These latter lines allude to the poem, and it immediately commences.
“Eyam,” says Miss Seward, “is near a mile in length; it sweeps in a waving line amongst the mountains, on a kind of natural terrace about 303 yards broad; above which, yet higher mountains arise. From that dale of savage sublimity, which on the Buxton road from Matlock commences at the end of Middleton, we ascend a quarter of a mile up a narrow and steep lane on the right hand, which conducts us into Eyam. About the centre of the village the continuance of the houses is broken by a small field on the left. From its edge a deep and grassy dingle descends, not less picturesque, and much more beautiful from its softer features, than the craggy dale and its walls of barren rocks from which we had ascended to Eyam, and in which, by a winding course, this dingle terminates. Its ascent from the middle of Eyam is a steep, smooth, and verdant turf, with scattered nut-trees, alders, and the mountain ash. The bottom is scarcely five yards wide, so immediately ascend the noble rocks on the opposite side, curtained with shrubs, and crowned with pines that wave over their brows; only that a few bare parts appear in fantastic points and perforated arches. Always in winter and summer, after recent showers, a small clear rill ripples along the bottom of this dell, but after long drought the channel is dry, and its pebbles are left to bleach in the sun. Cliffs and fields stretch along the tops of the rocks, and from their heights we descend gradually to the upper part of Eyam, which, though high, is less elevated
“Than are the summits of those hilly crofts,
That brow the bottom glade.”
At the time of the plague, the rector of Eyam, the Rev. William Mompesson, was in the vigour of youth; he had two children, a boy and girl of three and four years old, and his wife Catherine, a young and beautiful lady:—
There dwelt they in the summer of their love.
He, the young pastor of that mountain fold,
For whom, not Fancy could foretell above,
Bliss more than earth had at his feet unrolled.
Yet, ceased he not on that high track to hold,
Upon whose bright, eternal steep is shown
Faith’s starry coronal. The sad, the cold
Caught from his fervent spirit its warm tone,
And woke to loftier aims, and feelings long unknown.
And she,—his pride and passion,—she, all sun,
All love, and mirth and beauty;—a rich form
Of finished grace, where Nature had outdone
Her wonted skill. Oh! well might Fancy’s swarm
Of more than earthly hopes and visions, warm
His ardent mind; for, joyous was her mood;
There seemed a spirit of gladness to inform
Her happy frame, by no light shock subdued,
Which filled her home with light, and all she touched imbued.
So lived, so loved they. Their life lay enshrined
Within themselves and people. They reck’d not
How the world sped around them, nor divined;
Heaven, and their home endearments fill’d their lot.
Within the charmed boundary of their cot,
Was treasured high and multifarious lore
Of sage, divine, and minstrel ne’er forgot
In wintry hours; and, carolled on their floor,
Were childhood’s happy lays. Could Heaven award them more?
Eyam, as before mentioned, had escaped the contagion in the “Great Year of the Plague.” It was conveyed thither, however, in the ensuing spring by infected cloths. Its appearance is vigorously sketched:—
——————— But, as in the calm
Of a hot noon, a sudden gust will wake;
Anon clouds throng; then fiercer squalls alarm;
Then thunder, flashing gleams, and the wild break
Of wind and deluge:—till the living quake,
Towers rock, woods crash amid the tempest,—so
In their reposing calm of gladness, spake
A word of fear; first whispering—dubious—low,
Then lost;—then firm and clear, a menacing of woe:
’Till out it burst, a dreadful cry of death;
“The Plague! the Plague!” The withering language flew,
And faintness followed on its rapid breath;
And all hearts sunk, as pierced with lightning through.
“The Plague! the Plague!” No groundless panic grew;
But there, sublime in awful darkness, trod
The Pest; and lamentation, as he slew,
Proclaimed his ravage in each sad abode,
Mid frenzied shrieks for aid—and vain appeals to God.