But the newly manumitted freedman was thoroughly enjoying himself. The windy speeches in the Senate, the crowded and excited meetings in the Forum, the action and reaction of the tides of popular prejudice and fancy, the eloquence of Antonius, and the threatenings and ravings of Marcellus the consul—all these were interesting but not disturbing. Agias was catching glimpses of a little Olympus of his own—an Olympus in which he was at once Zeus, Poseidon, and Apollo; Sesostris—so he declared—the lame cup-bearer Hephæstus; and in place of Hera, Athena, and Aphrodite, were the smiles and laughter of Artemisia. Agias was head over ears in love with this pretty little cage-bird shut up in Pratinas's gloomy suite of rooms. Her "uncle" took her out now and then to the theatre or to the circus; but she had had little enough companionship save such as Sesostris could give; and to her, Agias was a wonderful hero, the master of every art, the victor over a hundred monsters. He had told her of his adventure with Phaon—not calling names, lest disagreeable consequences ensue—and Artemisia dreamed of him as the cleverest creature on the earth, able to outwit Hermes in subtlety. Agias had found out when Pratinas was likely to be away from home—and that worthy Hellene, be it said, never declined an invitation to dine with a friend—and Agias timed his visits accordingly. He taught Artemisia to play the cithera and to sing, and she made such rapid progress under his tutoring that the unconscious Pratinas commended her efforts to acquire the accomplishments he wished. And Agias was never so happy as when those bright eyes were hanging on his lips or that merry tongue was chattering a thousand pointless remarks or jests.
Yes, Agias found himself in a condition when he could well ask to have no change. The possibility that Pratinas would come home, and put an end to the romance once and for all, was just great enough to give the affair the zest of a dangerous adventure. Despite Sesostris's warnings that Artemisia might at any time be sold away by her pseudo-uncle, Agias could not discover that that danger was imminent enough to need frustration. He was content to live himself and to let Artemisia live, basking in the stolen sunshine of the hour, and to let the thought of the approaching shadows fade out of his mind.
Another person who saw the sunshine rather brighter than before was Pisander. That excellent philosopher had received his share of the gratitude Drusus had bestowed on his deliverers. But he was still in the service of Valeria, for Drusus saw that he had admirable opportunities for catching the stray bits of political gossip that inevitably intermixed themselves with the conversation of Valeria and her circle. Pisander had continued to read Plato to his mistress, and to groan silently at her frivolity; albeit, he did not groan so hopelessly as before, because he had good money in his pouch and knew where to procure more when he needed it.
So Agias enjoyed himself. He was a youth; a Pagan youth; and in his short life he had seen many a scene of wickedness and shame. Yet there was nothing unholy in the affection which he found was daily growing stronger and stronger for Artemisia. She was a pure, innocent flower, that by the very whiteness of her simple sweet presence drove away anything that "defiled or made a lie." Agias did not worship her; she was too winning; too cunning and pretty to attract the least reverence; but in her company the young Greek was insensibly raised pinnacles above the murky moral atmosphere in which most men and youths of his station walked.
It was all like an Idyl of Theocritus; with the tenement of Pratinas for a shepherd's hut; and Sesostris for a black-backed sheep to whom the herdsmen and the nymph of his love could play on "oaten reed." At first, Agias had never dreamed of telling a word of his affection to Artemisia. In truth, it was very hard to tell, for she, with an absolute innocence, took all his advances for far more than they were worth; told him that next to her "uncle and dear Sesostris" he was quite the best friend she had; that she loved him, and was glad to hear him say that he loved her.
All this was delightful in the ears of her admirer, but very disconcerting. Agias thought of the hollow civilities of Valeria's life, as he had seen it; of the outward decorum of language, of the delicately veiled compliments, of the interchange of words that summed up, in a few polished commonplaces, a whole network of low intrigue and passion. Was this the same world! Could Valeria and Artemisia both be women! The one—a beauty, whose guilty heart was not ignorant of a single form of fashionable sin; the other—as it were, a blossom, that was pure sweetness, in whose opening petals the clear diamond of the morning dew still remained! Agias did not compare Artemisia with Cornelia; for Cornelia, in his eyes, was a goddess, and in beauty and passions was above the hope or regard of mortal men.
But what was one to do in an emergency like the following? Agias had been singing the "Love Song" from the "Cyclops," and trying to throw into the lines all the depth of tender affection which voice and look rendered possible.
"One with eyes the fairest
Cometh from his dwelling,
Some one loves thee, rarest,
Bright beyond my telling.
In thy grace thou shinest
Like some nymph divinest,
In her caverns dewy;—
All delights pursue thee,
Soon pied flowers, sweet-breathing,
Shall thy head be wreathing."[126]
And at the conclusion of the song Artemisia threw her arms around Agias's neck and kissed him; and then with astounding impartiality sprang into Sesostris's lap, and patted the old Ethiop's black cheeks, and bestowed on him all manner of endearing epithets. What was poor Agias to do in such a case? He blankly concluded that it had proved easier to blast the plot of Pratinas and Ahenobarbus, than to win the love—as he meant "love"—of this provokingly affectionate girl. It was growing late. Pratinas might at any time return. And Agias constrained himself to depart.
"By Zeus!" was the exclamation he addressed to himself as he fought his way through the crowds toward his own quarters; "where will this all end? How much longer are you going to lie in the toils of that most innocent of Circes? Will she never open her eyes? If I could only make her cry, 'I hate you!' there would be some hope; for when one hates, as I want her to, love is but a step away. Confound that Sesostris! For me to have to sit there, and see that baboon kissed and fondled!"