Catherine Mompesson’s Tomb at Eyam.
Among the verdant mountains of the Peak
There lies a quiet hamlet, where the slope
Of pleasant uplands wards the north-winds bleak;
Below, wild dells romantic pathways ope;
Around, above it, spreads a shadowy cope
Of forest trees: flower, foliage, and clear rill
Wave from the cliffs, or down ravines elope;
It seems a place charmed from the power of ill
By sainted words of old:—so lovely, lone, and still.
And many are the pilgrim feet which tread
Its rocky steeps, which thither yearly go;
Yet, less by love of Nature’s wonders led,
Than by the memory of a mighty woe,
Which smote, like blasting thunder, long ago,
The peopled hills. There stands a sacred tomb,
Where tears have rained, nor yet shall cease to flow;
Recording days of death’s sublimest gloom;
Mompesson’s power and pain,—his beauteous Catherine’s doom.
The Desolation of Eyam.
Through the seventeenth and half of the eighteenth century the village of Eyam, three miles east from Tideswell, in Derbyshire, was populous and flourishing; and all that part of the country thickly sown with little towns and hamlets, was swarming with inhabitants. Owing to the exhausted state of the lead mines the scene is altered, and Eyam is now thinly peopled. It had before endured a dreadful affliction. The year after “that awful and terrible period, when the destroying angel passed over this island, and in the cities of London and Westminster swept away three thousand victims in one night,” the visitation was revived in this distant village, and four-fifths of the inhabitants perished in the course of the summer. This calamity is the subject of the title-page to a poetical volume of eminent merit and beauty, “The Desolation of Eyam, &c. by William and Mary Howitt, Authors of the Forest Minstrel and other Poems.”
Eyam was the birthplace of the late Anna Seward, and in the “Gentleman’s Magazine”[383] there is a letter written in her youthful days, which naturally relates the devoted attachment of the village rector, during the plague, to his stricken flock; and the affectionate adherence of his noble wife. Extracts from this letter, with others from the notes to “The Desolation of Eyam,” and a few stanzas from the poem itself, as specimens of its worth, may here suffice to convey some notion of the story. The poets’ “Introduction” is briefly descriptive of “The Peak”—its romantic rocks and glens—the roar of its flying streams—the welling-up of its still waters—the silence of its beautiful dells—
Such brightness fills the arched sky;
So quietly the hill-tops lie
In sunshine, and the wild-bird’s glee
Rings from the rock-nursed service tree;
Such a delicious air is thrown,
Such a reposing calm is known
On these delightful hills,
That, as the dreaming poet lies
Drinking the splendour of the skies,
The sweetness which distils
From herbs and flowers—a thrilling sense
Steals o’er his musing heart, intense,
Passive, yet deep; the joy which dwells
Where nature frames her loneliest spells.
And Fancy’s whispers would persuade
That peace had here her sojourn made,
And love and gladness pitched their tent,
When from the world, in woe, they went.
That each grey hill had reared its brow
In peaceful majesty, as now.
That thus these streams had traced their way
Through scenes as bright and pure as they;
That here no sadder strain was heard
Than the free note of wandering bird;
And man had here, in nature’s eye,
Known not a pain, except, to die.
Poets may dream—alas! that they
Should dream so wildly, even by day—
Poets may dream of love and truth,
Islands of bliss, and founts of youth:
But, from creation’s earliest birth,
The curse of blood has raged on earth.
Since the first arm was raised to smite
The sword has travelled like a blight,
From age to age, from realm to realm,
Guiding the seaman’s ready helm.
Go! question well—search far and near,
Bring me of earth a portion here.
Look! is not that exuberant soil
Fraught with the battle’s bloody spoil?
Turn where thou may’st, go where thou wilt,
Thy foot is on a spot of guilt.
The curse, the blight have not passed by
These dales now smiling in thine eye.
Of human ills an ample share,
Ravage, and dearth, domestic care,
They have not ’scaped. This region blest
Knew not of old its pleasant rest.
Grandeur there was, but all that cheers,
Is the fair work of recent years.
The Druid-stones are standing still
On the green top of many a hill;
The fruitful plough, with mining share,
At times lays some old relic bare;
The Danish mell; the bolt of stone,
To a yet ruder people known:
And oft, as on some point which lies
In the deep hush of earth and skies,
In twilight, silence, and alone,
I’ve sate upon the Druid-stone,
The visions of those distant times,
Their barbarous manners, creeds and crimes,
Have come, joy’s brightest thrill to raise,
For life’s blest boon in happier days.
But not of them—rude race—I sing;
Nor yet of war, whose fiery wing,
From age to age, with waste and wail,
Drove from wide champaign, and low vale,
Warrior and woman: child and flock,
Here, to the fastness of the rock.
The husbandman has ceased to hear
Amidst his fields the cry of fear.
Waves the green corn—green pastures rise
Around,—the lark is in the skies.
The song a later time must trace
When faith here found a dwelling-place.
The tale is tinged with grief and scath,
But not in which man’s cruel wrath,
Like fire of fiendish spirit shows,
But where, through terrors, tears, and woes,
He rises dauntless, pure, refined;
Not chill’d by self, nor fired by hate,
Love in his life,—and even his fate
A blessing on his kind.