"Yes," moaned Cornelia; "he dares anything. He is all fury and violence. Escape! Do not throw yourself away in vain!"
The lights flashed nearer; the slaves were shouting and blundering through the bushes.
"Two philippi to the man who strikes Drusus down!" bawled Lentulus.
It was no time for delay and affectionate leave-taking. The young man threw his arms around Cornelia, kissed her once, twice, and then bounded into the thicket. A moment later several of the servants came splashing over the little stream, and found Cornelia alone beside the great cypress, pale and trembling and sobbing. Drusus caught one last sight of her, surrounded by the torches of the pursuers. Then he struck off into the grove, and thanks to his perfect local knowledge easily avoided meeting Lentulus or his slaves. Lentulus he would gladly have confronted alone. What would have followed, the athletic young man could only surmise grimly; but he was unarmed, and for Cornelia's sake he must take no risks.
Close to the confines of his own land he met the Mamerci, father and son, and several slaves and freedmen, all armed and anxious to know whether the din that had been raised over at the Lentulan villa betokened any danger to their young master.
Drusus satisfied them that he had suffered no injury. The personal peril through which he had passed brought a reaction of excitement which raised his spirits, and he went to bed in a mood at least tolerably cheerful. If he could not enjoy his love, he had at least something else to live for—vengeance; and he told himself that he had a whole mature lifetime left in which to make Lentulus repent of his folly and tyrannical cruelty. He awoke late the next morn in a calm frame of mind, and was able to receive with outward equanimity the news that early in the morning Lentulus had taken his sister-in-law and niece, and a large part of his household, back to Rome. This was only to have been expected, and Drusus listened to the information without useless comment.
CHAPTER VI
POMPEIUS MAGNUS
If we had been painting an ideal heroine, gifted with all the virtues which Christian traditions of female perfection throw around such characters, Cornelia would have resigned herself quietly to the inevitable, and exhibited a seraphic serenity amid tribulation. But she was only a grieved, embittered, disappointed, sorely wronged, Pagan maiden, who had received few enough lessons in forbearance and meekness. And now that her natural sweetness of character had received so severe a shock, she vented too often the rage she felt against her uncle upon her helpless servants. Her maid Cassandra—who was the one that had told Lentulus of her mistress's nocturnal meeting with Drusus—soon felt the weight of Cornelia's wrath. The young lady, as soon as Lentulus was out of the way, caused the tell-tale to receive a cruel whipping, which kept the poor slave-girl groaning in her cell for ten days, and did not relieve Cornelia's own distress in the slightest degree. As a matter of fact, Cornelia was perpetually goaded into fresh outbursts of desperation by the tyrannical attitude of her uncle. Lentulus boasted in her presence that he would accomplish Drusus's undoing. "I'll imitate Sulla," he would announce, in mean pleasure at giving his niece pain; "I'll see how many heads I can have set up as he did at the Lacus Servilius. You can go there, if you wish to kiss your lover."
But Cornelia's life at Rome was rendered unhappy by many other things besides these occasional brutal stabs from her uncle. Her mother, as has been hinted, was a woman of the world, and had an intense desire to draw her daughter into her own circle of society. Claudia cared for Cornelia in a manner, and believed it was a real kindness to tear the poor girl away from her solitary broodings and plunge her into the whirl of the world of Roman fashion. Claudia had become an intimate of Clodia, the widow of Quintus Metellus, a woman of remarkable gifts and a notoriously profligate character. "The Medea of the Palatine Hill," Cicero had bitingly styled her. Nearly all the youth of parts and social distinction enjoyed the wild pleasures of Clodia's garden by the Tiber. Catullus the poet, Cælius the brilliant young politician, and many another had figured as lovers of this soulless and enchanting woman. And into Clodia's gilded circle Claudia tried desperately to drag her daughter. The Lentuli had a handsome palace on the Carinæ, one of the most fashionable quarters of the capital; and here there were many gay gatherings and dinner parties. Cornelia was well born enough, by reputation wealthy enough, and in feature handsome enough, to have a goodly proportion of the young men of this coterie her devoted admirers and slaves. Claudia observed her daughter's social triumphs with glee, and did all she could to give Cornelia plenty of this kind of company. Cornelia would not have been a mortal woman if she had not taken a certain amount of pleasure in noticing and exercising her power. The first occasion when she appeared at a formal banquet in the splendid Apollo dinner hall of the Luculli, where the outlay on the feast was fixed by a regular scale at two hundred thousand sesterces, she gathered no little satisfaction by the consciousness that all the young men were admiring her, and all the women were fuming with jealousy. But this life was unspeakably wearisome, after the first novelty had worn away. Cornelia lived in an age when many of the common proprieties and decencies of our present society would have been counted prudish, but she could not close her eyes to the looseness and license that pervaded her mother's world. Woman had become almost entirely independent of man in social and economic matters, though the law still kept its fictions of tutelage. Honourable marriages were growing fewer and fewer. Divorces were multiplying. The morality of the time can be judged from the fact that the "immaculate" Marcus Cato separated from his wife that a friend might marry her; and when the friend died, married her himself again. Scandals and love intrigues were common in the highest circles; noble ladies, and not ballet-dancers[86] merely, thought it of little account to have their names besmirched. Everything in society was splendid, polished, decorous, cultivated without; but within, hollow and rotten.