“How can you be certain of that?” asked Monsieur Quérin.
“Parbleu!” he cried, with a wide gesture. “I have known the English all my life. I speak their language as I speak French or my native Provençal. I have taught in schools in England. I know the country and the people like my pocket. They have never heard of Perpignan.”
His companions acquiesced sadly. Aristide, aglow with a sudden impudent inspiration, leant across the marble table.
“Monsieur le Maire and Monsieur le Président du Syndicat d’Initiative, I am sick to death of playing the drum, the kettle-drum, the triangle, the cymbals, the castagnettes and the tambourine in the Tournée Gulland. I was born to higher things. Entrust to me”—he converged the finger-tips of both hands to his bosom—“to me, Aristide Pujol, the organisation of Perpignan-Ville de Plaisir, and you will not regret it.”
The Mayor and the President laughed.
But my astonishing friend prevailed—not indeed to the extent of being appointed a Petronius, arbiter élegantiarum, of the town of Perpignan; but to the extent of being employed, I fear in a subordinate capacity, by the Mayor and the Syndicat in the work of propagandism. The Tournée Gulland found another drum and went its tuneful but weary way; and Aristide remained gloriously behind and rubbed his hands with glee. At last he had found permanence in a life where heretofore had been naught but transience. At last he had found a sphere worthy of his genius. He began to nourish insensate ambitions. He would be the Great Benefactor of Perpignan. All Roussillon should bless his name. Already he saw his statue on the Quai Sadi-Carnot.
His rise in the social scale of the town was meteoric, chiefly owing to the goodwill of Madame Coquereau, the widowed mother of the Mayor. She was a hard-featured old lady, with a face that might have been made of corrugated iron painted yellow and with the eyes of an old hawk. She dressed always in black, was very devout and rich and narrow and iron-willed. Aristide was presented to her one Sunday afternoon at the Café on the Place Arago—where on Sunday afternoons all the fashion of Perpignan assembles—and—need I say it?—she fell at once a helpless victim to his fascination. Accompanying her grandmother was Mademoiselle Stéphanie Coquereau, the Mayor’s niece (a wealthy orphan, as Aristide soon learned), nineteen, pretty, demure, perfectly brought up, who said “Oui, Monsieur” and “Non, Monsieur” with that quintessence of modest grace which only a provincial French Convent can cultivate.
Aristide’s heart left his body and rolled at the feet of Mademoiselle Stéphanie. It was a way with Aristide’s heart. It was always doing that. He was of Provence and not of Peckham Rye or Hoboken, and he could not help it.
Aristide called on Madame Coquereau, who entertained him with sweet Frontignan wine, dry sponge cakes and conversation. After a while he was invited to dinner. In a short space of time he became the intimate friend of the house, and played piquet with Madame Coquereau, and grew familiar with the family secrets. First he learned that Mademoiselle Stéphanie would go to a husband with two hundred and fifty thousand francs. Aristide’s heart panted at the feet of Mademoiselle Stéphanie. Further he gathered that, though Monsieur Coquereau was a personage of great dignity and importance in civic affairs, he was as but a little child in his own house. Madame Coquereau held the money-bags. Her son had but little personal fortune. He had reached the age of forty-five without being able to marry. Marriage unauthorized by Madame Coquereau meant immediate poverty and the testamentary assignment of Madame Coquereau’s fortune to various religious establishments. None of the objects of Monsieur Coquereau’s matrimonial desire had pleased Madame Coquereau, and none of Madame Coquereau’s blushing candidates had caused a pulse in Monsieur Coquereau’s being to beat the faster. The Mayor held his mother in professed adoration and holy terror. She held him in abject subjection. Aristide became the confidant, in turn, of Madame’s sour philosophy of life and of Monsieur’s impotence and despair. As for Mademoiselle Stéphanie, she kept on saying “Oui, Monsieur” and “Non, Monsieur,” in a crescendo of maddening demureness.