“Ah, I deceived you, Gasparo!” she said, laying her hand upon my arm. “I knew you would allow me to go in peace if you believed my husband still lived, therefore I practised a ruse upon you. The man from whom you hid was my father, to whose exertions the elucidation of the mystery is in a great measure due. He has returned with me to the Villa, and I will introduce you to him this evening.”
“Then the Count is not living?”
“No, Gasparo,” Santina whispered softly. “He died in Buenos Ayres, as you are aware, six months after our marriage. There is no barrier now between us; the grim shadow that darkened my life has passed away, and we are free—free to love each other, and to marry.”
Chapter Six.
The Woman with a Blemish.
The weird prologue of the drama was enacted some years ago, yet time, alas! does not obliterate it from my memory.
To the hail of bullets, the whistling of shells, the fitful flash of powder, and the thunder of guns I had grown callous. During the months I had been in Servia and Bulgaria watching and describing the terrible struggle between Turkey and Russia, I had grown world-weary, careless of everything, even of life. I had been present at the relief of Kars, had witnessed the wholesale slaughter in various parts of the Ottoman Empire, and was now attached to the Russian forces bombarding Plevna.
Those who have never experienced actual warfare cannot imagine how terrible are the horrors of life at the front.