“God bless you, brother!” Harry says.
“Have a good time, Harry!” and down goes George's head on the pillow again, and he takes his pencil and notebook from under his bolster, and falls to polishing his verses, as Harry, with his cloak over his shoulder and a little valise in his hand, walks to the inn in Holborn whence the Portsmouth machine starts.
CHAPTER LXIII. Melpomene
George Warrington by no means allowed his legal studies to obstruct his comfort and pleasures, or interfere with his precious health. Madam Esmond had pointed out to him in her letters that though he wore a student's gown, and sate down with a crowd of nameless people to hall-commons, he had himself a name, and a very ancient one, to support, and could take rank with the first persons at home or in his own country; and desired that he would study as a gentleman, not a mere professional drudge. With this injunction the young man complied obediently enough: so that he may be said not to have belonged to the rank and file of the law, but may be considered to have been a volunteer in her service, like some young gentlemen of whom we have just heard. Though not so exacting as she since has become—though she allowed her disciples much more leisure, much more pleasure, much more punch, much more frequenting of coffee-houses and holiday-making, than she admits nowadays, when she scarce gives her votaries time for amusement, recreation, instruction, sleep, or dinner—the law a hundred years ago was still a jealous mistress, and demanded a pretty exclusive attention. Murray, we are told, might have been an Ovid, but he preferred to be Lord Chief Justice, and to wear ermine instead of bays. Perhaps Mr. Warrington might have risen to a peerage and the woolsack, had he studied very long and assiduously,—had he been a dexterous courtier, and a favourite of attorneys: had he been other than he was, in a word. He behaved to Themis with a very decent respect and attention; but he loved letters more than law always; and the black-letter of Chaucer was infinitely more agreeable to him than the Gothic pages of Hale and Coke.
Letters were loved indeed in those quaint times, and authors were actually authorities. Gentlemen appealed to Virgil or Lucan in the Courts or the House of Commons. What said Statius, Juvenal—let alone Tully or Tacitus—on such and such a point? Their reign is over now, the good old Heathens: the worship of Jupiter and Juno is not more out of mode than the cultivation of Pagan poetry or ethics. The age of economists and calculators has succeeded, and Tooke's Pantheon is deserted and ridiculous. Now and then, perhaps, a Stanley kills a kid, a Gladstone bangs up a wreath, a Lytton burns incense, in honour of the Olympians. But what do they care at Lambeth, Birmingham, the Tower Hamlets, for the ancient rites, divinities, worship? Who the plague are the Muses, and what is the use of all that Greek and Latin rubbish? What is Elicon, and who cares? Who was Thalia, pray, and what is the length of her i? Is Melpomene's name in three syllables or four? And do you know from whose design I stole that figure of Tragedy which adorns the initial G of this chapter?
Now, it has been said how Mr. George in his youth, and in the long leisure which he enjoyed at home, and during his imprisonment in the French fort on the banks of Monongahela, had whiled away his idleness by paying court to Melpomene; and the result of their union was a tragedy, which has been omitted in Bell's Theatre, though I dare say it is no worse than some of the pieces printed there. Most young men pay their respects to the Tragic Muse first, as they fall in love with women who are a great deal older than themselves. Let the candid reader own, if ever he had a literary turn, that his ambition was of the very highest, and that however, in his riper age, he might come down in his pretensions, and think that to translate an ode of Horace, or to turn a song of Waller or Prior into decent alcaics or sapphics, was about the utmost of his capability, tragedy and epic only did his green unknowing youth engage, and no prize but the highest was fit for him.
George Warrington, then, on coming to London, attended the theatrical performances at both houses, frequented the theatrical coffee-houses, and heard the opinions of the critics, and might be seen at the Bedford between the plays, or supping at the Cecil along with the wits and actors when the performances were over. Here he gradually became acquainted with the players and such of the writers and poets as were known to the public. The tough old Macklin, the frolicsome Foote, the vivacious Hippisley, the sprightly Mr. Garrick himself, might occasionally be seen at these houses of entertainment; and our gentleman, by his wit and modesty, as well, perhaps, as for the high character for wealth which he possessed, came to be very much liked in the coffee-house circles, and found that the actors would drink a bowl of punch with him, and the critics sup at his expense with great affability. To be on terms of intimacy with an author or an actor has been an object of delight to many a young man; actually to hob and nob with Bobadil or Henry the Fifth or Alexander the Great, to accept a pinch out of Aristarchus's own box, to put Juliet into her coach, or hand Monimia to her chair, are privileges which would delight most young men of a poetic turn; and no wonder George Warrington loved the theatre. Then he had the satisfaction of thinking that his mother only half approved of plays and playhouses, and of feasting on fruit forbidden at home. He gave more than one elegant entertainment to the players, and it was even said that one or two distinguished geniuses had condescended to borrow money of him.
And as he polished and added new beauties to his masterpiece, we may be sure that he took advice of certain friends of his, and that they gave him applause and counsel. Mr. Spencer, his new acquaintance, of the Temple, gave a breakfast at his chambers in Fig Tree Court, when Mr. Warrington read part of his play, and the gentlemen present pronounced that it had uncommon merit. Even the learned Mr. Johnson, who was invited, was good enough to say that the piece had showed talent. It warred against the unities, to be sure; but these had been violated by other authors, and Mr. Warrington might sacrifice them as well as another. There was in Mr. W.'s tragedy a something which reminded him both of Coriolanus and Othello. “And two very good things too, sir!” the author pleaded. “Well, well, there was no doubt on that point; and 'tis certain your catastrophe is terrible, just, and being in part true, is not the less awful,” remarks Mr. Spencer.
Now the plot of Mr. Warrington's tragedy was quite full indeed of battle and murder. A favourite book of his grandfather had been the life of old George Frundsberg of Mindelheim, a colonel of foot-folk in the Imperial service at Pavia fight, and during the wars of the Constable Bourbon: and one of Frundsberg's military companions was a certain Carpzow, or Carpezan, whom our friend selected as his tragedy hero. His first act, as it at present stands in Sir George Warrington's manuscript, is supposed to take place before a convent on the Rhine, which the Lutherans, under Carpezan, are besieging. A godless gang these Lutherans are. They have pulled the beards of Roman friars, and torn the veils of hundreds of religious women. A score of these are trembling within the walls of the convent yonder, of which the garrison, unless the expected succours arrive before midday, has promised to surrender. Meanwhile there is armistice, and the sentries within look on with hungry eyes, as the soldiers and camp people gamble on the grass before the gate. Twelve o'clock, ding, ding, dong! it sounds upon the convent bell. No succours have arrived. Open gates, warder! and give admission to the famous Protestant hero, the terror of Turks on the Danube, and Papists in the Lombard plains—Colonel Carpezan! See, here he comes, clad in complete steel, his hammer of battle over his shoulder, with which he has battered so many infidel sconces, his flags displayed, his trumpets blowing. “No rudeness, my men,” says Carpezan; “the wine is yours, and the convent larder and cellar are good: the church plate shall be melted: any of the garrison who choose to take service with Gaspar Carpezan are welcome, and shall have good pay. No insult to the religious ladies! I have promised them a safe-conduct, and he who lays a finger on them, hangs! Mind that Provost Marshal!” The Provost Marshal, a huge fellow in a red doublet, nods his head.