We begin our account of the Secondary Mechanical Sciences with Acoustics, because the progress towards right theoretical views, was, in fact, made much earlier in the science of Sound, than in those of Light and of Heat; and also, because a clear comprehension of the theory to which we are led in this case, is the best preparation for the difficulties (by no means inconsiderable) of the reasonings of theorists on the other subjects.
CHAPTER I.
Prelude to the Solution of Problems in Acoustics.
IN some measure the true theory of sound was guessed by very early speculators on the subject; though undoubtedly conceived in a very vague and wavering manner. That sound is caused by some motion of the sounding body, and conveyed by some motion of the air to the ear, is an opinion which we trace to the earliest times of physical philosophy. We may take Aristotle as the best expounder of this stage of opinion. In his Treatise On Sound and Hearing, he says, “Sound takes place when bodies strike the air, not by the air having a form impressed upon it (σχηματίζομενον), as some think, but by its being moved in a corresponding manner; (probably he means in a manner corresponding to the impulse;) the air being contracted, and expanded, and overtaken, and again struck by the impulses of the breath and of the strings. For when the breath falls upon and strikes the air which is next it, the air is carried forwards with an impetus, and that which is contiguous to the first is carried onwards; so that the same voice spreads every way as far as the motion of the air takes place.”
As is the case with all such specimens of ancient physics, different persons would find in such a statement very different measures of truth and distinctness. The admirers of antiquity might easily, by pressing the language closely, and using the light of modern discovery, detect in this passage an exact account of the production and propagation of sound: while others might maintain that in Aristotle’s own mind, there were only vague notions, and verbal generalizations. This [25] latter opinion is very emphatically expressed by Bacon.[1] “The collision or thrusting of air, which they will have to be the cause of sound, neither denotes the form nor the latent process of sound; but is a term of ignorance and of superficial contemplation.” Nor can it be justly denied, that an exact and distinct apprehension of the kind of motion of the air by which sound is diffused, was beyond the reach of the ancient philosophers, and made its way into the world long afterwards. It was by no means easy to reconcile the nature of such motion with obvious phenomena. For the process is not evident as motion; since, as Bacon also observes,[2] it does not visibly agitate the flame of a candle, or a feather, or any light floating substance, by which the slightest motions of the air are betrayed. Still, the persuasion that sound is some motion of the air, continued to keep hold of men’s minds, and acquired additional distinctness. The illustration employed by Vitruvius, in the following passage, is even now one of the best we can offer.[3] “Voice is breath, flowing, and made sensible to the hearing by striking the air. It moves in infinite circumferences of circles, as when, by throwing a stone into still water, you produce innumerable circles of waves, increasing from the centre and spreading outwards, till the boundary of the space, or some obstacle, prevents their outlines from going further. In the same manner the voice makes its motion in circles. But in water the circle moves breadthways upon a level plain; the voice proceeds in breadth, and also successively ascends in height.”
[1] Hist. Son. et Aud. vol. ix. p. 68.
[2] Ibid.
[3] De Arch. v. 3.
Both the comparison, and the notice of the difference of the two cases, prove the architect to have had very clear notions on the subject; which he further shows by comparing the resonance of the walls of a building to the disturbance of the outline of the waves of water when they meet with a boundary, and are thrown back. “Therefore, as in the outlines of waves in water, so in the voice, if no obstacle interrupt the foremost, it does not disturb the second and the following ones, so that all come to the ears of persons, whether high up or low down, without resonance. But when they strike against obstacles, the foremost, being thrown back, disturb the lines of those which follow.” Similar analogies were employed by the ancients in order to explain the occurrence of Echoes. Aristotle says,[4] “An Echo takes place, when the air, being as one body in consequence of the vessel which bounds it, and being prevented from being thrust forwards, is reflected [26] back like a ball.” Nothing material was added to such views till modern times.
[4] De Animâ, ii. 8.