SCENE I. Rossillon. A room in the Countess’s palace.
Enter Bertram, the Countess of Rossillon, Helena, and Lafew, all in black.
COUNTESS.
In delivering my son from me, I bury a second husband.
BERTRAM.
And I in going, madam, weep o’er my father’s death anew; but I must attend his majesty’s command, to whom I am now in ward, evermore in subjection.
LAFEW.
You shall find of the king a husband, madam; you, sir, a father. He that so generally is at all times good, must of necessity hold his virtue to you, whose worthiness would stir it up where it wanted, rather than lack it where there is such abundance.
COUNTESS.
What hope is there of his majesty’s amendment?
LAFEW.
He hath abandon’d his physicians, madam; under whose practices he hath persecuted time with hope, and finds no other advantage in the process but only the losing of hope by time.
COUNTESS.
This young gentlewoman had a father—O that “had!”, how sad a passage ’tis!—whose skill was almost as great as his honesty; had it stretch’d so far, would have made nature immortal, and death should have play for lack of work. Would for the king’s sake he were living! I think it would be the death of the king’s disease.
LAFEW.
How called you the man you speak of, madam?
COUNTESS.
He was famous, sir, in his profession, and it was his great right to be so: Gerard de Narbon.