Andrew was a lusty swimmer. In the old circus summer days Ben Flint had seen to that. Whenever the Cirque Rocambeau pitched its tent by sea or lake, Ben Flint threw young Andrew into the water. So now every morning, before the world was awake, did Andrew go down to the sea. Once, a week after their arrival, did he, by some magnetic power, drag the protesting Bakkus from his bed and march him down, from the modest lodgings in a by-street, to the sea front and the bathing-machines. Magnetic force may bring a man to the water, but it can't make him go in. Bakkus looked at the cold grey water--it was a cloudy morning--took counsel with himself and, sitting on the sands, refused to budge from the lesser misery of the windy shore. He smoked the pipe of disquiet on an empty stomach for the half-hour during which Andrew expended unnecessary effort in progressing through many miles in an element alien to man. In the cold and sickly wretchedness of a cutting wind, he cursed Andrew with erudite elaboration. But when Andrew eventually landed, his dripping bathing-suit clinging close to his gigantic and bony figure, appearing to derisive eyes like the skin covered fossil of a prehistoric monster of a man, his bushy hair clotted, like ruddy seaweed, over his staring, ugly face, Bakkus forgot his woes and rolled on his back convulsed with vulgar but inextinguishable laughter.
"My God!" he cried later, when summoned by an angry Andrew to explain his impolite hilarity. "You're the funniest thing on the earth. Why hide the light of your frame under a bushel of clothing? My dear boy, I'm talking sense"--this was at a hitherto unfriendly breakfast-table--"You've got an extraordinary physique. If I laughed, like a rude beast, for which I apologize, the public would laugh. There's money in it. Skin tights and your hair made use of, why--you've got 'em laughing before you even begin a bit of business. Why the devil don't you take advantage of your physical peculiarities? Look here, don't get cross. This is what I mean."
He pulled out a pencil and, pushing aside plates and dishes, began to sketch on the table-cloth with his superficial artistic facility. Andrew watched him, the frown of anger giving way to the knitted brow of interest. As the drawing reached completion, he thought again of Elodie and her sage counsel. Was this her mental conception which he had been striving for years to realize? He did not find the ideal incongruous with his lingering sense of romance. He could take a humorous view of anything but his profession. That was sacred. Everything did he devote to it, from his soul to his skinny legs and arms. So that, when Bakkus had finished, and leaned back to admire his work, Andrew drew a deep breath, and his eyes shone as if he had received an inspiration from on High. He saw himself as in an apotheosis.
There he was, self-exaggeratingly true to life, inordinately high, inordinately thin, clad in tights that reached to a waistband beneath his armpits giving him miraculous length of leg, a low-cut collar accentuating his length of neck, his hair twisted up on end to a fine point.
"And I could pad the feet of the tights and wear high heels that would give me another couple of inches," he cried excitedly. "By Gum!" said he, clutching Bakkus's shoulder, a rare act of demonstrativeness, "what a thing it is to have imagination."
"Ah!" said Bakkus, "what a piece of work is man! How noble in reason! How infinite in faculty! in form and moving, how express and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals!"
"What the devil do you mean?" asked Andrew.
Bakkus waved a hand towards the drawing.
"If only I had your application," said he, "I should make a great name as an illustrator of Hamlet."
"One of these days," said Andrew, the frown of anger returning to his brow, "I'll throw you out of the window."