The Aristotelian distinction of Causes has not any very immediate bearing upon the parts of physics of which we have here mainly spoken; but it was so extensively accepted, and so long retained, that it may be proper to notice it.[31] “One kind of Cause is the matter of which any thing is made, as bronze of a statue, and silver of a vial; another is the form and pattern, as the Cause of an octave is the ratio of two to one; again, there is the Cause which is the origin of the production, as the father of the child; and again, there is the End, or that for the sake of which any thing is done, as health is the cause of walking.” These four kinds of Cause, the material, the formal, the efficient, and the final, were long leading points in all speculative inquiries; and our familiar forms of speech still retain traces of the influence of this division.
[31] Phys. ii. 3.
It is my object here to present to the reader in an intelligible shape, the principles and mode of reasoning of the Aristotelian philosophy, not its results. If this were not the case, it would be easy to excite a smile by insulating some of the passages which are most remote from modern notions. I will only mention, as specimens, two such passages, both very remarkable.
In the beginning of the book “On the Heavens,” he proves[32] the world to be perfect, by reasoning of the following kind: “The bodies of which the world is composed are solids, and therefore have three dimensions: now three is the most perfect number; it is the first of numbers, for of one we do not speak as a number; of two we say both; but three is the first number of which we say all; moreover, it has a beginning, a middle, and an end.”
[32] De Cœlo, i. 1.
The reader will still perceive the verbal foundations of opinions thus supported.
“The simple elements must have simple motions, and thus fire and air have their natural motions upwards, and water and earth have [73] their natural motions downwards; but besides these motions, there is motion in a circle, which is unnatural to these elements, but which is a more perfect motion than the other, because a circle is a perfect line, and a straight line is not; and there must be something to which this motion is natural. From this it is evident,” he adds, with obvious animation, “that there is some essence of body different from those of the four elements, more divine than those, and superior to them. If things which move in a circle move contrary to nature, it is marvellous, or rather absurd, that this, the unnatural motion, should alone be continuous and eternal; for unnatural motions decay speedily. And so, from all this, we must collect, that besides the four elements which we have here and about us, there is another removed far off, and the more excellent in proportion as it is more distant from us.” This fifth element was the “quinta essentia,” of after writers, of which we have a trace in our modern literature, in the word quintessence.
Sect. 3.—Technical Forms of the Greek Schools.
We have hitherto considered only the principle of the Greek Physics; which was, as we have seen, to deduce its doctrines by an analysis of the notions which common language involves. But though the Grecian philosopher began by studying words in their common meanings, he soon found himself led to fix upon some special shades or applications of these meanings as the permanent and standard notion, which they were to express; that is, he made his language technical. The invention and establishment of technical terms is an important step in any philosophy, true or false; we must, therefore, say a few words on this process, as exemplified in the ancient systems.
1. Technical Forms of the Aristotelian Philosophy.—We have already had occasion to cite some of the distinctions introduced by Aristotle, which may be considered as technical; for instance, the classification of Causes as material, formal, efficient, and final; and the opposition of Qualities as absolute and relative. A few more of the most important examples may suffice. An analysis of objects into Matter and Form, when metaphorically extended from visible objects to things conceived in the most general manner, became an habitual hypothesis of the Aristotelian school. Indeed this metaphor is even yet one of the most significant of those which we can employ, to suggest one of the most comprehensive and fundamental antitheses with which philosophy has to do;—the opposition of sense and reason, of [74] impressions and laws. In this application, the German philosophers have, up to the present time, rested upon this distinction a great part of the weight of their systems; as when Kant says, that Space and Time are the Forms of Sensation. Even in our own language, we retain a trace of the influence of this Aristotelian notion, in the word Information, when used for that knowledge which may be conceived as moulding the mind into a definite shape, instead of leaving it a mere mass of unimpressed susceptibility.