ Leap,” from a tradition that thieves were brought there and thrown down. On the left is the rugged and far-famed height of Cader Idris, and beneath it a small lake called Llyn y tri Graienyn, or “the lake of the Three Grains,” which are three vast rocks tumbled from the neighbouring mountain, which the peasants say were “Three Grains” that had fallen into the shoe of the great Idris, and which he threw out here, as soon as he felt them hurting his foot.
From thence, by a bad road, Mr. Pennant, in one of his “Tours in Wales,” reached Nanneu. “The way to Nanneu is a continual ascent of two miles; and perhaps it is the highest situation of any gentleman’s house in Britain. The estate is covered with fine woods, which clothe all the sides of the dingles for many miles.”
The continuation of Mr. Pennant’s description brings us to our tree as he saw it: “On the road side is a venerable oak in its last stage of decay, and pierced by age into the form of a gothic arch; yet its present growth is twenty-seven feet and a half. The name is very classical, Derwen Ceubren yr Ellyll, ‘the hollow oak, the haunt of demons.’ How often has not warm fancy seen the fairy tribe revel round its trunk! or may not the visionary eye have seen the Hamadryad burst from the bark of its coeval tree.”
The inscription beneath Mr. Cuitt’s print mentions, that when sir Richard Colt Hoare sketched this oak, it was within the kitchen-garden walls of sir Robert W. Vaughan.
“Above Nanneu,” Mr. Pennant mentions “a high rock, with the top incircled with a dike of loose stones: this had been a British post, the station, perhaps, of some tyrant, it being called Moel Orthrwn, or ‘the Hill of Oppression.’” Mr. Pennant says, the park is “remarkable for its very small but very excellent venison:” an affirmation which may be taken for correct, inasmuch as the tour of an antiquary in such a region greatly assists tasteful discrimination. Within the park Mr. Pennant saw “a mere compost of cinders and ashes,” the ruins of the house of Howel Sele, whose body is alleged to have been buried in “the spirit’s Blasted Tree” by Owen Glyndwr.