THE LAST YEARS OF HIS LIFE.

The representation of Cato on the stage was a turning point in the political fortunes of the Whigs. In the same month the Queen announced, on the meeting of Parliament, the signature of the Treaty of Utrecht. Whatever were the merits or demerits of the policy embodied in this instrument, it offered many points of attack to a compact and vigorous Opposition. The most salient of these was, perhaps, the alleged sacrifice of British commercial interests through the incompetence or corruption of the negotiators, and on this question the Whigs accordingly raised vehement and reiterated debates. Addison aided his political friends with an ingenious pamphlet on the subject, called The late Trial and Conviction of Count Tariff, containing a narrative of the lawsuit between the Count and Goodman Fact, which is written with much spirit and pleasantry. It is said that he also took the field in answer to the Address to the Queen from the magistrates of Dunkirk, wherein Her Majesty was requested to waive the execution of the article in the Treaty providing for the demolition of the harbour and fortifications of that town; but if he wrote on the subject the pamphlet has not been preserved by Tickell. His old friend Steele was meanwhile involving himself in difficulties through the heat and impetuosity of his party passions. After the painful abstinence from partizanship imposed on him by the scheme of the Tatler and Spectator he had founded the Guardian on similar lines, and had carried it on in a nonpolitical spirit up to the 128th number, when his Whig feelings could restrain themselves no longer, and he inserted a letter signed by “An English Tory,” demanding the immediate demolition of Dunkirk. Soon afterwards he published a pamphlet called The Crisis, to excite the apprehensions of the nation with regard to the Protestant succession, and, dropping the Guardian, started the Englishman, a political paper of extreme Whig views. He further irritated the Tory majority in Parliament by supporting the proposal of Sir Thomas Hanmer, as Speaker of the House of Commons, in a speech violently reflecting on the rejected Bill for a Treaty of Commerce with France. A complaint was brought before the House against the Crisis, and two numbers of the Englishman, and Steele was ordered to attend and answer for his conduct. After the charge had been preferred against him, he asked for time to arrange his defence; and this being granted him, after a warm debate, he reappeared in his place a few days later, and made a long and able speech, which is said to have been prepared for him by Addison, acting under the instructions of the Kit-Kat Club. It did not, however, save him from being expelled from the House.

Addison himself stood aloof, as far as was possible, from the heated atmosphere of party, occupying his time chiefly with the execution of literary designs. In 1713 he began a work on the Evidences of Christianity, which he never finished, and in the last half of the year 1714 he completed the eighth volume of the Spectator. So moderate was his political attitude that Bolingbroke was not without hopes of bringing him over to the Tory side; an interview, however, convinced him that it was useless to dream of converting Addison’s steady constitutional principle to his own ambitious schemes.

The condition of the Tory party was indeed rapidly becoming desperate. Its leaders were at open variance with each other. Oxford, a veteran intriguer, was desirous of combining with the Whigs; the more daring and brilliant Bolingbroke aimed at the restoration of the exiled Stuarts. His influence, joined to natural family affection, prevailed with the Queen, who was persuaded to deprive Oxford of the Treasurer’s staff. But her health was undermined, and a furious and indecent dispute between the two Tory leaders in her own presence completely prostrated her. She was carried from the Council, and sinking into a state of unconsciousness from which she never recovered, died on the 1st of August, 1714.

Meantime the Whigs were united and prepared. On the meeting of the Council, George I. was proclaimed King without opposition: Lord-Justices were authorised to administer affairs provisionally, and Addison was appointed their Secretary. It is said, though on no good authority, that having, in discharge of his office, to announce to George I. the death of the Queen, Addison was embarrassed in his choice of phrases for the occasion, and that the duty to which the best writer in the Spectator proved unequal was performed by a common clerk. Had Addison been quite unfamiliar with public life this story would have been more credible, but his experience in Ireland must have made him acquainted with the peculiarities of official English; and some surviving specimens of his public correspondence prove him to have been a sufficient master in the art of saying nothing in a magnificent way.

On the arrival of the King in England, the Earl of Sunderland was appointed to succeed the Duke of Shrewsbury as Lord-Lieutenant of Ireland, and he once more offered Addison the post of Chief Secretary. In that office the latter continued till the Earl’s resignation of the Lord-Lieutenancy in August, 1715. It would appear to have been less lucrative to him than when he previously held it, and, indeed, than he himself had expected; the cause of this deficiency being, as he states, “his Lordship’s absence from that kingdom, and his not being qualified to give out military commissions.”[65] He is said, nevertheless, to have shown the strictest probity and honour in his official dealings, and some of his extant correspondence (the authenticity of which, however, is guaranteed only by the unsatisfactory testimony of Curll) shows him to have declined, in a very high-minded manner, a present of money, evidently intended to secure his interest on behalf of an applicant. He seems to have been in London almost as much as in Dublin during his tenure of office, and he found time in the midst of his public business to compose another play for the stage.

There appears to be no good reason for doubting that The Drummer was the work of Addison. It is true that it was not included by Tickell in his edition of his friend’s writings; and Steele, in the letter to Congreve which he prefixed to the second edition of the play, only says that Addison sent for him when he was a patentee of Drury Lane Theatre, and told him “that a gentleman then in the room had written a play which he was sure I should like, but it was to be a secret; and he knew I would take as much pains, since he recommended it, as I would for him.” But Steele could, under such circumstances, hardly have been deceived as to the real authorship of the play, and if confirmatory evidence is required, it is furnished by Theobald, who tells us that Addison informed him that he had taken the character of Vellum, the steward, from Fletcher’s Scornful Lady. Addison was probably not anxious himself to assert his right of paternity to the play. It was acted at Drury Lane, and, the name of the author being unknown, was coldly received; a second performance of it after Addison’s death, when the authorship was proclaimed, was naturally more successful; but, in fact, the piece is, like Cato, a standing proof of Addison’s deficiency in dramatic genius. The plot is poor and trivial; nor does the dialogue, though it shows in many passages traces of its author’s peculiar vein of humour, make amends by its brilliancy for the tameness of the dramatic situation.

He was soon, however, called upon to employ his pen on a task better suited to his powers. In September, 1715, there was a rising in Scotland and in the North of England on behalf of the Pretender. The rebellion was put down with little difficulty, but the position of the House of Brunswick was far more precarious than on the surface it seemed to be. It could count, no doubt, on the loyalty of a House of Commons elected when the Tories were momentarily stunned by the death of Queen Anne, on the faith of the army, and on the support of the moneyed interest. On the other hand, the two most important classes in the kingdom—the landed proprietors and the clergy—were generally hostile to the new régime, and the influence exercised by the latter was of course exceedingly great in days when the pulpit was still the chief instrument in the formation of public opinion. The weight of some powerful writer was urgently needed on the Whig side, and Addison—who in the preceding August had been obliged to vacate his office of Secretary in consequence of the resignation of the Lord-Lieutenant—was by common consent indicated as the man best qualified for the task. There were indeed hot political partizans who questioned his capacity. Steele said that “the Government had made choice of a lute when they ought to have taken a trumpet.” But if by the “trumpet” he was modestly alluding to himself, it may very well be doubted if the objects of the Government would have been attained by employing the services of the author of the Englishman. What was wanted was not party invective, but the calm persuasiveness of reason; a pen that could prove to all Tory country gentlemen and thoroughgoing High Churchmen that the Protestant succession was indispensable to the safety of the principles which each respectively considered to be of vital importance. This was the task which lay before Addison, and which he accomplished with consummate skill in the Freeholder.

The name of the new paper was selected by him in order to suggest that property was the basis of liberty; and his main argument, which he introduces under constantly varying forms, is that there could be no safety for property under a line of monarchs who claimed the dispensing power, and no security for the liberties of the Church under kings of an alien religion. In order to secure variety of treatment, the exact social position of the Freeholder is not defined:

“At the same time that I declare I am a freeholder I do not exclude myself from any other title. A freeholder may be either a voter or a knight of the shire, a wit or a fox-hunter, a scholar or a soldier, an alderman or a courtier, a patriot or a stock-jobber. But I choose to be distinguished by this denomination, as the freeholder is the basis of all other titles. Dignities may be grafted upon it, but this is the substantial stock that conveys to them their life, taste, and beauty, and without which they are blossoms that would fall away with every shake of wind.”[66]