The wail, and the sudden break in the second line, had always upon me an effect of inexpressible pathos. Often that sad wind-song has been in my ears, when I have been thinking of many things that are passed and are passing.
I know not what made Silis so abruptly begin to sing, and with that wailing couplet only, or why she lapsed at once into silence again. Indeed, my remembrance of the incident at all is due to the circumstance that shortly after Silis had turned her face to the peats again, a knock came to the door, and then Sheumas Dhu entered.
“Why do you sing that lament, Silis, sister of my father?” he asked, after he had seated himself beside me, and spread his thin hands against the peat glow, so that the flame seemed to enter within the flesh.
Silis turned to her nephew, and looked at him, as I thought, questioningly. But she did not speak. He, too, said nothing more, either forgetful of his question, or content with what he had learned or failed to learn through her silence.
The wind had come down from the corries before Sheumas rose to go. He said he was not returning to Alltnalee, but was going upon the hill, for a big herd of deer had come over the ridge of Mel-Mòr. Sheumas, though skilled in all hill and forest craft, was not a sure shot, as was his kinsman and my host, Alasdair McIan.
“You will need help,” I remember Alasdair Ardoch saying, mockingly, adding, “Co dhiubh is fhearr let mise thoir sealladh na fàileadh dhiubh?”—that is to say, Whether would you rather me to deprive them of sight or smell?
This is a familiar saying among the old sportsmen in my country, where it is believed that a few favoured individuals have the power to deprive deer of either sight or smell, as the occasion suggests.
“Dhuit ciàr nan carn!—The gloom of the rocks be upon you!” replied Sheumas, sullenly; “mayhap the hour is come when the red stag will sniff at my nostrils.”
With that dark saying he went. None of us saw him again alive.
Was it a forewarning? I have often wondered. Or had he sight of the shadow?