[Footnote 4: I think this speech should end with a point of interrogation.]
[Footnote 5: muscles.]
[Footnote 6: The body is the temple, in which the mind and soul are the worshippers: their service grows with the temple—wide, changing and increasing its objects. The degraded use of the grand image is after the character of him who makes it.]
[Footnote 7: The studied contrast between Laertes and Hamlet begins already to appear: the dishonest man, honestly judging after his own dishonesty, warns his sister against the honest man.]
[Footnote 8: deceit.]
[Footnote 9: 'You have cause to fear when you consider his greatness: his will &c.' 'You must fear, his greatness being weighed; for because of that greatness, his will is not his own.']
[Footnote 10: This line not in Quarto.]
[Footnote 11: limited.]
[Footnote 12: allowance.]
[Footnote 13: This change from the Quarto seems to me to bear the mark of Shakspere's hand. The meaning is the same, but the words are more individual and choice: the sect, the head in relation to the body, is more pregnant than place; and force, that is power, is a fuller word than act, or even action, for which it plainly appears to stand.]