Such is a hasty synopsis of what here concerns us in the theology of the Druids. In its ground germs it was, it seems to us, unquestionably imported into Celtic thought and Cymrian song from that prolific and immemorial Hindu mind which bore Brahmanism and Buddhism as its fruit. Its ethical tone, intellectual elevation, and glorious climax are not unworthy that free hierarchy of minstrel priests whose teachings were proclaimed, as their assemblies were held, "in the face of the sun and in the eye of the light," and whose thrilling motto was, "THE TRUTH AGAINST THE WORLD."
The latest publication on the subject of old Welsh literature is "Taliesin; or, The Bards and Druids of Britain." The author, D. W. Nash, is obviously familiar with his theme, and he throws much light on many points of it. His ridicule of the arbitrary tenets and absurdities which Davies, Pughe, and others have taught in all good faith as Druidic lore and practice is richly deserved. But, despite the learning and acumen displayed in his able and valuable volume, we must think Mr. Nash goes wholly against the record in denying the doctrine of metempsychosis to the Druidic system, and goes clearly beyond the record in charging Edward Williams and others with forgery and fraud in their representations of ancient Bardic doctrines.6 In support of such grave charges direct evidence is needed; only suspicious circumstances are adduced. The non existence of public documents is perfectly reconcilable with the existence of reliable oral accounts preserved by the initiated few, one of whom Williams, with seeming sincerity, claimed to be.
6 Taliesin, ch. iv.
CHAPTER III.
SCANDINAVIAN DOCTRINE OF A FUTURE LIFE.
MANY considerations combine to make it seem likely that at an early period a migration took place from Southern Asia to Northern Europe, which constituted the commencement of what afterwards grew to be the great Gothic family. The correspondence of many of the leading doctrines and symbols of the Scandinavian mythology with well known Persian and Buddhist notions notions of a purely fanciful and arbitrary character is too peculiar, apparently, to admit of any other explanation.1 But the germs of thought and imagination transplanted thus from the warm and gorgeous climes of the East to the snowy mountains of Norway and the howling ridges of Iceland, obtained a fresh development, with numerous modifications and strange additions, from the new life, climate, scenery, and customs to which they were there exposed. The temptation to predatory habits and strife, the necessity for an intense though fitful activity arising from their geographical situation, the fierce spirit nourished in them by their actual life, the tremendous phenomena of the Arctic world around them, all these influences break out to our view in the poetry, and are reflected by their results in the religion, of the Northmen.
From the flame world, Muspelheim, in the south, in which Surtur, the dread fire king, sits enthroned, flowed down streams of heat. From the mist world, Niflheim, in the north, in whose central caldron, Hvergelmir, dwells the gloomy dragon Nidhogg, rose floods of cold vapor. The fire and mist meeting in the yawning abyss, Ginungagap, after various stages of transition, formed the earth. There were then three principal races of beings: men, whose dwelling was Midgard; Jotuns, who occupied Utgard; and the Asir, whose home was Asgard. The Jotuns, or demons, seem to have been originally personifications of darkness, cold, and storm, the disturbing forces of nature, whatever is hostile to fruitful life and peace. They were frost giants ranged in the outer wastes around the habitable fields of men. The Asir, or gods, on the other hand, appear to have been personifications of light, and law, and benignant power, the orderly energies of the universe. Between the Jotuns and the Asir there is an implacable contest.2 The rainbow, Bifrost, is a bridge leading from earth up to the skyey dwelling place of the Asir; and their sentinel, Heimdall, whose senses are so acute that he can hear the grass spring in the meadows and the wool grow on the backs of the sheep, keeps incessant watch upon it. Their chief deity, the father Zeus of the Northern pantheon, was Odin, the god of war, who wakened the spirit of battle by flinging his spear over the heads of the people, its inaudible hiss from heaven being as the song of Ate let loose on earth. Next in rank was Thor, the personification of the exploding tempest. The crashing echoes of the thunder are his chariot wheels rattling through the cloudy halls of Thrudheim. Whenever the lightning strikes a cliff or an iceberg, then Thor has flung his hammer, Mjolnir, at Joton's head.
1 Vans Kennedy, Ancient and Hindu Mythology, pp. 452, 463-464.
2 Thorpe, Northern Mythology, vol. ii.
Balder was the god of innocence and gentleness, fairest, kindest, purest of beings. Light emanated from him, and all things loved him. After Christianity was established in the North, Jesus was called the White Christ, or the new Balder. The appearance of Balder amidst the frenzied and bloody divinities of the Norse creed is beautiful as the dew cool moon hanging calmly over the lurid storm of Vesuvius. He was entitled the "Band in the Wreath of the Gods," because with his fate that of all the rest was bound up. His death, ominously foretold from eldest antiquity, would be the signal for the ruin of the universe. Asa Loki was the Momus Satan or Devil Buffoon of the Scandinavian mythology, the half amusing, half horrible embodiment of wit, treachery, and evil; now residing with the gods in heaven, now accompanying Thor on his frequent adventures, now visiting and plotting with his own kith and kin in frosty Jotunheim, beyond the earth environing sea, or in livid Helheim deep beneath the domain of breathing humanity.3