“We shall see more of that Provost Marshal, or executioner,” Mr. Spencer explains to his guests.

“A very agreeable acquaintance, I am sure,—shall be delighted to meet the gentleman again!” says Mr. Johnson, wagging his head over his tea. “This scene of the mercenaries, the camp followers, and their wild sports, is novel and stirring, Mr. Warrington, and I make you my compliments on it. The Colonel has gone into the convent, I think? Now let us hear what he is going to do there.”

The Abbess, and one or two of her oldest ladies, make their appearance before the conqueror. Conqueror as he is, they heard him in their sacred halls. They have heard of his violent behaviour in conventual establishments before. That hammer, which he always carries in action, has smashed many sacred images in religious houses. Pounds and pounds of convent plate is he known to have melted, the sacrilegious plunderer! No wonder the Abbess-Princess of St. Mary's, a lady of violent prejudices, free language, and noble birth, has a dislike to the lowborn heretic who lords it in her convent, and tells Carpezan a bit of her mind, as the phrase is. This scene, in which the lady gets somewhat better of the Colonel, was liked not a little by Mr. Warrington's audience at the Temple. Terrible as he might be in war, Carpezan was shaken at first by the Abbess's brisk opening charge of words; and, conqueror as he was, seemed at first to be conquered by his actual prisoner. But such an old soldier was not to be beaten ultimately by any woman. “Pray, madam,” says he, “how many ladies are there in your convent, for whom my people shall provide conveyance?” The Abbess, with a look of much trouble and anger, says that, “besides herself, the noble sisters of Saint Mary's House are twenty—twenty-three.” She was going to say twenty-four, and now says twenty-three? “Ha! why this hesitation?” asks Captain Ulric, one of Carpezan's gayest officers.

The dark chief pulls a letter from his pocket. “I require from you, madam,” he says sternly to the Lady Abbess, “the body of the noble lady Sybilla of Hoya. Her brother was my favourite captain, slain by my side, in the Milanese. By his death, she becomes heiress of his lands. 'Tis said a greedy uncle brought her hither; and fast immured the lady against her will. The damsel shall herself pronounce her fate—to stay a cloistered sister of Saint Mary's, or to return to home and liberty, as Lady Sybil, Baroness of ———.” Ha! The Abbess was greatly disturbed by this question. She says, haughtily: “There is no Lady Sybil in this house: of which every inmate is under your protection, and sworn to go free. The Sister Agnes was a nun professed, and what was her land and wealth revert to this Order.”

“Give me straightway the body of the Lady Sybil of Hoya!” roars Carpezan, in great wrath. “If not, I make a signal to my Reiters, and give you and your convent up to war.”

“Faith, if I lead the storm, and have my right, 'tis not my Lady Abbess that I'll choose,” says Captain Ulric, “but rather some plump, smiling, red-lipped maid like—like——” Here, as he, the sly fellow, is looking under the veils of the two attendant nuns, the stern Abbess cries, “Silence, fellow, with thy ribald talk! The lady, warrior, whom you ask of me is passed away from sin, temptation, vanity, and three days since our Sister Agnes—died.”

At this announcement Carpezan is immensely agitated. The Abbess calls upon the chaplain to confirm her statement. Ghastly and pale, the old man has to own that three days since the wretched Sister Agnes was buried.

This is too much! In the pocket of his coat of mail Carpezan has a letter from Sister Agnes herself, in which she announces that she is going to be buried indeed, but in an oubliette of the convent, where she may either be kept on water and bread, or die starved outright. He seizes the unflinching Abbess by the arm, whilst Captain Ulric lays hold of the chaplain by the throat. The Colonel blows a blast upon his horn: in rush his furious Lanzknechts from without. Crash, bang! They knock the convent walls about. And in the midst of flames, screams, and slaughter, who is presently brought in by Carpezan himself, and fainting on his shoulder, but Sybilla herself? A little sister nun (that gay one with the red lips) had pointed out to the Colonel and Ulric the way to Sister Agnes's dungeon, and, indeed, had been the means of making her situation known to the Lutheran chief.

“The convent is suppressed with a vengeance,” says Mr. Warrington. “We end our first act with the burning of the place, the roars of triumph of the soldiery, and the outcries of the nuns. They had best go change their dresses immediately, for they will have to be court ladies in the next act—as you will see.” Here the gentlemen talked the matter over. If the piece were to be done at Drury Lane, Mrs. Pritchard would hardly like to be Lady Abbess, as she doth but appear in the first act. Miss Pritchard might make a pretty Sybilla, and Miss Gates the attendant nun. Mr. Garrick was scarce tall enough for Carpezan—though, when he is excited, nobody ever thinks of him but as big as a grenadier. Mr. Johnson owns Woodward will be a good Ulric, as he plays the Mercutio parts very gaily; and so, by one and t'other, the audience fancies the play already on the boards, and casts the characters.

In act the second, Carpezan has married Sybilla. He has enriched himself in the wars, has been ennobled by the Emperor, and lives at his castle on the Danube in state and splendour.