Glasses, tables, pictures, chairs, Dutch ovens, and beds;—and knots of men upon the stairs, with knots upon their heads;—and the dining-room table put in the front drawing-room, and covered by the back parlour carpet,—supporting the auctioneer, and the clerk, and catalogues, and desk, altogether enough to warp it.—And each hale porter stout is "drawing lots" about, which, if brittle, you may think fortunate, if from the room they are thrust whole,—from the specimen post of the best front bed, and the book muslin covers, that once were red, to the cinder-sieve and knife-board, in the dust-hole.—"Any advance upon seven—eight, nine, ten, eleven—going!—thank you, sir—twelve, thirteen. Tap! gone for thirteen—the cheapest bargain ever seen; they are yours, sir; if you pay, they may go at once away. Six iron hoops, a water-butt, a bottle-rack, and broom."—"Oh, Mr. Auctioneer, there's some mistake, I fear, for not a word I said."—"But, sir, you nodded your head."—"Oh, yes, to a friend in the room!"—And when the sale of the silver things is going to begin, the room's so hot, and the crowd so dense, from the people scrowdging in;—and the struggle for the loss is so great 'mongst those who compete, that you'd say there was a race for the plate in a general heat.—And there's a great Jew upholder, that I'm forced to uphold on my shoulder—leaning upon my chair, with long, black, greasy hair, that would make Sir Peter Laurie swear, and a coat as rough as a bear; it's rather too bad to let him in amongst respectable people, in his bear-skin; and I don't know what he can mean, but I suppose it's his fat that makes him lean.—"Ladies and gentlemen, I must beg silence,—for the babel of your tongues may be heard a mile hence.—I first offer to your notice an article of vertu, as old as the world itself, both curious and rare too, that was dug up beneath some ruins in the Sicilies,—and is from the undoubted chisel of Praxiteles—representing a Venus, without legs, arms, or head; au reste,—the trunk is very beautiful, so is the chest."—"Mr. Auctioneer, your classic knowledge is rather queer; and I don't wish to hurt you, but I cannot understand Venus being an article of virtue; and if this mutilated image is Venus coming from the sea, as you say, I should rather incline to think that the sharks had been following in her lee all the way."—"We have here a fine painting by Vandyke,—a correct portrait of anybody you like—and a bust of the celebrated ballad-singer, Homer,—who, throughout the towns of Greece, was a roamer,—where 'tis known, by even the most illiterate dunce, that he'd the luck to be born in seven different cities at once;—but all his endeavours to raise a penny from each of these places seemed to fail,—for he never got out-door relief from any, although it seems to have been a Union on a most extensive scale.—I'll thank you to give me a good bidding, if you please—for you rarely see such authentic originals as these—which I have offered to the gaze of the beholders.—The bust upon which you have all bent your eyes was buried in Pompeian lava for centuries,—where it, all that time, had lain."—"Then, perhaps, sir, you can explain the meaning of the motto 'Austin and Seeley,' on the shoulders."—And in the midst of this general din the rafters of the floor all tumble in,—and down to the parlour the company and auctioneer go,—which rather cumflusticates those who are sitting below; and so,—amidst the general confusion and rout,—we ourselves will contrive to scramble out—from the room in which we were crammed;—and, on gaining the fresh air, we are almost tempted to swear, if we go there again we'll be—shot!
A SMITH'S VICE.
When late—too late, indeed—it was found out,
That shoals of large Exchequer bills were spurious,
It made, no doubt,
The holders furious—
And indignation grew quite busy with
That fraudful felon, Edward Beaumont Smith,
When prosecuted, at the Queen's expense,
Guilty, he pleaded;