Plate IV.

Dr. Le Plongeon, to whom much credit is due for its discovery, identified the Chichen-Itza statue, for reasons not fully explained, as a portrait of Chac-Mool, or Lord Tiger, and relates that it was found at a depth of eight metres, not far from the base of the Great Pyramid Temple. A statue of a standing tiger, with a human head and a shallow depression in its back, was also found near the same spot. I have seen other sculptured figures of human beings holding a vase, as at the hacienda near Xochicalco, Mexico, and of tigers, with circular depressions on their backs, and hope to be able to reproduce their photographs on another occasion.

The most elaborately sculptured recumbent statue is undoubtedly that which was found in or near the city of Mexico (pl. [iv], fig. 3). The under surface of its base (pl. [iv], fig. 5) is entirely covered with zigzag water lines and representations of roots of plants, figured as in the Codices; shells, one kind of which is the well-known symbol of parturition, and frogs which are intimately associated with water symbolism. On the hair of the statue a flower-like ornament is carved (pl. [iv], fig. 4) in connection with which it should be noted that the Nahuatl for flower is xochitl, pronounced hoochitl, resembling the Maya hooch=vase. The small groups of five dots forming a border around the circular vessel are noteworthy, as they are likewise sculptured on the calendar-stone. The characteristic scrolls about the eyes of the figure show that it personates tlaloc, or earth-wine. The fertility of the earth, caused by rain, is symbolized by the wreath of ears of corn and reeds (Nahuatl, tollin) which is sculptured around the base of this, one of the most remarkable of ancient American monuments.

Señor Sanchez cites Torquemada (Monarquia Indiana, vol. ii, p. 52) as the only authority who mentions a recumbent image or idol and relates that, “in the city of Tula, there was preserved in the great temple, an image of Quetzalcoatl ... he was figured as lying down, as though going to sleep.... Out of [pg 096] reverence the image was covered with mantles or cloths.... They said that when sterile women made offerings or sacrifices to the god Quetzalcoatl, he immediately caused them to become pregnant....” He was the god of the Winds which he sent to sweep or clear the way for the tlaloques=“the earth-wine” gods.

Señor Sanchez also quotes Gama, who, basing himself upon Torquemada's authority, maintains that Tezcatzon-catl, the principal rain or octli-god, was figured as lying in an intoxicated condition, holding a vase of pulque in his hands. To the above data I add the description by Bernal Diaz, of a “figure in sculpture” he saw on the summit of the great temple of Mexico: “It was half man and half lizard (lagarto), was encrusted with precious stones and one-half of it was covered with cloths. They said that half of it was full of all the kinds of seeds that were produced in the entire land, and told [me] that it was the god of sown land, of seeds and fruits. I do not remember his name....” (Historia Verdadera, p. 71). It may be as well to note, that the Nahuatl names for lizard, cuetz-palin and topitzin, approximately convey the sound of the first syllables of the name of the culture-hero Quetzalcoatl, and of the title “topiltzin” bestowed upon him. It must, of course, remain a matter of conjecture whether the lizard was possibly employed in the above case as a pictograph, to express the sound of its name. One thing seems certain, that the Tula image of Quetzalcoatl, to which divinity barren women directed their invocations, and the statue described by Bernal Diaz as that “of the god of seeds, fruits and cultivated land,” were undoubtedly analogous to the sculptured recumbent figure found in Mexico, and exhibiting the symbols of Tlaloc, or earth-wine, of maize, and of parturition. Bernal Diaz further relates that the said image was kept on the uppermost terrace of the Great Temple, in one of five “concavities surrounded by barbacans or low walls the wood-work of which was very richly carved” (op. et loc. cit.).

The inference to be drawn from the foregoing data is that the Mexicans and the Mayas habitually kept, on the summit of their principal temple, in their centres of government, a statue holding a circular vessel and figuratively representing the “navel or centre of the land.” The group of ideas already traced in the Maya ho=capital, hom=pyramid, ho-och=vessel, o-och=maintenance, [pg 097] ho=5, thus proves to be completely carried out, for, on this consecrated spot, which emblematized the source whence all life proceeded, sacred emblematic rites were performed, the purpose of which was to typify the union, in the centre, of the four elements requisite for the productiveness of the earth.

Figure 30.