Greek Imperialism

by William Scott Ferguson

All this, and much besides, was observed, and the proper inferences drawn, by Eduard Meyer twenty years ago;[36] so that the amazement with which the English archæologists, who have excavated in Laconia during the past five or six years, report their remarkable "finds" is a source of no little amusement to the wary. They have discovered that prior to 580 B.C. Sparta was the maker of a kind of artistic pottery which was known and imitated in far-distant Cyrene and Tarentum; that she then had trade relations with Egypt and Lydia; that "combs, toilet-boxes, elaborate pins and bronze ornaments, seals, necklaces, and gold and ivory gewgaws" were made and used—witnesses for "a golden age of Spartan art," against the puritanical spirit traditionally attributed to early and middle Sparta.[37]

In Athens, as we have seen, supremacy in art and literature was attained by making universal among citizens the spirit and culture of the aristocracy, the whole people, thus ennobled, being supported on the shoulders of the tributary allies and enriched by the commercial advantages of maritime empire. The development of Sparta was directly the reverse of this. There the aristocracy, whose exuberance of life and responsiveness to sensuous impressions are attested with sufficient certainty, was destroyed in the sixth century B.C.

This century was one of repression in Greece generally; whence some historians have called it the epoch of the Greek Reformation. It is the time of the "Seven Wise Men," from one of whom came the Delphian motto "nothing in excess," a time in which the riotous joy of living and the fresh spontaneity of the so-called Ionian Renascence were subdued by a force, which might have been everywhere a blight,—as in Sparta,—but which in fact, when later the inspiration of the great Persian War came, exerted the gentle restraint which marks the classic in Greek art and letters. In this perilous period the aristocracy of Sparta perished, and with it the ideals and accomplishments of which it had been the exponent.

The instrument of repression of all that was superior to the average in Spartan life was the college of the five ephors, which Cicero compares with the tribunate in Rome. The ephors acquired such power that they made the continuance of even the kingship dependent upon the submission of the kings to their authority; and upon the kings, as upon all others, they enforced the new rules of law of which they were the living expositors.

The development of Sparta, like the development of Rome, from aristocratic to republican government is characterized by the absence of tyrants. The fact is that the tribunate in the one case and the ephorate in the other was tyranny in commission, the division of its powers between ten and five annually changing officers respectively having proved to be a sufficient safeguard against the concentration of executive power in the person of a single individual, be he an inherited king robbed of monarchical rights or an ambitious demagogue aiming at their restoration.

The new rules of law which the ephors enforced prescribed in minute detail the life of the citizen from the moment of his birth to the time of his death. They were the regulations of a military school in which war alone was taught, of military barracks when war was already declared. From seven years of age to sixty the entire energies of the male half of the population were directed toward being prepared for war. Boys and men drilled and hunted, learned to use their weapons and campaigned, danced and exercised, ate in the "messes" year in and year out, and never escaped the watchful eyes of trainers, subalterns, officers, and ephors.

No one in Sparta had to make his own way in life. His whole course was mapped out for him before he was born. No citizen had any business cares; for all trade and industry were tabooed, and the lands which he inherited he could not sell. Neither could he buy those of another. The agricultural laborers were serfs, the sullen and recalcitrant Helots, of whom there were fifteen to every Spartan; the clothing and weapons were made by the contented and tractable Periœcs, who outnumbered the Spartans five to one, and formed with their one hundred hamlets and their contiguous territories an insulating band round Helots and Spartans alike. Iron money was the only local currency, though silver had, of course, to be given in payment for the articles which were imported from abroad. These, however, were reduced to a minimum, and such foreigners as made their way through the wall of Periœcs were rounded up at intervals and forcefully expelled.

All the pretty things of their earlier life, the Spartans chose to do without. Coarse fare and unlovely houses, piazzas devoid of statues and inclosed in unsightly and flimsy public buildings; no theatres, no new music, no new ideas of any kind; mothers who gave up their little children and their grown sons without flinching; wives who violated fundamental instincts that their offspring might be more perfect; homeless boys who went half-naked winter and summer, slept in pens in the open air like cattle and got their food and living by their wits; girls who would hardly have known their brothers, brides who would hardly have recognized their husbands, mothers who would hardly have been able to distinguish their own sons, were it not that there were less than five thousand brothers, husbands, and sons in all—of such was the new Sparta, to whose citizens the ephors issued the annual command "to shave their mustaches and obey the laws." Long-haired and tangly-bearded, in groups of about fifteen each, they lounged and ate and slept in the three hundred tents, or barracks, which lined Hyacinth Street. There they kept their long spears and their armor.[38] Thence, clad in their scarlet cloaks, they issued in time of danger or of war to take their places, group by group, in the five carefully drilled regiments of which the Spartan phalanx was composed. Quietly, at an appointed hour in a single night, the whole army might steal away without confusion, trailing after it, on occasion, thirty-five thousand Helots to attend to the commissariat. Five thousand Periœc hoplites might follow at its heels, and with machine-like precision, to the sound of flutes played in the austere Dorian mode, ten thousand Lacedæmonian soldiers might advance into battle against foemen who were always comparatively ill-organized, and who often fled before a single blow was struck.