THE GIRLS

It is a question of method. Whether to rush you up to the girls pellmell, leaving you to become acquainted as best you can; or, with elaborate slyness, to slip you so casually into their family life that they will not even glance up when you enter the room, or leave it; or to present the three of them in solemn order according to age, epoch, and story. This last would mean beginning with great-aunt Charlotte Thrift, spinster, aged seventy-four; thence to her niece and namesake Lottie Payson, spinster, aged thirty-two; finishing with Lottie's niece and namesake Charley Kemp, spinster, aged eighteen and a half—you may be certain nobody ever dreamed of calling her Charlotte. If you are led by all this to exclaim, aghast, "A story about old maids!"—you are right. It is. Though, after all, perhaps one couldn't call great-aunt Charlotte an old maid. When a woman has achieved seventy-four, a virgin, there is about her something as sexless, as aloof and monumental, as there is about a cathedral or a sequoia. Perhaps, too, the term is inappropriate to the vigorous, alert, and fun-loving Lottie. For that matter, a glimpse of Charley in her white woolly sweater and gym pants might cause you to demand a complete retraction of the term. Charley is of the type before whom this era stands in amazement and something like terror. Charley speaks freely on subjects of which great-aunt Charlotte has never even heard. Words obstetrical, psychoanalytical, political, metaphysical and eugenic trip from Charley's tongue. Don't think that Charley is a highbrow (to use a word fallen into disuse). Not at all. Even her enemies admit, grudgingly, that she packs a nasty back-hand tennis wallop; and that her dancing is almost professional. Her chief horror is of what she calls sentiment. Her minor hatreds are "glad" books, knitted underwear, corsets, dirt both physical and mental, lies, fat minds and corporeal fat. She looks her best in a white fuzzy sweater. A shade too slim and boyish, perhaps, for chiffons.

The relationship between Charlotte, Lottie, and Charley is a simple one, really, though having, perhaps, an intricate look to the outsider. Great-aunt, niece, grand-niece: it was understood readily enough in Chicago's South Side, just as it was understood that no one ever called Lottie "Charlotte," or Charley "Lottie," though any of the three might be designated as "one of the Thrift girls."

The Thrifts had been Chicago South Siders since that September in 1836 when Isaac Thrift had traveled tediously by rail, Sound steamer, river boat, canal boat, lake ship, and horse wagon from his native New York State to the unkempt prairie settlement on the banks of the sluggish stream that the Pottawatamie Indians called Che-ca-gou. Their reason for having thus named a city after the homely garlic plant was plain enough whenever the breeze came pungently from the prairies instead of from Lake Michigan.

Right here is the start of Aunt Charlotte. And yet the temptation is almost irresistible to brush rudely past her and to hurry on to Lottie Payson, who is herself hurrying on home through the slate and salmon-pink Chicago sunset after what is known on the South Side as "spending the afternoon."

An exhilarating but breathless business—this catching up with Lottie; Lottie of the fine straight back, the short sturdy legs, the sensible shoes, the well-tailored suit and the elfish exterior. All these items contributed to the facility with which she put the long Chicago blocks behind her—all, that is, except the last. An unwed woman of thirty-odd is not supposed to possess an elfish exterior; she is expected to be well-balanced and matter-of-fact and practical. Lottie knew this and usually managed to keep the imp pretty well concealed. Yet she so often felt sixteen and utterly irresponsible that she had to take brisk walks along the lake front on blustery days, when the spray stung your cheeks; or out Bryn Mawr way or even to Beverly Hills where dwellings were sparse and one could take off one's hat and venture to skip, furtively, without being eyed askance. This was supposed to help work off the feeling—not that Lottie wanted to work it off. She liked it. But you can't act Peter Pannish at thirty-two without causing a good deal of action among conservative eyebrows. Lottie's mother, Mrs. Carrie Payson, would have been terribly distressed at the thought of South Side eyebrows elevated against a member of her household. Sixty-six years of a full life had taught Mrs. Carrie Payson little about the chemistry of existence. Else she must have known how inevitably a disastrous explosion follows the bottling up of the Lotties of this world.

On this particular March day the elf was proving obstreperous. An afternoon spent indoors talking to women of her own age and position was likely to affect Lottie Payson thus. Walking fleetly along now, she decided that she hated spending afternoons; that they were not only spent but squandered. Beck Schaefer had taken the others home in her electric. Lottie, seized with a sudden distaste for the glittering enameled box with its cut-glass cornucopia for flowers (artificial), its gray velvet upholstery and tasseled straps, had elected to walk, though she knew it would mean being late.

"Figger?" Beck Schaefer had asked, settling her own plump person in the driver's seat.

"Air," Lottie had answered, not altogether truthfully; and drew a long breath. She turned away from the curb. The electric trundled richly off, its plate-glass windows filled with snugly tailored shoulders, furs, white gloves, vivid hats. Lottie held a hand high in farewell, palm out, as the gleaming vehicle sped silently away, lurched fatly around a corner, and was gone.

So she strode home now, through the early evening mist, the zany March wind buffeting her skirts—no, skirt: it is 1916 and women are knicker-bockered underneath instead of petticoated—and the fishy smell that was Lake Michigan in March; the fertilizer smell that was the Stockyards when the wind was west; and the smoky smell that was soft coal from the I. C. trains and a million unfettered chimneys, all blending and mellowing to a rich mixture that was incense to her Chicago-bred nostrils.

She was walking rapidly and thinking clearly, if disconnectedly:

"How we lied to each other this afternoon! Once or twice, though, we came nearer the truth than was strictly comfortable.... Beck's bitter.... There! I forgot Celia's recipe for that icebox cake after all.... Beck's legs ... I never saw such—uh—tumultuous legs ... gray silk stockings ought to be prohibited on fat legs; room seemed to be full of them.... That's a nice sunset. I'd love to go over to the lake just for a minute.... No, guess I'd better not with the folks coming to dinner.... People always saying Chicago's ugly when it's really.... Of course the Loop is pretty bad.... Tomorrow'd be a good day to go downtown and look at blue serges ... a tricotine I think.... I wonder if mother will want to go.... I do hope this once...."

Here Lottie drew a deep breath; the kind of breathing that relieves stomach nerves. She was so sure that mother would want to go. She almost always did.

Here we are, striding briskly along with Lottie Payson, while great-aunt Charlotte, a wistful black-silk figure, lingers far behind. We are prone to be impatient of black-silk figures, quite forgetting that they once were slim and eager white young figures in hoop-skirts that sometimes tilted perilously up behind, displaying an unseemly length of frilled pantalette. Great-aunt Charlotte's skirts had shaped the course of her whole life.

Charlotte Thrift had passed eighteen when the Civil War began. There is a really beautiful picture of her in her riding habit, taken at the time. She is wearing a hard-boiled hat with a plume, and you wonder how she ever managed to reconcile that skirt with a horse's back. The picture doesn't show the color of the plume but you doubtless would know. It is a dashing plume anyway, and caresses her shoulder. In one hand she is catching up the folds of her voluminous skirt, oh, ever so little; and in the other, carelessly, she is holding a rose. Her young face is so serious as to be almost severe. That is, perhaps, due to her eyebrows which were considered too heavy and dark for feminine beauty. And yet there is a radiance about the face, and an effect of life and motion about the young figure that bespeaks but one thing. Great-aunt Charlotte still has the picture somewhere. Sometimes, in a mild orgy of "straightening up" she comes upon it in its pasteboard box tucked away at the bottom of an old chest in her bedroom. At such times she is likely to take it out and look at it with a curiously detached air, as though it were the picture of a stranger. It is in this wise, too, that her dim old eyes regard the world—impersonally. It is as though, at seventy-four, she no longer is swayed by emotions, memories, people, events. Remote, inaccessible, immune, she sees, weighs, and judges with the detached directness of a grim old idol.

Fifty-five years had yellowed the photograph of the wasp-waisted girl in the billowing riding skirt when her grand-niece, Charley Kemp, appeared before her in twentieth century riding clothes: sleeveless jacket ending a little below the hips; breeches baggy in the seat but gripping the knees. Great-aunt Charlotte had said, "So that's what it's come to." You could almost hear her agile old mind clicking back to that other young thing of the plume, and the rose and the little booted foot peeping so demurely from beneath the folds of the sweeping skirt.

"Don't you like it?" Charley had looked down at her slim self and had flicked her glittering tan boots with her riding whip because that seemed the thing to do. Charley went to matinees.

Great-aunt Charlotte had pursed her crumpled old lips, whether in amusement or disapproval—those withered lips whose muscles had long ago lost their elasticity. "Well, it's kind of comical, really. And ugly. But you don't look ugly in it, Charley, or comical either. You look like a right pretty young boy."

Her eyes had a tenderly amused glint. Those eyes saw less now than they used to: an encroaching cataract. But they had a bright and piercing appearance owing to the heavy brows which, by some prank of nature, had defied the aging process that had laid its blight upon hair, cheek, lips, skin, and frame. The brows had remained jetty black; twin cornices of defiance in the ivory ruin of her face. They gave her a misleadingly sinister and cynical look. Piratical, almost.

Perhaps those eyebrows indicated in Charlotte Thrift something of the iron that had sustained her father, Isaac Thrift, the young Easterner, throughout his first years of Middle-Western hardship. Chicago to-day is full of resentful grandsons and -daughters who will tell you that if their grandsire had bought the southwest corner of State and Madison Streets for $2,050 in cash, as he could have, they would be worth their millions to-day. And they are right. Still, if all those who tell you this were granted their wish Chicago now would be populated almost wholly by millionaire real estate holders; and the southwest corner of State and Madison would have had to be as the loaves and the fishes.

Isaac Thrift had been one of these inconsiderate forebears. He had bought real estate, it is true, but in the mistaken belief that the city's growth and future lay along the south shore instead of the north. Chicago's South Side in that day was a prairie waste where wolves howled on winter nights and where, in the summer, flowers grew so riotously as to make a trackless sea of bloom. Isaac Thrift had thought himself very canny and far-sighted to vision that which his contemporaries could not see. They had bought North Side property. They had built their houses there. Isaac Thrift built his on Wabash, near Madison, and announced daringly that some day he would have a real country place, far south, near Eighteenth Street. For that matter, he said, the time would come when they would hear of houses thick in a street that would be known as Thirtieth, or even Fortieth. How they laughed at that! Besides, it was pretty well acknowledged by the wiseacres that St. Charles, a far older town, would soon surpass Chicago and become the metropolis of the West.

In books on early Chicago and its settlers you can see Isaac Thrift pictured as one of the stern and flinty city fathers, all boots and stock and massive watch-chain and side-whiskers. It was neither a time nor a place for weaklings. The young man who had come hopefully out of New York state to find his fortune in the welter of mud, swamp, Indians, frame shanties and two-wheeled carts that constituted Chicago, had needed all his indomitability.

It is characteristic of him that until his marriage he lived at the New Temperance Hotel (board and lodging $2.00 a week; clothes washed extra), instead of at the popular Saugenash Hotel on Market and Lake, where the innkeeper, that gay and genial Frenchman and pioneer, Mark Beaubien, would sometimes take down his fiddle and set feet to twinkling and stepping in the square-dance. None of this for Isaac Thrift. He literally had rolled up his sleeves and got to work. Little enough use he made of the fine bottle-green broadcloth coat with the gilt buttons, the high stock, and the pale gray pantaloons brought from the East. But in two years he had opened a sort of general store and real estate office on Lake Street, had bought a piece of ground for a house on Wabash (which piece he later foolishly sold) and had sent back East for his bride. That lady left her comfortable roof-tree to make the long and arduous trip that duplicated the one made earlier by her husband-to-be. It is to her credit that she braved it; but she had a hard time trying to adjust her New England viewpoint to the crude rough setting in which she now found herself. Her letters back East are so typical and revealing that extracts, at least, are imperative.

"... The times are exceedingly dull in this city of Chicago; there is little business, no balls, no parties, some shooting, some riding, and plenty of loafers, and to-day, after the rain, a plenty of mud which completes the picture.... The water here is first-rate bad and the only way we get along is by drinking a great deal of tea and coffee—two coffees to one tea.... The weather has been very mild. There has not been snow enough to stop the burning of the prairies.... If the waters of Lake Michigan continue to rise for a year or two more Chicago and all the surrounding country will be covered with one vast sheet of water, and the inhabitants of this place must find a home elsewhere—and I, for one, will find said home farther East.... Everyone admires my pretty things from New York; my cherry-colored scarf; my gingham dress with the silk stripe in it, my Thibet cloth cloak of dark mulberry color; and my fine velvet bonnet which cost only $3.50 in New York. It is prettier than any I have seen here. A milliner here said that it would have cost $8.00 in Chicago but I think that is exaggerated. The ladies here wear only one flounce to their skirts. Even my third best—the brown-and-white plaid merino—has three.... The mud here is so bad that the men wear hip boots and we women must go about in two-wheeled carts that sink to the hubs in many places. There are signs stuck up in the mud with the warning, 'No bottom here'.... Our new furniture has come. A beautiful flowered red and green carpet in the chamber and parlor. When the folding doors are open the stove will heat both rooms.... They have most excellent markets in this place. We can get meat of every description for four cents a pound, such as sausages, venison, beef, pork—everything except fowls. Of fruit there is little. I saw some grapes yesterday in the market, all powdered over with sawdust. They had come from Spain. They made my mouth water.... Every day great prairie schooners, as they call them, go by the house. They have come all the way from the East.... I am terrified of the Indians though I have said little to Isaac. They are very dirty and not at all noble as our history and geography books state...."

She bore Isaac Thrift two children, accomplishing the feat as circumspectly and with as much reticence as is possible in the achievement of so physical a rite. Girls, both. I think she would have considered a man-child indelicate.

Charlotte had been the first of these girls. Carrie, the second, came a tardy ten years later. It was a time and a city of strange contradictions and fluctuations. Fortunes were made in the boom of 1835 and lost in the panic of '37. Chicago was a broken-down speculative shanty village one day and an embryo metropolis the next. The Firemen's Ball was the event of the social season, with Engine No. 3, glittering gift of "Long John" Wentworth, set in the upper end of the dance-hall and festooned with flowers and ribbons. All the worth-while beaux of the town belonged to the volunteer fire brigade. The names of Chicago's firemen of 1838 or '40, if read aloud to-day, would sound like the annual list of box-holders at the opera. The streets of the town were frequently impassable; servants almost unknown; quiltings and church sociables noteworthy events. The open prairie, just beyond town, teemed with partridges, quail, prairie chicken. Fort Dearborn, deserted, was a playground for little children. Indians, dirty, blanketed, saturnine, slouched along the streets. "Long John" Wentworth was kinging it in Congress. Young ladies went to balls primly gowned in dark-colored merinos, long-sleeved, high-necked. Little girls went to school in bodices low-cut and nearly sleeveless; toe-slippers; and manifold skirts starched to stand out like a ballerina's.

These stiffly starched skirts, layer on layer, first brought romance into Charlotte Thrift's life. She was thirteen, a rather stocky little girl, not too obedient of the prim maternal voice that was forever bidding her point her toes out, hold her shoulders back and not talk at table. She must surely have talked at table this morning, or, perhaps, slouched her shoulders and perversely toed in once safely out of sight of the house, because she was late for school. The horrid realization of this came as Charlotte reached the Rush Street ferry—a crude ramshackle affair drawn from one side of the river to the other with ropes pulled by hand. Charlotte attended Miss Rapp's school on the North Side though the Thrifts lived South. This makeshift craft was about to leave the south shore as Charlotte, her tardiness heavy upon her, sighted the river. With a little cry and a rush she sped down the path, leaped, slipped, and landed just short of the ferry in the slimy waters of the Chicago River. Landed exactly expresses it. Though, on second thought, perhaps settled is better. Layer on layer of stiffly starched skirts sustained her. She had fallen feet downward. There she rested on the water, her skirts spread petal-like about her, her toes, in their cross-strapped slippers, no doubt pointing demurely downward. She looked like some weird white river-lily afloat on its pad in the turbid stream. Her eyes were round with fright beneath the strongly marked black brows. Then, suddenly and quite naturally, she screamed, kicked wildly, and began to sink. Sank, in fact. It had all happened with incredible swiftness. The ferry men had scarcely had time to open their mouths vacuously. Charlotte's calliope screams, so ominously muffled now, wakened them into action. But before their clumsy wits and hands had seized on ropes a slim black-and-white line cleft the water, disappeared, and reappeared with the choking struggling frantic Charlotte, very unstarched now and utterly unmindful of toes, shoulders, and vocal restraint.

The black-and-white line had been young Jesse Dick, of the "Hardscrabble" Dicks; the black had been his trousers, the white his shirt. He swam like a river rat—which he more or less was. Of all the Chicago male inhabitants to whom Mrs. Thrift would most have objected as the rescuer of her small daughter, this lounging, good-for-nothing young Jesse Dick would have been most prominently ineligible. Fortunately (or unfortunately) she did not even know his name until five years later. Charlotte herself did not know it. She had had one frantic glimpse of a wet, set face above hers, but it had been only a flash in a kaleidoscopic whole. Young Dick, having towed her ashore, had plumped her down, retrieved his coat, and lounged off unmissed and unrecognized in the ensuing hubbub. The rescue accomplished, his seventeen-year-old emotions found no romantic stirrings in the thought of this limp and dripping bundle of corded muslin, bedraggled pantalettes, and streaming, stringy hair.

Charlotte, put promptly to bed of course, with a pan at her feet and flannel on her chest and hot broth administered at intervals—though she was no whit the worse for her ducking—lay very flat and still under the gay calico comfortable, her hair in two damp braids, her eyes wide and thoughtful.

"But who was he?" insisted Mrs. Thrift, from the foot of the bed.

And "I don't know," replied Charlotte for the dozenth time.

"What did he look like?" demanded Isaac Thrift (hastily summoned from his place of business so near the scene of the mishap).

"I—don't know," replied Charlotte. And that, bafflingly enough, was the truth. Only sometimes in her dreams she saw his face again, white, set, and yet with something almost merry about it. From these dreams Charlotte would wake shivering deliciously. But she never told them. During the next five years she never went to a dance, a sleigh-ride, walked or rode, that she did not unconsciously scan the room or the street for his face.

Five years later Charlotte was shopping on Lake Street in her second-best merino, voluminously hooped. Fortunately (she thought later, devoutly) she had put on her best bonnet of sage green velvet with the frill of blond lace inside the face. A frill of blond lace is most flattering when set inside the bonnet. She had come out of her father's store and was bound for the shop of Mr. Potter Palmer where, the week before, she had flirted with a plum-colored pelisse and had known no happiness since then. She must feel it resting on her own sloping shoulders. Of course it was—but then, Mr. Palmer, when he waited on you himself, often came down in his price.

Chicago sidewalks were crazy wooden affairs raised high on rickety stilts, uneven, full of cracks for the unwary, now five steps up, now six steps down, with great nails raising their ugly heads to bite at unsuspecting draperies. Below this structure lay a morass of mud, and woe to him who stepped into it.

Along this precarious eminence Charlotte moved with the gait that fashion demanded; a mingling of mince, swoop and glide. Her mind was on the plum pelisse. A malicious nail, seeing this, bit at her dipping and voluminous skirt with a snick and a snarl. R-r-rip! it went. Charlotte stepped back with a little cry of dismay—stepped back just too far, lost her footing and tumbled over the edge of the high boardwalk into the muck and slime below.

For the second time in five years Jesse Dick's lounging habit served a good purpose. There he was on Lake Street idly viewing the world when he should have been helping to build it as were the other young men of that hard-working city. He heard her little cry of surprise and fright; saw her topple, a hoop-skirted heap, into the mire. Those same ridiculous hoops, wire traps that they were, rendered her as helpless as a beetle on its back. Jesse Dick's long legs sprang to her rescue, though he could not suppress a smile at her plight. This before he caught a glimpse of the face set off by the frill of blond lace. He picked her up, set her on her feet—little feet in cloth-gaitered side boots and muddied white stockings—and began gently to wipe her sadly soiled second-best merino with his handkerchief, with his shabby coat sleeve, with his coat-tail and, later, with his heart.

"Oh, don't—please—you mustn't—please—oh—" Charlotte kept murmuring, the color high in her cheeks. She was poised at that dangerous pinnacle between tears and laughter; between vexation and mirth. "Oh, please——"

Her vaguely protesting hand, in its flutterings, brushed his blond curly head. He was on his knees tidying her skirts with great deftness and thoroughness. There was about the act an intimacy and a boyish delicacy, too, that had perhaps startled her into her maidenly protest. He had looked up at her then, as she bent down.

"Why, you're the boy!" gasped Charlotte.

"What boy?" No wonder he failed to recognize her as she did him. Her mouth, at the time of the rescue five years before, had been wide open to emit burbles and strangled coughs; her features had been distorted with fright.

"The boy who pulled me out of the river. Long ago. I was going to school. Rush Street. You jumped in. I never knew. But you're the boy. I mean—of course you're grown now. But you are, aren't you? The boy, I mean. The——"

She became silent, looking down at him, her face like a rose in the blond lace frill. He was still on his knees in the mud, brushing at her skirts with a gesture that now was merely mechanical; brushing, as we know, with his heart in his hand.

So, out of the slime of the river and the grime of Lake Street had flowered their romance.

CHAPTER II

A short-lived and tragic enough romance. It wasn't that the Dicks were rowdy, or of evil repute. They were nobodies. In a day when social lines were so elastic as to be nearly all-inclusive the Dicks were miles outside the pale. In the first place, they lived out "Hardscrabble" way. That definitely placed them. The name designated a mean, tumble-down district southwest of town, inhabited by poor whites. A welter of mud, curs, barefoot babies, slatternly women, shirt-sleeved men lounging slackly against open doorways, acrid pipe in mouth.

Young Jesse Dick, sprung from this soil, still was alien to it; a dreamer; a fawn among wallowing swine; an idler with nothing of the villain about him and the more dangerous because of that. Isaac Thrift and his prim wife certainly would sooner have seen their daughter Charlotte dead than involved with one of the Dick clan. But they were unaware of the very existence of the riffraff Dicks. The Thrifts lived in two-story-and-basement elegance on Wabash near Madison, and kept their own cow.

There was a fine natural forest between Clark and Pine Streets, north, on the lake shore. Along its grassy paths lay fallen and decayed trees. Here the two used to meet, for it came to that. Charlotte had an Indian pony which she rode daily. Sometimes they met on the prairie to the south of town. The picture of Charlotte in the sweeping skirt, the stiff little hat, the caressing plume, and the rose must have been taken at about this time. There was in her face a glow, a bloom, a radiance such as comes to a woman—with too heavy eyebrows—who is beloved for the first time.

It was, as it turned out, for the last time as well. Charlotte had the courage for clandestine meetings in spite of a girlhood hedged about with prim pickets of propriety: but when she thought of open revolt, of appearing with Jesse Dick before the priggish mother and the flinty father, she shrank and cowered and was afraid. To them she was little more than a fresh young vegetable without emotions, thoughts, or knowledge of a kind which they would have considered unmaidenly.

Charlotte was sitting in the dining room window-nook one day, sewing. It was a pleasant room in which to sit and sew. One could see passers-by on Madison Street as well as Wabash, and even, by screwing around a little, get glimpses of State Street with its great trees and its frame cottages. Mrs. Thrift, at the dining room table, was casting up her weekly accounts. She closed the little leather-bound book now and sat back with a sigh. There was a worried frown between her eyes. Mrs. Thrift always wore a worried frown between her eyes. She took wife-and-motherhood hard. She would have thought herself unwifely and unmotherly to take them otherwise. She wore her frown about the house as she did her cap—badge of housewifeliness.

"I declare," she said now, "with beef six cents the pound—and not a very choice cut, either—a body dreads the weekly accounts."

"M-m-m," murmured Charlotte remotely, from the miles and miles that separated them.

Mrs. Thrift regarded her for a moment, tapping her cheek thoughtfully with the quill in her hand. Her frown deepened. Charlotte was wearing a black sateen apron, very full. Her hair, drawn straight back from her face, was gathered at the back into a chenille net. A Garibaldi blouse completed the hideousness of her costume. There quivered about her an aura—a glow—a roseate something—that triumphed over apron, net, and blouse. Mrs. Thrift sensed this without understanding it. Her puzzlement took the form of nagging.

"It seems to me, Charlotte, that you might better be employed with your plain sewing than with fancywork such as that."

Charlotte's black sateen lap was gay with scraps of silk; cherry satin, purple velvet, green taffetas, scarlet, blue. She was making a patchwork silk quilt of an intricate pattern (of which work of art more later).

"Yes, indeed," said she now, unfortunately. And hummed a little tune.

Mrs. Thrift stood up with a great rustling of account-book leaves, and of skirts; with all the stir of outraged dignity. "Well, miss, I'll thank you to pay the compliment of listening when I talk to you. You sit there smiling at nothing, like a simpleton, I do declare!"

"I was listening, mother."

"What did I last say?"

"Why—beef—six—"

"Humph! What with patchwork quilts and nonsense like that, and out on your pony every day, fine or not, I sometimes wonder, miss, what you think yourself. Beef indeed!"

She gathered up her books and papers. It was on her tongue's tip to forbid the afternoon's ride. Something occult in Charlotte sensed this. She leaned forward. "Oh, mother, Mrs. Perry's passing on Madison and looking at the house. I do believe she's coming in. Wait. Yes, she's turning in. I think I'll just——"

"Stay where you are," commanded Mrs. Thrift. Charlotte subsided. She bent over her work again, half hidden by the curtains that hung stiffly before the entrance to the window-nook. You could hear Mrs. Perry's high sharp voice in speech with Cassie, the servant. "If she's in the dining room I'll go right in. Don't bother about the parlor." She came sweeping down the hall. It was evident that news was on her tongue's tip. Her bonnet was slightly askew. Her hoops swayed like a hill in a quake. Mrs. Thrift advanced to meet her. They shook hands at arm's length across the billows of their outstanding skirts.

"Such news, Mrs. Thrift! What do you think! After all these years Mrs. Holcomb's going to have a ba——"

"My dear!" interrupted Mrs. Thrift, hastily; and raised a significant eyebrow in the direction of the slim figure bent over her sewing in the window-nook.

Mrs. Perry coughed apologetically. "Oh! I didn't see——"

"Charlotte dear, leave the room."

Charlotte gathered up the bits of silk in her apron. Anxious as she was to be gone, there was still something in the manner of her dismissal that offended her new sense of her own importance. She swooped and stooped for bits of silk and satin, thrusting them into her apron and work-bag. Though she seemed to be making haste her progress was maddeningly slow. The two ladies, eying her with ill-concealed impatience, made polite and innocuous conversation meanwhile.

"And have you heard that the Empress Eugénie has decided to put aside her crinoline?"

Mrs. Thrift made a sound that amounted to a sniff. "So the newspapers said last year. You remember she appeared at a court ball without a crinoline? Yes. Well, fancy how ridiculous she must have looked! She put them on again fast enough, I imagine, after that."

"Ah, but they do say she didn't. I have a letter from New York written by my friend Mrs. Hollister who comes straight from Paris and she says that the new skirts are quite flat about the—below the waist, to the knees——"

Charlotte fled the room dutifully now, with a little curtsey for Mrs. Perry. In the dark passageway she stamped an unfilial foot. Then, it is to be regretted, she screwed her features into one of those unadult contortions known as making a face. Turning, she saw regarding her from the second-story balustrade her eight-year-old sister Carrie. Carrie, ten years her sister's junior, never had been late to school; never had fallen into the Chicago River, nor off a high wooden sidewalk; always turned her toes out; held her shoulders like a Hessian.

"I saw you!" cried this true daughter of her mother.

Charlotte, mounting the stairs to her own room, swept past this paragon with such a disdainful swishing of skirts, apron, and squares of bright-colored silk stuff as to create quite a breeze. She even dropped one of the gay silken bits, saw it flutter to the ground at her tormentor's feet, and did not deign to pick it up. Carrie swooped for it. "You dropped a piece." She looked at it. "It's the orange-colored silk one!" (Destined to be the quilt's high note of color.) "Finding's keeping." She tucked it into her apron pocket. Charlotte entered her own room. "I saw you, miss." Charlotte slammed her chamber door and locked it.

She was not as magnificently aloof and unconcerned as she seemed. She knew the threat in the impish Carrie's "I saw you." In the Thrift household a daughter who had stamped a foot and screwed up a face in contempt of maternal authority did not go unpunished. Once informed, an explanation would be demanded. How could Charlotte explain that one who has been told almost daily for three weeks that she is the most enchanting, witty, beauteous, and intelligent woman in the world naturally resents being ignominiously dismissed from a room, like a chit.

That night at supper she tried unsuccessfully to appear indifferent and at ease under Carrie's round unblinking stare of malice. Carrie began:

"Mama, what did Mrs. Perry have to tell you when she came calling this afternoon?"

"Nothing that would interest you, my pet. You haven't touched your potato."

"Would it interest Charlotte?"

"No."

"Is that why you sent her out of the room?"

"Yes. Now eat your p——"

"Charlotte didn't like being sent out of the room, did she? H'm, mama?"

"Isaac, will you speak to that child. I don't know what——"

Charlotte's face was scarlet. She knew. Her father would speak sternly to the too inquisitive Carrie. That crafty one would thrust out a moist and quivering nether lip and, with tears dropping into her uneaten potato, snivel, "But I only wanted to know because Charlotte—" and out would come the tale of Charlotte's foot-stamping and face-making.

But Isaac Thrift never framed the first chiding sentence; and Carrie got no further than the thrusting out of the lip. For the second time that day news appeared in the form of a neighbor. A man this time, one Abner Rathburn. His news was no mere old-wives' gossip of births and babies. He told it, white-faced. Fort Sumter had been fired on. War!

Chicago's interest in the soldiery, up to now, had been confined to that ornamental and gayly caparisoned group known as Colonel Ellsworth's Zouaves. In their brilliant uniforms these gave exhibition drills, flashing through marvelous evolutions learned during evenings of practice in a vacant hall above a little brick store near Rush Street bridge. They had gone on grand tours through the East, as well. The illustrated papers had had their pictures. Now their absurd baggy trousers and their pert little jackets and their brilliant-hued sashes took on a new, grim meaning. Off they trotted, double-quick, to Donelson and death, most of them. Off went the boys of that socially elect group belonging to the Fire Engine Company. Off went brothers, sons, fathers. Off went Jesse Dick from out Hardscrabble way, and fought his brief fight, too, at Donelson, with weapons so unfit and ineffectual as to be little better than toys; and lost. But just before he left, Charlotte, frantic with fear, apprehension and thwarted love publicly did that which branded her forever in the eyes of her straitlaced little world. Or perhaps her little world would have understood and forgiven her had her parents shown any trace of understanding or forgiveness.

In all their meetings these two young things—the prim girl with the dash of daring in her and the boy who wrote verses to her and read them with telling effect, quite as though they had not sprung from the mire of Hardscrabble—had never once kissed or even shyly embraced. Their hands had met and clung. Touching subterfuges. "That's a funny ring you wear. Let's see it. My, how little! It won't go on any of my—no, sir! Not even this one." Their eyes had spoken. His fingers sometimes softly touched the plume that drooped from her stiff little hat. When he helped her mount the Indian pony perhaps he pressed closer in farewell than that fiery little steed's hoof quite warranted. But that was all. He was over-conscious of his social inferiority. Years of narrow nagging bound her with bands of steel riveted with turn-your-toes-out, hold-your-shoulders-back, you-mustn't-play-with-them, ladylike, ladylike.

A week after Sumter, "I've enlisted," he told her.

"Of course," Charlotte had replied, dazedly. Then, in sudden realization, "When? When?"

He knew what she meant. "Right away I reckon. They said—right away." She looked at him mutely. "Charlotte, I wish you'd—I wish your father and mother—I'd like to speak to them—I mean about us—me." There was little of Hardscrabble about him as he said it.

"Oh, I couldn't. I'm afraid! I'm afraid!"

He was silent for a long time, poking about with a dried stick in the leaves and loam and grass at their feet as they sat on a fallen tree-trunk, just as for years and years despairing lovers have poked in absent-minded frenzy; digging a fork's prong into the white defenceless surface of a tablecloth; prodding the sand with a cane; rooting into the ground with an umbrella ferrule; making meaningless marks on gravel paths.

At last: "I don't suppose it makes any real difference; but the Dicks came from Holland. I mean a long time ago. With Hendrik Hudson. And my great-great-grandmother was a Pomroy. You wouldn't believe, would you? that a shiftless lot like us could come from stock like that. I guess it's run thin. Of course my mother——" he stopped. She put a timid hand on his arm then, and he made as though to cover it with his own, but did not. He went on picking at the ground with his bit of stick. "Sometimes when my father's—if he's been drinking too much—imagines he's one of his own ancestors. Sometimes it's a Dutch ancestor and sometimes it's an English one, but he's always very magnificent about it, and when he's like that even my mother can't—can't scream him down. You should hear then what he thinks of all you people who live in fine brick houses on Wabash and on Michigan, and over on the North Side. My brother Pom says——"

"Pom?"

"Pomroy. Pomroy Dick, you see. Both the.... I've been thinking that perhaps if your father and mother knew about—I mean we're not—that is my father——"

She shook her head gently. "It isn't that. You see, it's business men. Those who have stores or real estate and are successful. Or young lawyers. That's the kind father and mother——"

They were not finishing their sentences. Groping for words. Fearful of hurting each other.

He laughed. "I guess there won't be much choice among the lot of us when this is over."

"Why, Jesse, it'll only last a few months—two or three. Father says it'll only last a few months.

"It doesn't take that long to——"

"To what?"

"Nothing."

He was whisked away after that. Charlotte saw him but once again. That once was her undoing. She did not even know the time set for his going. He had tried to get word to her, and had failed, somehow. With her father and mother, Charlotte was one of the crowd gathered about the Court House steps to hear Jules Lombard sing The Battle Cry of Freedom. George Root, of Chicago, George, whom they all knew, had written it. The ink was scarcely dry on the manuscript. The crowds gathered in the street before the Court House. Soon they were all singing it. Suddenly, through the singing, like a dull throb, throb, came the sound of thudding feet. Soldiers. With a great surge the crowd turned its face toward the street. Still singing. Here they came. In marching order. Their uniforms belied the name. Had they been less comic they would have been less tragic. They were equipped with muskets altered from flintlocks; with Harper's Ferry and Deneger rifles; with horse pistols and musketoons—deadly sounding but ridiculous. With these they faced Donelson. They were hardly more than boys. After them, trailed women, running alongside, dropping back breathless. Old women, mothers. Young women, sweethearts, wives. This was no time for the proprieties, for reticence.

They were passing. The first of them had passed. Then Charlotte saw him. His face flashed out at her from among the lines. His face, under the absurd pancake hat, was white, set. And oh, how young! He was at the end of his line. Charlotte watched him coming. She felt a queer tingling in her fingertips, in the skin around her eyes, in her throat. Then a great surge of fear, horror, fright, and love shook her. He was passing. Someone, herself and yet not herself, was battling a way through the crowd, was pushing, thrusting with elbows, shoulders. She gained the roadway. She ran, stumblingly. She grasped his arm. "You didn't let me know! You didn't let me know!" Someone took hold of her elbow—someone in the crowd on the sidewalk—but she shook them off. She ran on at his side. Came the double-quick command. With a little cry she threw her arms about him and kissed him. Her lips were parted like a child's. Her face was distorted with weeping. There was something terrible about her not caring; not covering it. "You didn't let me know! You didn't let me know!" The ranks broke into double-quick. She ran with them a short minute, breathlessly, sobbing.

CHAPTER III

It was a submissive enough little figure that they had hustled home through the crowded streets, up the front stoop and into the brick house on Wabash Avenue. Crushed and rumpled.

The crudest edge of the things they said to her was mercifully dulled by the time it penetrated her numbed consciousness. She hardly seemed to hear them. At intervals she sobbed. It was more than a sob. It was a dry paroxysm that shook her whole body and jarred her head. Her handkerchief, a wet gray ball, she opened, and began to stare at its neatly hemstitched border, turning it corner for corner, round and round.

Who was he? Who was he?

She told them.

At each fresh accusation she seemed to shrink into smaller compass; to occupy less space within the circle of her outstanding hoop-skirts, until finally she was just a pair of hunted eyes in a tangle of ringlets, handkerchief, and crinoline. She caught fragments of what they were saying ... ruined her life ... brought down disgrace ... entire family ... never hold head up ... common lout like a Dick ... Dick!... Dick!...

Once Charlotte raised her head and launched a feeble something that sounded like "... Hendrik Hudson," but it was lost in the torrent of talk. It appeared that she had not only ruined herself and brought lifelong disgrace upon her parents' hitherto unsullied name, but she had made improbable any future matrimonial prospects for her sister Carrie—then aged eight.

That, unfortunately, struck Charlotte as being humorous. Racked though she was, one remote corner of her mind's eye pictured the waspish little Carrie, in pinafore and strapped slippers, languishing for love, all forlorn—Carrie, who still stuck her tongue out by way of repartee. Charlotte giggled suddenly, quite without meaning to. Hysteria, probably. At this fresh exhibition of shamelessness her parents were aghast.

"Well! And you can laugh!" shouted Isaac Thrift through the soft and unheeded susurrus of his wife's Sh-sh-sh! "As if I hadn't enough trouble, with this war"—it sounded like a private personal grievance—"and business what it is, and real estate practically worth——"

"Sh-sh-sh! Carrie will hear you. The child mustn't know of this."

"Know! Everyone in town knows by now. My daughter running after a common soldier in the streets—a beggar—worse than a beggar—and kissing him like a—like a——"

Mrs. Thrift interrupted with mournful hastiness. "We must send her away. East. For a little visit. That would be best, for a few months."

At that Isaac Thrift laughed a rather terrible laugh. "Away! That would give them a fine chance to talk. Away indeed, madam! A few months, h'm? Ha!"

Mrs. Thrift threw out her palms as though warding off a blow. "Isaac! You don't mean they'd think—Isaac!"

Charlotte regarded them both with wide, uncomprehending eyes.

Her mother looked at her. Charlotte raised her own tear-drenched face that was so mutely miserable, so stricken, so dumbly questioning. Marred as it was, and grief-ravaged, Mrs. Thrift seemed still to find there something that relieved her. She said more gently, perhaps, than in any previous questioning:

"Why did you do it, Charlotte?"

"I couldn't help it. I couldn't help it."

Isaac Thrift snorted impatiently. Hetty Thrift compressed her lips a little and sighed. "Yes, but why did you do it, Charlotte? Why? You have been brought up so carefully. How could you do it?"

Now, the answer that lay ready in Charlotte's mind was one that could have explained everything. And yet it would have explained nothing; at least nothing to Hetty and Isaac Thrift. The natural reply on Charlotte's tongue was simply, "Because I love him." But the Thrifts did not speak of love. It was not a ladylike word. There were certain words which delicacy forbade. "Love" was one of them. From the manner in which they shunned it—shrank from the very mention of it—you might almost have thought it an obscenity.

Mrs. Thrift put a final question. She had to. "Had you ever kissed him before?"

"Oh, no!" cried Charlotte so earnestly that they could not but believe. Then, quiveringly, as one bereaved, cheated, "Oh, no! No! Never! Not once.... Not once."

The glance that Mrs. Thrift shot at her husband then was a mingling of triumph and relief.

Isaac Thrift and his wife did not mean to be hard and cruel. They had sprung from stern stock. Theirs was the narrow middle-class outlook of members of a small respectable community. According to the standards of that community Charlotte Thrift had done an outrageous thing. War, in that day, was a grimmer, though less bloody and wholesale, business than it is to-day. An army whose marching song is Where Do We Go From Here? attaches small significance to the passing kiss of an hysterical flapper, whether the object of the kiss be buck private or general. But an army that finds vocal expression in The Battle Cry of Freedom and John Brown's Body is likely to take its bussing seriously. The publicly kissed soldier on his way to battle was the publicly proclaimed property of the kissee. And there in front of the Court House steps, in full sight of her world—the Addison Canes, the Thomas Holcombs, the Lewis Fullers, the Clapps—Charlotte Thrift, daughter of Isaac Thrift, had run after, had thrown her arms about, and had kissed a young man so obscure, so undesirable, so altogether an unfitting object for a gently-bred maiden's kisses (public or private) as to render valueless her kisses in future.

Of Charlotte's impulsive act her father and mother made something repulsive and sinister. She was made to go everywhere, but was duennaed like a naughty Spanish princess. Her every act was remarked. Did she pine she was berated and told to rouse herself; did she laugh she was frowned down. Her neat little escritoire frequently betrayed traces of an overhauling by suspicious alien fingers. There was little need of that after the first few days. The news of Jesse Dick's death at Donelson went almost unnoticed but for two Chicago households—one out Hardscrabble way, one on Wabash Avenue. It was otherwise as unimportant as an uprooted tree in the path of an avalanche that destroys a village. At Donelson had fallen many sons of Chicago's pioneer families; young men who were to have carried on the future business of the city; boys who had squired its daughters to sleigh-rides, to dances, to church sociables and horseback parties; who had drilled with Ellsworth's famous Zouaves. A Dick of Hardscrabble could pass unnoticed in this company.

There came to Charlotte a desperate and quite natural desire to go to his people; to see his mother; to talk with his father. But she never did. Instinctively her mother sensed this (perhaps, after all, she had been eighteen herself, once) and by her increased watchfulness made Hardscrabble as remote and unattainable as Heaven.

"Where are you going, Charlotte?"

"Just out for a breath of air, mother."

"Take Carrie with you."

"Oh, mother, I don't want——"

"Take Carrie with you."

She stopped at home.

She had no tangible thing over which to mourn; not one of those bits of paper or pasteboard or linen or metal over which to keen; nothing to hold in her two hands, or press to her lips or wear in her bosom. She did not even possess one of those absurd tintypes of the day showing her soldier in wrinkled uniform and wooden attitude against a mixed background of chenille drapery and Versailles garden. She had only her wound and her memory and perhaps these would have healed and grown dim had not Isaac Thrift and his wife so persistently rubbed salt in the one and prodded the other. After all, she was little more than eighteen, and eighteen does not break so readily. If they had made light of it perhaps she would soon have lifted her head again and even cast about for consolation.

"Moping again!"

"I'm not moping, father."

"What would you call it then?"

"Why, I'm just sitting by the window in the dusk. I often do. Even before—before——"

"There's enough and to spare for idle hands to do, I dare say. Haven't you seen to-day's paper nor heard of what's happened again at Manassas that you can sit there like that!"

She knew better than to explain that for her Jesse Dick died again with the news of each fresh battle.

She became curiously silent for so young a girl. During those four years she did her share with the rest of them; scraped lint, tore and rolled bandages, made hospital garments, tied comforters, knitted stockings and mittens, put up fruit and jellies and pickles for the soldiers. Chicago was a construction camp. Regiments came marching in from all the states north. Camp Douglas, south of Thirty-first Street, was at first thick with tents, afterward with wooden barracks. Charlotte even helped in the great Sanitary Fairs that lasted a week or more. You would have noticed no difference between this girl and the dozens of others who chirped about the flag-decked booths. But there was a difference. That which had gone from her was an impalpable something difficult to name. Only if you could have looked from her face to that of the girl of the old photograph—that girl in the sweeping habit, with the plume, and the rose held carelessly in one hand—you might have known. The glow, the bloom, the radiance—gone.

People forget, gradually. After all, there was so little to remember. Four years of war change many things, including perspective. Occasionally some one said, "Wasn't there something about that older Thrift girl? Charlotte, isn't it? Yes. Wasn't she mixed up with a queer person, or something?"

"Charlotte Thrift! Why, no! There hasn't been a more self-sacrificing worker in the whole—wait a minute. Now that you speak of it, I do believe there was—let's see—in love with a boy her folks didn't approve and made some kind of public scene, but just what it was——"

But Isaac and Hetty Thrift did not forget. Nor Charlotte. Sometimes, in their treatment of her, you would have thought her still the eighteen-year-old innocent of the photograph. When Black Crook came to the new Crosby Opera House in 1870, scandalizing the community and providing endless food for feminine (and masculine) gossip, Charlotte still was sent from the room to spare her maidenly blushes, just as though the past ten years had never been.

"I hear they wear tights, mind you, without skirts!"

"Not all the way!"

"Not an inch of skirt. Just—ah—trunks I believe they call them. A horrid word in itself."

"Well, really, I don't know what the world's coming to. Shouldn't you think that after the suffering and privation of this dreadful war we would all turn to higher things?"

But Mrs. Thrift's caller shook her head so emphatically that her long gold filigree earrings pranced. "Ah, but they do say a wave of immorality always follows a war. The reaction it's called. That is the word dear Dr. Swift used in his sermon last Sunday.

"Reactions are all very well and good," retorted Mrs. Thrift, tartly, "but they don't excuse tights, I hope."

Her visitor's face lighted up eagerly and unbeautifully. She leaned still closer. "I hear that this Eliza Weathersby, as she's called, plays the part of Stalacta in a pale blue bodice all glittering with silver passamenterie; pale blue satin trunks, mind you! And pale blue tights with a double row of tiny buttons all down the side of the l——"

Again, as ten years before, Mrs. Thrift raised signaling eyebrows. She emitted an artificial and absurd, "Ahem!" Then—"Charlotte, run upstairs and help poor Carrie with her English exercise."

"She's doing sums, mother. I saw her at them not ten minutes ago."

"Then tell her to put her sums aside. Do you know, dear Mrs. Strapp, Carrie is quite amazing at sums, but I tell her she is not sent to Miss Tait's finishing school under heavy expense to learn to do sums. But she actually likes them. Does them by way of amusement. Can add a double column in her head, just like her father. But her English exercise is always a sorry affair.... M-m-m-m.... There, now, you were saying tiny buttons down the side of the leg——" Charlotte had gone.

When the war ended Charlotte was twenty-two. An unwed woman of twenty-two was palpably over-fastidious or undesirable. Twenty-five was the sere and withered leaf. And soon Charlotte was twenty-five—twenty-eight—thirty. Done for.

The patchwork silk quilt, laid aside unfinished in '61, was taken up again in '65. It became quite famous; a renowned work of art. Visitors who came to the house asked after it. "And how is the quilt getting on, dear Charlotte?" as a novelist is sounded about an opus with which he is struggling or a painter his canvas. Mrs. Hannan, the Lake Street milliner, saved all her pieces for Charlotte. Often there was a peck of them at a time. The quilt was patterned in blocks. Charlotte, very serious, would explain to the caller the plan of the block upon which she was at the moment engaged.

"This one has a purple satin center, you see. I always think purple is so rich, don't you? Then the next row will be white uncut velvet. Doesn't it have a sumptuous sound! Next blue velvet and the last row orange-colored silk." (No; not the same piece. Carrie had never relinquished her booty.) "Now, this next block is to be quite gay. It is almost my favorite. Cherry satin center—next, white velvet again—next, green velvet—and last, pink satin. Don't you think it will be sweet! I can scarcely wait until I begin that block."

The winged sweep of the fine black brows was ruffled by a frown of earnest concentration as she bent intently over the rags and scraps of shimmering stuffs. Her cheated fingers smoothed and caressed the satin surfaces as tenderly as though they lingered on a baby's cheek.

When, finally, it was finished—lined with turkey red and bound with red ribbon—Charlotte exhibited it at the Fair, following much persuasion by her friends. It took first prize among twenty-five silk quilts. A day of great triumph for Charlotte Thrift. The prize was a basket worth fully eight dollars.

CHAPTER IV

When Charlotte was thirty Carrie—twenty—married. After all, the innocent little indiscretion which had so thoroughly poisoned Charlotte's life was not to corrupt Carrie's matrimonial future, in spite of Mrs. Thrift's mournful prediction. Carrie, whose philosophy of life was based on that same finding's-keeping plan with which she had filched the bit of orange silk from her sister so many years before, married Samuel Payson, junior member of the firm of Thrift and Payson, Real Estate, Bonds and Mortgages. Charlotte, it may be remembered, had disdained to pick up the scrap of orange silk on which Carrie had swooped. Just so with Samuel Payson.

Samuel Payson was destined to be a junior partner. Everything about him was deferential, subservient. The very folds of his clothes slanted away from you. He was as oblique and evasive as Isaac Thrift was upright and forthright. In conversation with you he pronounced your name at frequent intervals. Charlotte came to dread it: "Yes, Miss Charlotte.... Do you think so, Miss Charlotte?... Sit here, Miss Charlotte...." It was like a too-intimate hand on your shrinking arm.

The fashion for men of parting the hair in the middle had just come in. Samuel Payson parted his from forehead to nape of neck. In some mysterious way it gave to the back of his head an alert facial expression very annoying to the beholder. He reminded Charlotte of someone she had recently met and whom she despised; but for a long time she could not think who this could be. She found herself staring at him, fascinated, trying to trace the resemblance. Samuel Payson misinterpreted her gaze.

Isaac and Hetty Thrift had too late relaxed their vigilant watch over Charlotte. It had taken them all these years to realize that they were guarding a prisoner who hugged her chains. Wretched as she was (in a quiet and unobtrusive way) there is the possibility that she would have been equally wretched married to a Hardscrabble Dick. Charlotte's submission was all the more touching because she had nothing against which to rebel. Once, in the very beginning, Mrs. Thrift, haunted by something in Charlotte's eyes, had said in a burst of mingled spleen and self-defense:

"And why do you look at me like that, I should like to know! I'm sure I didn't kill your young man at Donelson. You're only moping like that to aggravate me; for something that never could have been, anyway—thank goodness!"

"He wouldn't have been killed," Charlotte said, unreasonably, and with conviction.

Had they been as wise and understanding as they were well-meaning, these two calvinistic parents might have cured Charlotte by one visit to the Dicks' Hardscrabble kitchen, with a mangy cur nosing her skirts; a red-faced hostess at the washtub; and a ruined, battered travesty of the slim young rhyme-making Jesse Dick there in the person of old Pete Dick squatting, sodden, in the doorway.

As the years went on they had, tardily, a vague and sneaking hope that something might happen among the G.A.R. widowers of Chicago's better families. During the reunions of Company I and Company E Charlotte generally assisted with the dinner or the musical program. She had a sweet, if small, contralto with notes in it that matched the fine dark eyebrows. She sang a group of old-fashioned songs: When You and I Were Young, Maggie; The Belle of Mohawk Vale; and Sleeping I Dream, Love. Charlotte never suspected her parents' careful scheming behind these public appearances of hers. Her deft capable hands at the G.A.R. dinners, her voice lifted in song, were her offerings to Jesse Dick's memory. Him she served. To him she sang. And gradually even Isaac and Hetty Thrift realized that the G.A.R. widowers were looking for younger game; and that Charlotte, surrounded by blue-uniformed figures, still was gazing through them, past them, into space. Her last public appearance was when she played the organ and acted as director for Queen Esther, a cantata, which marked rather an epoch in the amateur musical history of the town. After that she began to devote herself to her sister's family and to her mother.

But all this was later. Charlotte, at thirty, still had a look of vigor, and of fragrant (if slightly faded) bloom, together with a little atmosphere of mystery of which she was entirely unconscious; born, doubtless, of years of living with a ghost. Attractive qualities, all three; and all three quite lacking in her tart-tongued and acidulous younger sister, despite that miss's ten-year advantage. Carrie was plain, spare, and sallow. Her mind marched with her father's. The two would discuss real estate and holdings like two men. Hers was the mathematical and legal-thinking type of brain rarely found in a woman. She rather despised her mother. Samuel Payson used to listen to her with an air of respectful admiration and attention. But it was her older sister to whom he turned at last with, "I thought perhaps you might enjoy a drive to Cleaversville, since the evening's so fine, Miss Charlotte. What do you say, Miss Charlotte?"

"Oh, thank you—I'm not properly dressed for driving—perhaps Carrie——"

"Nonsense!" Mrs. Thrift would interpose tartly.

"But Miss Charlotte, you are quite perfectly dressed. If I may be so bold, that is a style which suits you to a marvel."

There he was right. It did. Hoops were history. The form-fitting basque, the flattering neck-frill, the hip sash, and the smart (though grotesque) bustle revealed, and even emphasized, lines of the feminine figure—the swell of the bust, the curve of the throat—that the crinoline had for years concealed. This romantic, if somewhat lumpy, costume well became Charlotte's slender figure and stern sad young face. In it Carrie, on the other hand, resembled a shingle in a flower's sheath.

This obstacle having been battered down, Charlotte raised another. "They say the Cleaversville road is a sea of mud and no bottom to it in places. The rains."

"Then," said Samuel Payson, agreeably, "we shall leave that for another time"—Charlotte brightened—"and go boating in the lagoon instead. Eh, Miss Charlotte?"

Charlotte, born fifty years later, would have looked her persistent and unwelcome suitor in the eye and said, "I don't want to go." Charlotte, with the parental eyes upon her, went dutifully upstairs for bonnet and mantle.

The lagoon of Samuel Payson's naming was a basin of water between the narrow strip of park on Michigan Avenue and the railway that ran along the lake. It was much used for boating of a polite and restricted nature.

It was a warm Sunday evening in the early summer. The better to get the breeze the family was sociably seated out on what was known as the platform. On fine evenings all Chicago sat out on its front steps—"the stoop" it was called. The platform was even more informal than the stoop. It was made of wooden planks built across the ditches that ran along each side of the street. Across it carriages drove up to the sidewalk when visitors contemplated alighting. All down Wabash Avenue you saw families comfortably seated in rockers on these platforms, enjoying the evening breeze and watching the world go by. Here the Thrifts—Isaac, Hetty, and their daughter Carrie—were seated when the triumphant Samuel left with the smoldering Charlotte. Here they were seated when the two returned.

The basin reached, they had hired a boat and Samuel had paddled about in a splashy and desultory way, not being in the least an oarsman. He talked, Miss-Charlotteing her so insistently that in ten minutes she felt thumbed all over. She looked out across the lake. He spoke of his loneliness, living at the Tremont House. Before being raised to junior partner he had been a clerk in Isaac Thrift's office. It was thus that Charlotte still regarded him—when she regarded him at all. She looked at him now, bent to the oars, his flat chest concave, his lean arms stringy; panting a little with the unaccustomed exercise.

"It must be lonely," murmured Charlotte, absentmindedly if sympathetically.

"Your father and mother have been very kind"—he bent a melting look on her—"far kinder than you have been, Miss Charlotte."

"It's chilly, now that the sun's gone," said Charlotte. "Shall we row in? This mantle is very light."

It cannot be said that he flushed then, but a little flood of dark color came into his pallid face. He rowed for the boat-house. He maneuvered the boat alongside the landing. Twilight had come on. The shed-like place was too dim for safety, lighted at the far end with one cobwebby lantern. He hallooed to the absent boatman, shipped his oars, and stepped out none too expertly. Charlotte stood up, smiling. She was glad to be in. Sitting opposite him thus, in the boat, it had been impossible to evade his red-rimmed eyes. Still smiling a little, with relief she took his proffered hand as he stood on the landing, stepped up, stumbled a little because he had pulled with unexpected (and unnecessary) strength, and was horrified suddenly to see him thrust his head forward like a particularly nasty species of bird, and press moist clammy lips to the hollow of her throat. Her reaction was as unfortunate as it was unstudied. "Uriah Heep!" she cried (at last! the resemblance that had been haunting her all these days), "Heep! Heep!" and pushed him violently from her. The sacred memories of the past twelve years, violated now, were behind that outraged push. It sent him reeling over the edge of the platform, clutching at a post that was not there, and into the shallow water on the other side. The boatmen, running tardily toward them, fished him out and restored him to a curiously unagitated young lady. He was wet but uninjured. Thus dripping he still insisted on accompanying her home. She had not murmured so much as, "I'm sorry." They walked home in hurried silence, his boots squashing at every step. The Thrifts—father, mother, and daughter—still were seated on the platform before the house, probably discussing real estate values—two of them, at least. Followed exclamations, explanations, sympathy, flurry.

"I fell in. A bad landing place. No light. A wretched hole."

Charlotte turned abruptly and walked up the front steps and into the house. "She's upset," said Mrs. Thrift, automatically voicing the proper thing, flustered though she was. "Usually it's Charlotte that falls into things. You must get that coat off at once. And the.... Isaac, your pepper-and-salt suit. A little large but.... Come in.... Dear, dear!... I'll have a hot toddy ready.... Carrie...."

It was soon after the second Chicago fire that Isaac Thrift and his son-in-law built the three-story-and-basement house on Prairie avenue, near 29th Street. The old man recalled the boast made almost forty years before, that some day he would build as far south as Thirtieth Street; though it was not, as he had then predicted, a country home.

"I was a little wrong there," he admitted, "but only because I was too conservative. They laughed at me. Well, you can't deny the truth of it now. It'll be as good a hundred years from now as it is to-day. Only the finest houses because of the cost of the ground. No chance of business ever coming up this way. From Sixteenth to Thirtieth it's a residential paradise. Yes sir! A res-i-den-tial paradise!"

A good thing that he did not live the twenty-five years, or less, that transformed the paradise into a smoke-blackened and disreputable inferno, with dusky faces, surmounted by chemically unkinked though woolly heads, peering from every decayed mansion and tumble-down rooming house. Sixteenth Street became a sore that would not heal—scrofulous, filthy. Thirty-first Street was the centre of the Black Belt. Of all that region Prairie Avenue alone resisted wave after wave of the black flood that engulfed the streets south, east, and west. There, in Isaac Thrift's day, lived much of Chicago's aristocracy; millionaire if mercantile; plutocratic though porcine. And there its great stone and brick mansions with their mushroom-topped conservatories, their porte-cochères, their high wrought-iron fences, and their careful lawns still defied the years, though ruin, dirt, and decay waited just outside to destroy them. The window-hangings of any street are its character index. The lace and silk draperies before the windows of these old mansions still were immaculate, though the Illinois Central trains, as they screeched derisively by, spat huge mouthsful of smoke and cinders into their very faces.

Isaac Thrift had fallen far behind his neighbours in the race for wealth. They had started as he had, with only courage, ambition, and foresight as capital. But they—merchants, pork-packers—had dealt in food and clothing on an increasingly greater scale, while Isaac Thrift had early given up his store to devote all his time to real estate. There had been his mistake. Bread and pork, hardware and clothing—these were fundamental needs, changing little with the years. Millions came to the man who, starting as a purveyor of these, stayed with them. At best, real estate was a gamble. And Isaac Thrift lost.

His own occasional short-sightedness was not to blame for his most devastating loss, however. This was dealt him, cruelly and criminally, by his business partner and son-in-law, the plausible Payson.

The two families dwelt comfortably enough together in the new house on Prairie. There was room and to spare, even after two children—Belle, and then Lottie—were born to the Paysons. The house was thought a grand affair, with its tin bathtub and boxed-in wash-bowl on the second floor, besides an extra washroom on the first, off the hall; a red and yellow stained-glass window in the dining room; a butler's pantry (understand, no butler; Chicago boasted no more than half a dozen of these); a fine furnace in the lower hall just under the stairway; oilcloth on the first flight of stairs; Brussels on the second; ingrain on the third; a liver-colored marble mantel in the front parlor, with anemic replicas in the back parlor and the more important bedrooms. It was an age when every possible article of household furniture was disguised to represent something it was not. A miniature Gothic cathedral was really a work-basket; a fauteuil was, like as not, a music box. The Thrifts' parlor carpet was green, woven to represent a river flowing along from the back parlor folding doors to the street windows, with a pattern of full-sailed ships on it, and, by way of variety, occasional bunches of flowers strewn carelessly here and there, between the ships. On rare and thrilling occasions, during their infancy, Belle and little Lottie were allowed to crawl down the carpet river and poke a fascinated finger into a ship's sail or a floral garland.

Carrie's two children were born in this house. Isaac and Hetty Thrift died in it. And in it Carrie was left worse than widowed.

Samuel Payson must have been about forty-six when, having gathered together in the office of Thrift & Payson all the uninvested moneys—together with negotiable bonds, stocks, and securities—on which he could lay hands, he decamped and was never seen again. He must have been planning it for years. It was all quite simple. He had had active charge of the business. Again and again Isaac Thrift had turned over to Payson money entrusted him for investment by widows of lifelong friends; by the sons and daughters of old Chicago settlers; by lifelong friends themselves. This money Payson had taken, ostensibly for investment. He had carefully discussed its investment with his father-in-law, had reported such investments made. In reality he had invested not a penny. On it had been paid one supposed dividend, or possibly two. The bulk of it remained untouched. When his time came Samuel Payson gathered together the practically virgin sums and vanished to live some strange life of his own of which he had been dreaming behind that truckling manner and the Heepish face, with its red-rimmed eyes.

He had been a model husband, father, and son-in-law. Chess with old Isaac, evenings; wool-windings for Mrs. Thrift; games with the two little girls; church on Sundays with Carrie. Between him and Charlotte little talk was wasted, and no pretense.

A thousand times, in those years of their dwelling together, Mrs. Thrift's eyes had seemed to say to Charlotte, "You see! This is what a husband should be. This is a son-in-law. No Dick disgracing us here."

The blow stunned the two old people almost beyond realising its enormity. The loss was, altogether, about one hundred and fifty thousand dollars. Isaac Thrift set about repaying it. Real estate on Indiana, Wabash, Michigan, Prairie was sold and the money distributed to make good the default. They kept the house on Prairie; clung to it. Anything but that. After it was all over Isaac Thrift was an old man with palsied hands. Hair and beard whose color had defied the years were suddenly white. Hetty Thrift's tongue lost its venomous bite. After Isaac Thrift's death she turned to Charlotte. Charlotte alone could quell her querulousness. Carrie acted as an irritant, naturally. They were so much alike. It was Charlotte who made broths and jellies, milk-toast and gruel with which to tempt the mother's appetite. Carrie, the mathematical, was a notoriously poor cook. Her mind was orderly and painstaking enough when it came to figuring on a piece of property, or a depreciated bond. But it lacked that peculiar patience necessary to the watching of a boiling pot or a simmering pan.

"Oh, it's done by now," she would cry, and dump a pan's contents into a dish. Oftener than not it was half-cooked or burned.

Charlotte announced, rather timidly, that she would give music lessons; sewing lessons; do fine embroidery. But her tinkling tunes were ghostly echoes of a bygone day. People were even beginning to say that perhaps, after all, this madman Wagner could be played so that one might endure listening. Hand embroidery was little appreciated at a time when imitations were the craze.

Carrie it was who became head of that manless household. It was well she had wasted her time in doing sums instead of being more elegantly occupied while at Miss Tait's Finishing School, in the old Wabash Avenue days. She now juggled interest, simple and compound, with ease; took charge of the few remaining bits of scattered property saved from the ruins; talked glibly of lots, quarter-sections, sub-divisions. All through their childhood Belle and Lottie heard reiterated: "Run away. Can't you see mother's busy! Ask Aunt Charlotte." So then, it was Aunt Charlotte who gave them their bread-and-butter with sugar on top. Gradually the whole household revolved about Carrie, though it was Charlotte who kept it in motion. When Carrie went to bed the household went to bed. She must have her rest. Meals were timed to suit Carrie's needs. She became a business woman in a day when business women were practically unheard of. She actually opened an office in one of the new big Clark Street office buildings, near Washington, and had a sign printed on the door:

MRS. CARRIE PAYSON
Real Estate
Bonds Mortgages
Successor to late Isaac Thrift

Later she changed this to "Carrie Thrift Payson." Change came easily to Carrie. Adaptability was one of her gifts. In 1893 (World's Fair year) she was one of the first to wear the new Eton jacket and separate skirt of blue serge (it became almost a uniform with women); and the shirtwaist, a garment that marked an innovation in women's clothes. She worked like a man, ruled the roost, was as ruthless as a man. She was neither a good housekeeper nor marketer, but something perverse in her made her insist on keeping a hand on the reins of household as well as business. It was, perhaps, due to a colossal egotism and a petty love of power. Charlotte could have marketed expertly and thriftily but Carrie liked to do it on her way downtown in the morning, stopping at grocer's and butcher's on Thirty-first Street and prefacing her order always with, "I'm in a hurry." The meat, vegetables, and fruit she selected were never strictly first-grade. A bargain delighted her. If an orange was a little soft in one spot she reckoned that the spot could be cut away. Such was her system of false economy.

With the World's Fair came a boom in real estate and Carrie Payson rode on the crest of it. There still were heart-breaking debts to pay and she paid them honestly. She was too much a Thrift to do otherwise. She never became rich, but she did manage a decent livelihood. Fortunately for all of them, old Isaac Thrift had bought some low swampy land far out in what was considered the wilderness, near the lake, even beyond the section known as Cottage Grove. With the Fair this land became suddenly valuable.

There's no denying that Carrie lacked a certain feminine quality. If one of the children chanced to fall ill, their mother, bustling home from the office, had no knack of smoothing a pillow or cooling a hot little body or easing a pain. "Please, mother, would you mind not doing that? It makes my headache worse." Her fingers were heavy, clumsy, almost rough, like a man's. Her maternal guidance of her two daughters took the form of absent-minded and rather nagging admonitions:

"Belle, you're reading against the light."

"Lottie, did you change your dress when you came home from school?"

"Don't bite that thread with your teeth!" Or, as it became later, merely, "Your teeth!"

Slowly, but inevitably, the Paysons dropped out of the circle made up of Chicago's rich old families—old, that is, in a city that reckoned a twenty-year building a landmark. The dollar sign was beginning to be the open sesame and this symbol had long been violently erased from the Thrift-Payson escutcheon. To the ladies in landaus with the little screw-jointed sun parasols held stiffly before them, Carrie Payson and Charlotte Thrift still were "Carrie" and "Charlotte dear." They—and later Belle and Lottie—were asked to the big, inclusive crushes pretty regularly once a year. But the small smart dinners that were just coming in; the intimate social gayeties; the clubby affairs, knew them not. "One of the Thrift girls" might mean anyone in the Prairie Avenue household, but it was never anything but a term of respect and meant much to anyone who was native to Chicago. Other Prairie Avenue mansions sent their daughters to local private schools, or to the Eastern finishing schools. Belle and Lottie attended the public grammar school and later Armour Institute for the high school course only. Middle-aged folk said to Lottie, "My, how much like your Aunt Charlotte you do look, child!" They never exclaimed in Belle's presence at the likeness they found in her face. Belle's family resemblance could be plainly traced to one of whom friends did not speak in public. Belle was six years her sister's senior, but Lottie, with her serious brow and her clear, steady eyes, looked almost Belle's age. Though Belle was known as the flighty one there was more real fun in Lottie. In Lottie's bedroom there still hangs a picture of the two of them, framed in passepartout. It was taken—arm in arm—when Lottie was finishing high school and Belle was about to marry Henry Kemp; high pompadours over enormous "rats," the whole edifice surmounted by a life-size chou of ribbon; shirtwaists with broad Gibson tucks that gave them shoulders of a coal-heaver; plaid circular skirts fitting snugly about the hips and flaring out in great bell-shaped width at the hem; and trailing.

"What in the world do you keep that comic valentine hanging up for!" Belle always exclaimed when she chanced into Lottie's room in later years.

Often and often, during these years, you might have heard Carrie Payson say, with bitterness, "I don't want my girls to have the life I've had. I'll see to it that they don't."

"How are you going to do it?" Charlotte would ask, with a curious smile.

"I'll stay young with them. And I'll watch for mistakes. I know the world. I ought to. For that matter, I'd as soon they never married."

Charlotte would flare into sudden and inexplicable protest. "You let them live their own lives, the way they want to, good or bad. How do you know the way it'll turn out! Nobody knows. Let them live their own lives."

"Nonsense," from Carrie, crisply. "A mother knows. One uses a little common sense in these things, that's all. Don't you think a mother knows?" a rhetorical question, plainly, but:

"No," said Charlotte.

CHAPTER V

Anyone who has lived in Chicago knows that you don't live on the South Side. You simply do not live on the South Side. And yet Chicago's South Side is a pleasant place of fine houses and neat lawns (and this when every foot of lawn represents a tidy fortune); of trees, and magnificent parks and boulevards; of stately (if smoke-blackened) apartment houses; of children, and motor cars; of all that makes for comfortable, middle-class American life. More than that, booming its benisons upon the whole is the astounding spectacle of Lake Michigan forming the section's eastern boundary. And yet Fashion had early turned its back upon all this as is the way of Fashion with natural beauty.

We know that the Paysons lived south; and why. We know, too, that Carrie Payson was the kind of mother who would expect her married daughter to live near her. Belle had had the courage to make an early marriage as a way of escape from the Prairie avenue household, but it was not until much later that she had the temerity to broach the subject of moving north. She had been twenty when she married Henry Kemp, ten years her senior. A successful marriage. Even now, nearing forty, she still said, "Henry, bring me a chair," and Henry brought it. Not that Henry was a worm. He was merely the American husband before whom the foreign critic stands aghast. A rather silent, gray-haired, eye-glassed man with a slim boyish waistline, a fair mashie stroke, a keen business head, and a not altogether blind devotion to his selfish, pampered semi-intellectual wife. There is no denying his disappointment at the birth of his daughter Charlotte. He had needed a son to stand by him in this family of strong-minded women. It was not altogether from the standpoint of convenience that he had called Charlotte "Charley" from the first.

Thwarted in her secret ambition to move north, Belle moved as far south as possible from the old Prairie Avenue dwelling; which meant that the Kemps were residents of Hyde Park. Between the two families—the Kemps in Hyde Park and the Paysons in Prairie Avenue—there existed a terrible intimacy, fostered by Mrs. Carrie Payson. They telephoned each other daily. They saw one another almost daily. Mrs. Payson insisted on keeping a finger on the pulse of her married daughter's household as well as her own. During Charley's babyhood the innermost secrets of the nursery, the infant's most personal functions, were discussed daily via the telephone. Lottie, about sixteen at that time, and just finishing at Armour, usually ate her hurried breakfast to the accompaniment of the daily morning telephone talk carried on between her mother and her married sister.

"How are they this morning?... Again!... Well then give her a little oil.... Certainly not! I didn't have the doctor in every time you two girls had a little something wrong.... Oh, you're always having that baby specialist in every time she makes a face. We never heard of baby specialists when I was a.... Well, but the oil won't hurt her.... If they're not normal by to-morrow get him but.... You won't be able to go to the luncheon, of course.... You are! But if Charley's.... Well, if she's sick enough to have a doctor she's sick enough to need her mother at home.... Oh, all right. Only, if anything happens.... How was the chicken you bought yesterday?... Didn't I tell you it was a tough one! You pay twice as much over there in Hyde Park.... What are you going to wear to the luncheon?..."

Throughout her school years Lottie had always had a beau to squire her about at school parties and boy-and-girl activities. He was likely to be a rather superior beau, too. No girl as clear-headed as Lottie, and as intelligently fun-loving and merry, would tolerate a slow-witted sweetheart. The word sweetheart is used for want of a better. Of sweethearting there was little among these seventeen- and eighteen-year-olds. Viewed through the wise eyes of to-day's adolescents they would have seemed as quaint and stiff as their pompadours and high collars.

In a day when organised Social Work was considered an original and rather daring departure for women Lottie Payson seemed destined by temperament and character to be a successful settlement worker. But she never became one. Lottie had too much humour and humaneness for the drab routine of school-teaching; not enough hardness and aggressiveness for business; none of the creative spark that marks the genius in art. She was sympathetic without being sentimental; just and fair without being at all stern or forbidding. Above all she had the gift of listening. The kind of woman who is better-looking at thirty-five than at twenty. The kind of woman who learns with living and who marries early or never. With circumstance and a mother like Mrs. Carrie Payson against her, Lottie's chances of marrying early were hardly worth mentioning. Lottie was the kind of girl who "is needed at home."

Don't think that she hadn't young men to walk home with her from school. She had. But they were likely to be young men whose collars were not guiltless of eraser marks; who were active in the debating societies; and whose wrists hung, a red oblong, below their too-short sleeves. The kind of young man destined for utter failure or great success. The kind of young man who tries a pecan grove in Carolina, or becomes president of a bank in New York. None of these young men ever kissed Lottie. I think that sometimes, looking at her serious pretty lips closed so firmly over the white teeth, they wanted to. I'm sure that Lottie, though she did not know it, wished they would. But they never did. Lottie absolutely lacked coquetry as does the woman who tardily develops a sense of sex power. In Lottie's junior year these gawky and studious young men narrowed down to one. His name was Rutherford Hayes Adler and he was a Jew. There is no describing him without the use of the word genius, and in view of his novels of to-day (R. H. Adler) there is no need to apologise for the early use of the word. He was a living refutation of the belief that a brilliant mathematician has no imagination. His Armour report cards would have done credit to young Euclid; and he wrote humorous light verse to Lottie and sold insurance on the side. Being swarthy, black-haired, and black-eyed he was cursed with a taste for tan suits and red neckties. These, with the high choker collar of the period, gave him the look of an end-man strayed from the minstrel troupe. Being naturally shy, he assumed a swagger. He was lovable and rather helpless, and his shoe strings were always coming untied. His humour sense was so keen, so unerring, so fastidious as to be almost a vice. Armour students who did not understand it said, "He's a funny fellow. I don't know—kind of batty, isn't he?"

This young man it was who walked home with Lottie Payson all through her junior and senior years; sat next to her at meetings of the debating society; escorted her to school festivities; went bicycling with her on Saturday afternoons. The Payson household paid little attention to him or to Lottie. Belle was busy with her love affair. Henry Kemp had just appeared on her horizon. Mrs. Payson was deep in her real estate transactions. On the few occasions when Rutherford Hayes actually entered the house and sat down to await Lottie the two were usually on their way to some innocuous entertainment or outing. So that it was Aunt Charlotte, if anybody, who said "How do you do, young man. Oh yes, you're Mr. Adler. Lottie'll be right down." A little silence. Then kindly, from Aunt Charlotte, "H'm! How do you like your school work?" Years afterwards Adler put Aunt Charlotte into one of his books. And Lottie. And Mrs. Carrie Payson, too. He had reason to remember Mrs. Carrie Payson.

It was at the end of Lottie's senior year that Mrs. Payson became aware of this young man whose swart face seemed always to be just appearing or disappearing around the corner with Lottie either smiling in greeting or waving a farewell. End-of-the-year school festivities were accountable for this. Then, too, Belle must have registered some objection. When next young Adler appeared at the Prairie Avenue house it was Mrs. Payson who sailed down the rather faded green river of the parlor carpet.

"How do you do," said Mrs. Payson; her glance said, "What are you doing here, in this house?"

Rutherford Hayes Adler wanted to get up from the chair into which his lank length was doubled. He knew he should get up. But a hideous shyness kept him there—bound him with iron bands. When finally, with a desperate effort, he broke them and stumbled to his feet it was too late. Mrs. Payson had seated herself—if being seated can describe the impermanent position which she now assumed on the extreme edge of the stiffest of the stiff parlor chairs.

The sallow, skinny little Carrie Thrift had mellowed—no, that word won't do—had developed into an erect, dignified, white-haired woman of rather imposing mien. The white hair, in particular, was misleadingly softening.

"May I ask your father's name?" she said. Just that.

The boy had heard that tone used many times in the past nineteen hundred years. "Adler," he replied.

"Yes, I know. But his first name. What is his first name, please?"

"His first name was Abraham—Abraham I. Adler. The I stands for Isaac."

"Abraham—Isaac—Adler," repeated Mrs. Payson. As she uttered the words they were an opprobrium.

"Your father's name was Isaac too, wasn't it?" said the boy.

"His name was Isaac Thrift." An altogether different kind of Isaac, you would have thought. No relation to the gentleman in the Bible. A New England Isaac not to be confused with the Levantine of that name.

"Yes. I remember I used to hear my grandfather speak of him."

"Indeed! In what connection, may I ask?"

"Why, he came to Chicago in '39, just about the time your father came, I imagine. They were young men together. Grandfather was an old settler."

Mrs. Payson's eyebrows doubted it. "I don't remember ever having seen him mentioned in books on early Chicago."

"You wouldn't," said Adler; "he isn't."

"And why not?"

"Jew," said Rutherford Hayes, pleasantly, and laconically.

Mrs. Payson stood up. So did the boy. He had no difficulty in rising now. No self-consciousness, no awkwardness. There was about him suddenly a fluid grace, an easy muscular rhythm. "Of course, grandfather has been dead a good many years now," he went on politely, "and father, too."

"I'm afraid Lottie won't be able to go this evening," Mrs. Payson said. "She has been going out too much. It is bad for her school work. Young girls nowadays——"

"I see. I'm sorry." There was nothing of humility in the little bow he made from the waist. Ten minutes earlier you would never have thought him capable of so finished an act as that bow. He walked to the folding doors that led to the hall. On the way his glance fell on the portrait of old Isaac Thrift over the liver-coloured marble mantel. It was a fine portrait. One of Healy's. Adler paused a moment before it. "Is that a good portrait of your father?"

"It is considered very like him."

"It must be. I can see now why my grandfather took his part to the last."

"Took his part!" But her tone was a shade less corroding. "In what, if you please?"

"Grandfather lost his fortune when a firm he trusted proved—well, when a member of it proved untrustworthy."

When he grew older he was always ashamed of having thus taken a mean advantage of a woman. But he was so young at the time; and she had hurt him so deeply. He turned again now, for the door. And there stood Lottie, brave, but not quite brave enough. She was not wearing her white dress—her party dress, for the evening. Her mother had forbidden her to come down. And yet here she was. Braver—not much, but still braver—than Charlotte had been before her.

"I—I can't go, Ford," she faltered.

"It's all right," he said, then. And there, before the white-haired, relentless, and disapproving Carrie Payson he went up to her, put one lean dark hand on her shoulder, drew her to him and kissed her, a funny little boyish peck on the forehead. "Good-bye, Lottie," he said. And was gone.

Lottie's being needed at home began before the failure of Aunt Charlotte's sight. Aunt Charlotte had to go to the eye specialist's daily. Lottie took her. This was even before the day of the ramshackle electric. Lottie never begrudged Aunt Charlotte the service. Already between these two women, the one hardly more than twenty, the other already past sixty, there existed a curious and unspoken understanding. They were not voluble women, these two. Lottie never forgot those two hours in the waiting room of the famous specialist. Every chair was occupied, always. Silent, idle, waiting figures with something more crushed and apprehensive about them than ordinarily about the waiting ones in a doctor's outer room. The neat little stack of magazines on the centre table remained untouched. Sometimes, if the wait was a long one, Lottie would run out for an hour's shopping; or would drop in at her mother's office. Mrs. Payson usually was busy with a client; maps, documents, sheafs of blue-bound papers. But if one of her daughters came downtown without dropping in at the office she took it as a deliberate slight; or as a disregard of parental authority. Lottie hated the door marked:

CARRIE THRIFT PAYSON
Real Estate
Bonds Mortgages

"Oh, you're busy."

Mrs. Payson would glance up. There was nothing absent-minded about the glance. For the moment her attention was all on Lottie. "Sit down. Wait a minute."

"I'll come back."

"Wait."

Lottie waited. Finally, "Aunt Charlotte will be wondering——"

"We're through now." She would sit back in her desk chair, her hands busy with the papers, her eyes on her client. "Now, if you'll come in again on Monday, say, at about this time, I'll have the abstract for you, and the trust deed. In the meantime I'll get in touch with Spielbauer——"

She would rise, as would her client, a man, usually. With the conclusion of the business in hand she effected a quick change of manner; became the woman in business instead of the business woman. Sometimes the client happened to be an old time acquaintance, in which case Carrie Payson would put a hand on Lottie's shoulder. "This is my baby."

The client would laugh genially, "Quite a baby!" This before the word had taken on its slang significance.

"I wouldn't know what to do without her," Mrs. Payson would say. "I have to be here all day."

"Yes, they're a great help. Great help. Well—see you Monday, Mrs. Payson. Same time. If you'll just see Spielbauer——"

The door closed, Mrs. Payson would turn again to Lottie. "What was the girl doing when you left?"

"Why—she was still ironing."

"How far had she got?"

"All the fancy things. She was beginning on the sheets."

"Well, I should think so! At that hour."

Lottie turned toward the door. "Aunt Charlotte'll be waiting."

Mrs. Payson must have a final thumb on the clay. "Be very careful crossing the streets." And yet there was pride and real affection in her eyes as she looked after the sturdy vigorous figure speeding down the corridor toward the elevator.

Once, when Lottie returned to the oculist's after a longer absence than usual Aunt Charlotte had gone. "How long?" The attendant thought it must be fifteen minutes. Chicago's downtown streets, even to the young and the keen-sighted, were a maelstrom dotted at intervals by blue-uniformed figures who held up a magic arm and blew a shrill blast just when a swirl and torrent of drays, cabs, street-cars, and trucks with plunging horses threatened completely to engulf them. Added to this was the thunderous roar of the Wabash Avenue L trains. Even when the crossing was comparatively safe and clear the deafening onrush of a passing L train above always caused Aunt Charlotte to scuttle back to the curb from which she was about to venture forth. The roar seemed to be associated in her mind with danger; it added to her confusion. Leading a horse out of a burning barn was play compared with ushering Aunt Charlotte across a busy downtown street.

"Just let me take my time," she would say, tremulously but stubbornly immovable.

"But Aunt Charlotte if we don't go now we'll be here forever. Now's the time."

Aunt Charlotte would not budge. Then, at the wrong moment, she would dart suddenly across to the accompaniment of the startled whoop or curse of a driver, chauffeur, or car conductor obliged to draw a quick rein or jam on an emergency brake to avoid running her down.

Lottie, knowing all this, sped toward Wabash Avenue with fear in her heart, and a sort of anger born of fear. "Oh, dear! It does seem to me she might have waited. Mother didn't want a thing. Not a thing. I told her——"

She came to the corner of Wabash and Madison where they always took the Indiana Avenue car. She saw a little group of people near the curb and her heart contracted as she sped on, but when she came up to them it was only a balky automobile engine that had drawn their attention. She looked across at the corner which was their car-stop. There stood Aunt Charlotte. At once cowering, brave; terrified, courageous. At sight of that timorous, peering, black-garbed figure Lottie gave a little sob. The blood rushed back to her heart as though it had lain suspended in her veins.

"Aunt Charlotte, why did you do it?"

"I got across alone."

"But why didn't you wait for me? You knew——"

"I got across alone. But the street car—the wagons never stopping so a body can get out to the street car. And no way of telling whether it was an Indiana or a Cottage Grove. But I got across alone." She had her five-cent piece in her black-gloved trembling hand.

Safely in the car, Lottie waxed stern again. "Why didn't you wait, Aunt Charlotte? You knew I'd be back as soon as I could. I didn't mean to be late. That was awfully naughty of you, Charlotte Thrift."

Aunt Charlotte was looking out of the car window. What she saw must have been little more than a blur to her. But something told Lottie that in the dim eyes turned away from her was still another blur—a blur of hot mist. Lottie leaned forward, covering with her own firm cool young grasp the hand that lay so inertly in the black silk lap. "What is it? Why——"

Aunt Charlotte turned and Lottie saw that what she had sensed was true. "It isn't right!" said Aunt Charlotte almost fiercely, and yet in a half-whisper, for the car was crowded and she had a horror of attracting public notice.

"What isn't?"

"Your calling for me, and bringing me back. Every day. Every day."

"Now! You're just a little blue to-day; but the doctor said you'd only have to come down for treatment a week or two more."

"It isn't me. It's you. Your life! Your life!"

A little flush crept into Lottie's face. "It's all right, dear."

"It isn't all right. Don't you think I know!" Aunt Charlotte's voice suddenly took on a deep and resonant note—the note of exhortation. "Lottie, you're going to be eaten alive by two old cannibal women. I know. I know. Don't you let 'em! You've got your whole life before you. Live it the way you want to. Then you'll have only yourself to blame. Don't you let somebody else live it for you. Don't you."

"How about mother, slaving down in that office all day, when all the other women of her age are taking it easy—a nap at noon, and afternoon parties, and a husband to work for them?"

"Slaving fiddlesticks! She likes it. Your mother'd rather read the real estate transfers than a novel. Besides, she doesn't need to. We could live on the rents. Nothing very grand, maybe. But we could live. And why not let you do something? That's what I'd like to know! Why not——"

"Oh, I'd love it. All the girls—that is, all the girls I like—are doing some kind of work. But mother says——"

Aunt Charlotte sniffed. It was almost a snort. "I know what your mother says. 'No daughter of mine is going to work for her living.' Hmph!" (Which is not expressing it, but nearly.) "Calls herself modern. She's your grandfather over again and he thought he was a whole generation ahead of his generation. Wasn't, though. Little behind, if anything."

Sometimes Aunt Charlotte, the subdued, the vaguely wistful, had a sparkling pugnacity, a sudden lift of spirits that showed for a brief moment a glimpse of the girl of fifty years ago. A tiff with Carrie Payson (in which Charlotte, strangely enough, usually came off victorious) often brought about this brief phenomenon. At such times she had even been known to sing, in a high off-key falsetto, such ghostly, but rakish, echoes as: Champagne Charley Was His Name, or, Captain Jinks of the Horse Marines, or even, Up in a Balloon Boys. Strangely enough as she grew older this mood became more and more familiar. It was a sort of rebirth. At times she assumed an almost jaunty air. It was as though life, having done its worst, was no longer feared by her.

In spite of objections, Lottie made sporadic attempts to mingle in the stream of life that was flowing so swiftly past her—this new life of service and self-expression into which women were entering. Settlement work; folk dancing, pageantry, juvenile and girls' court work; social service; departmental newspaper work. Lottie was attracted by all of these and to any one of them she might have given valuable service. A woman, Emma Barton, not yet fifty, had been appointed assistant judge of the new girls' court. No woman had held a position such as that. Lottie had met her. The two had become friends—close friends in spite of the disparity in their ages.

"I need you so badly up here," Emma Barton often told Lottie. "You've got a way with girls; and you're not school-teachery or judicial with them. That's the trouble with the regular court worker. And they talk to you, don't they? Why, I wonder?

"Maybe it's because I listen," Lottie replied. "And they think I'm sort of simple. Maybe I am. But not so simple as they think." She laughed. A visit to Judge Barton's court always stimulated her, even while it saddened.

Chicagoans, for the most part, read in the papers of Judge Barton and pictured in their minds a stout and pink-jowled judiciary in a black coat, imposing black-ribboned eyeglasses, and careful linen. These people, if they chanced to be brought face to face with Judge Barton, were generally seen to smile uncertainly as though a joke were being played on them without success. They saw a small, mild-faced woman with graying hair and bright brown eyes—piercing eyes that yet had a certain liquid quality. She was like a wise little wren who has seen much of life and understands more than she has seen, and forgives more than she understands. A blue cloth dress with, probably, some bright embroidery worked on it. A modern workaday dress on a modern woman. Underneath, characteristically enough, a black sateen petticoat with a pocket in it, like a market woman. A morning spent in Judge Barton's court was life with the cover off. It was a sight vouchsafed to few. Emma Barton discouraged the curious and ousted the morbidly prying. Besides, there was no space in her tiny room for more than the persons concerned. It was less like a court room than your own office, perhaps.

Then there was Winnie Steppler, who wrote for Chicago's luridest newspaper under the nom de plume of "Alice Yorke." A pink-cheeked, white-haired, Falstaffian woman with the look and air of a picture-book duchess and the wit and drollery of a gamin. Twice married, twice widowed; wise with a terrible wisdom; seeing life so plainly that she could not write of what she saw. There were no words. Or perhaps the gift of words had kindly been denied her. Her "feature stuff" was likely to be just that. Her conversation was razor-keen and as Irish as she cared to make it. People were always saying to her, "Why don't you write the way you talk?"

"It's lucky for my friends I don't talk the way I write."

Perhaps these two women, more than anything or anyone else, had influenced Lottie to intolerance of aimless diversion. Not that Lottie had much time for her own aimless diversion even if she had fancied it. Rheumatism of a painful and crippling kind had laid its iron fingers upon Carrie Payson. Arthritis, the doctors called it. It affected only the fingers of the left hand—but because of it the downtown real estate office was closed. The three women were home together now in the big old house on Prairie, and Mrs. Payson was talking of selling it and moving into an apartment out south. It was about this time, too, that she bought the electric—one of the thousands that now began to skim Chicago's boulevards—and to which Lottie became a galley slave. She sometimes thought humorously of the shiny black levers as oars and the miles of boulevard as an endless sea to which she was condemned. Don't think that Lottie Payson was sorry for herself. If she had been perhaps it would have been better for her. For ten years or more she had been so fully occupied in doing her duty—or what she considered her obvious duty—that she had scarcely thought of her obligations toward herself. If you had disturbing thoughts you put them out of your mind. And slammed the door on them. When she was twenty-nine, or thereabouts, she had read a story that stuck in her memory. It was Balzac's short story of the old maid who threw herself into the well. She went to Aunt Charlotte with it.

"Now that's a morbid, unnatural kind of story, isn't it?" she said.

Aunt Charlotte's forefinger made circles, round and round, on her black-silk knee. Lottie had read the story aloud to her. "No. It's true. And it's natural."

"I don't see how you can say so. Now, when you were about forty——"

"When I was thirty-five or forty I had you and Belle. To tend to, I mean, and look after. If I hadn't had you I don't say that I would have gone off with the butcher boy, but I don't say that I wouldn't. Every time I wiped your noses or buttoned you up or spatted your hands when you were naughty it was a—well—a——"

"A sort of safety valve, you mean?" Lottie supplied the figure for her.

"Yes. Between thirty-five and forty—that's the time to look out for. You can fool nature just so long, and then she turns around and hits back."

"But look at all the girls I know—women of my age, and older—who are happy, and busy and contented."

There came a soft look into the dark eyes beneath the heavy black brows. From the vantage point of her years and experience she pronounced upon her sex. "Women are wonderful, Lottie," she said. "Just wonderful. A good thing for the race that men aren't like 'em. In self-control, I mean, and that. Wouldn't be any race, I reckon."

CHAPTER VI

Lottie Payson was striding home through the early evening mist, the zany March wind buffeting her skirts—no: skirt; it is 1916 and women are knicker-bockered underneath instead of petticoated. She had come from what is known on the South Side as "spending the afternoon."

Of late years Lottie had given up this spending of afternoons. Choice and circumstances had combined to bring this about. Her interests had grown away from these women who had been her school-girl friends. The two women with whom she lived made her the staff on which they leaned more and more heavily. Lottie Payson was head of the household in everything but authority. Mrs. Carrie Payson still held the reins.

The afternoons had started as a Reading Club when Lottie was about twenty-five and the others a year or two older or younger. Serious reading. Yes, indeed. Effie Case had said, "We ought to improve our minds; not just read anything. I think it would be fine to start with the German poets; Gerty and those."

So they had started with Goethe and those but found the going rather rough. This guttural year had been followed by one of French conversation led by a catarrhal person who turned out to be Vermontese instead of Parisian, which accounted for their having learned to pronounce le as "ler." After this they had turned to Modern American Literature; thence, by a process of degeneration, to Current Topics. They had a leader for the Current Topics Class, a retired Madam Chairman. She grafted the front-page headlines onto the Literary Digest and produced a brackish fruit tasting slightly of politics, invention, scandal, dress, labor, society, disease, crime, and royalty. One day, at the last minute, when she had failed to appear for the regular meeting—grip, or a heavy cold—someone suggested, "How about two tables of bridge?" After that the Reading Class alternated between bridge and sewing. The sewing was quite individual and might range all the way from satin camisoles to huckaback towels; from bead bags to bedspreads. The talk, strangely enough, differed little from that of the personally-conducted Current Topics Class days. They all attended lectures pretty regularly; and symphony concerts and civic club meetings.

In the very beginning they had made a rule about refreshments. "No elaborate serving," they had said. "Just tea or coffee, and toast. And perhaps a strawberry jam or something like that. But that's all. Nobody does it any more." The salads, cakes, and ices of an earlier period were considered vulgar for afternoons. Besides, banting had come in, and these women were nearing thirty; some of them had passed it—an age when fat creeps slyly about the hips and arms and shoulder-blades and stubbornly remains, once ensconced. Still, this rule had slowly degenerated as had the club's original purpose. As they read less during these afternoons they ate more. Beck Schaefer discovered and served a new fruit salad with Hawaiian pineapple and marshmallows as its plot. When next they met at Effie Case's she served her salad in little vivid baskets made of oranges hollowed out, with one half of the skin cut away except for a strip across the top to form the basket's handle. After that there was no more tea and toast. After that, too, the attendance of certain members of the erstwhile Reading Club became more and more irregular and finally ceased altogether. These delinquents were the more serious-minded ones of the group. One became a settlement worker. Another went into the office of an advertising agency and gave all her time and thought to emphasising the desirability of certain breakfast foods, massage creams, chewing gum, and garters. Still another had become a successful Science Practitioner, with an office in the Lake Building and a waiting room always full of claims. As for Lottie Payson—her youth and health, her vigor and courage all went into the service of two old women. Of these the one took selfishly; the other reluctantly, protestingly. The Reading Club had long ago ceased to exist for Lottie.

In the morning she drove her mother to market in the ramshackle old electric. Mrs. Payson seldom drove it herself. The peculiar form of rheumatism from which she suffered rendered her left hand almost useless. The electric had been a fine piece of mechanism in its day but years of service had taken the spring from its joints and the life from its batteries. Those batteries now were as uncertain as a tired old heart that may stop its labored beating any moment. A balky starter and an unreliable starter, its two levers needed two strong hands with muscle-control behind them. Besides, one had to be quick. As the Paysons rumbled about in this rheumatic coach, haughty and contemptuous gas cars were always hooting impatiently behind them, nosing them perilously out of the way in the traffic's flood, their drivers frequently calling out ribald remarks about hearses.

In this vehicle drawn up at the curb outside the market Lottie would sit reading the Survey (Judge Barton's influence there) while her mother carried on a prolonged and acrimonious transaction with Gus. Thirty-first Street, then Thirty-fifth Street, had become impossible for the family marketing. There groceries and meat markets catered frankly to the Negro trade. Prosperous enough trade it seemed, too, with the windows piled with plump broilers and juicy cuts of ham. The Payson electric waited in Forty-third Street now.

Gus's red good-natured face above the enveloping white apron became redder and less good-natured as Mrs. Payson's marketing progressed. New potatoes. A piece of rump for a pot-roast. A head of lettuce. A basket of peaches. Echoes floated out to Lottie waiting at the curb.

"Yeh, but looka here, Mis' Payson, I ain't makin' nothin' on that stuff as it is. Two three cents at the most. Say I gotta live too, you know.... Oh, you don't want that, Mis' Payson. Tell you the truth, they're pretty soft. Now here's a nice fresh lot come in from Michigan this morning. I picked 'em out myself down on South Water."

Mrs. Payson's decided tones: "They'll do for stewing."

"All right. 'S for you to say. You got to eat 'em, not me. On'y don't come around to-morrow tellin' me they was no good."

Her purchases piled on the leather-upholstered front seat of the electric, Mrs. Payson would be driven home, complaining acidly. This finished Gus for her. Robber! Twenty-seven cents for lamb stew!

"But mama, Belle paid thirty-two cents last week. I remember hearing her say that lamb stew was seven or eight cents two or three years ago and now it's thirty-two or thirty——"

"Oh, Belle! I'm surprised she ever has lamb stew. Always running short on her allowance with her sirloins and her mushrooms and her broilers. I ran a household for a whole month on what she uses in a week, when I was her age. I don't know how Henry stands it."

This ceremony of marketing took half the morning. It should have required little more than an hour. On arriving home Mrs. Payson usually complained of feeling faint. Her purchases piled on the kitchen table, she would go over them with Hulda, the maid-servant. "Put that lettuce in a damp cloth." The maid was doing it. "Rub a little salt and vinegar into that pot roast." The girl had intended to. "You'll have to stew those peaches." That had been apparent after the first disdainful pressing with thumb and forefinger. By this time Hulda's attitude was the bristling one natural to any human being whose intelligence has been insulted by being told to do that which she already had meant to do. Mrs. Payson, still wearing her hat (slightly askew now) would accept the crackers and cheese, or the bit of cold lamb and slice of bread, proffered by Lottie to fend off the "faintness." Often Mrs. Payson augmented this with a rather surprising draught of sherry in a tumbler, from the supply sent by her son-in-law Henry Kemp.

On fine afternoons Lottie often drove her mother and Aunt Charlotte to Jackson Park, drawing up at the curb along the lake walk. A glorious sight, that panorama. It was almost like being at sea, minus the discomfort of travel. The great blue inland ocean stretched before them, away, and away, and away until it met the sky. For the most part the three women did nothing. Mrs. Payson had always hated sewing. Great-aunt Charlotte sometimes knitted. Her eyes were not needed for that. But oftenest she sat there gazing out upon the restless expanse of Lake Michigan, her hands moving as restlessly as the shifting ageless waters. Great-aunt Charlotte's hands were seldom still. Always they moved over her lap, smoothing a bit of cloth, tracing an imaginary pattern with a wrinkled parchment forefinger; pleating a fold of her napkin when at table. Hands with brown splotches on the backs. Moving, moving, and yet curiously inactive. Sometimes Lottie read aloud, but not often. Her mother was restless at being read aloud to; besides, she liked stories with what is known as a business interest. Great-aunt Charlotte liked romance. No villain too dastardly—no heroine too lovely and misunderstood—no hero too ardent and athletic for Aunt Charlotte's taste. She swallowed them, boots, moonlight, automobiles, papers and all. "Such stuff!" Mrs. Carrie Payson would say.

The conversation of the three women sitting there in the little glass-enclosed box was desultory, unvital. They had little to say to one another. Yet each would have been surprised to learn what a reputation for liveliness and wit the other had in her own circle. Lottie was known among "the girls" to be mischievous and gay; Carrie Payson could keep a swift and keen pace in conversation with a group of business men, or after a hand at bridge with women younger than she (Mrs. Payson did not care for the company of women of her own age); Great-aunt Charlotte's sallies and observations among her septuagenarian circle often brought forth a chorus of cackling laughter. Yet now:

"Who's that coming along past the Iowa building?" (Relic of World's Fair days.)

"I can't tell from here, mama."

"Must be walking to reduce, with that figure, on a day like this. It's that Mrs. Deffler, isn't it, that lives near Belle's? No, it isn't. She's too dark. Yes it ... no...."

Lottie said aloud, "No, it isn't." And within: "If I could only jump out of this old rattle-trap and into a boat—a boat with sails all spread—and away to that place over there that's the horizon. Oh, God, how I'd ... but I suppose I'd only land at Indiana Harbor instead of at the horizon." Then aloud again, "If you and Aunt Charlotte think you'll be comfortable here for twenty minutes or so I'll just walk up as far as the pier and back."

"That's right," from Aunt Charlotte. "Do you good. What's more"—she chuckled an almost wicked chuckle—"I'd never come back, if I were you."

Mrs. Carrie Payson eyed her sister witheringly. "Don't be childish, Charlotte."

Out on the walk, her face toward the lake, her head lifted, her hands jammed into her sweater pockets, Lottie was off.

A voice was calling her.

"What?"

"Your hat! You forgot your hat!"

"I don't want it." She turned resolutely away from the maternal voice and the hat. Her mother's head was stuck out of the car door. Lottie heard, unheeding, a last faint "Sunburn!" and "Complexion." A half mile up, a half mile back. Walking gave her a sense of freedom, of exhilaration; helped her to face the rest of the day.

In the evening they often drove round to Belle's; or about the park again on warm summer nights.

But on this particular March afternoon the Reading Club once more claimed Lottie. One of the Readers had married. This was her long-planned afternoon at home for the girls. Her newly-furnished four-room apartment awaited their knowing inspection. Her wedding silver and linen shone and glittered for them. Celia Sprague was a bride at thirty-six, after a ten-years' engagement.

"Now, Lottie," she had said, over the telephone, "you've just got to come. Every one of the girls will be here. It's my first party in my new home. Oh, I notice you find time for your new highbrow friends. It won't hurt you to come slumming this once. Well, but your mother can do without you for one afternoon can't she! Good heavens, you've some right to your——"

Lottie came. She came and brought her knitting as did every other member of the Reading Club. Satin camisoles, lingerie, hemstitching, and bead bags had been abandoned for hanks of wool. The Reading Club, together with the rest of North America, was swaddling all Belgium in a million pounds of gray and olive-drab sweaters, mufflers, socks, caps, mittens, helmets, stomach bands. Purl and knit, purl and knit, the Reading Club scarcely dropped a stitch as it exclaimed, and cooed and ah'd and oh'd over Celia Sprague Horner's ("Oh now, that's all right! Just call me Celia Sprague. Everybody does. I can't get used to it myself, after all the years I've been—Why just last week at Shield's, when I was giving my charge, I told the clerk—") new four-room apartment on Fifty-first Street—now more elegantly known as Hyde Park Boulevard. Curiously enough Celia, who had been rather a haggard and faded fiancée of thirty-six, was now, by some magic process, a well-preserved and attractive young matron of thirty-six. A certain new assurance in her bearing; a blithe self-confidence in her conversation; a look in her eyes. The beloved woman.

"This is the bedroom. Weren't we lucky to get two windows! The sun just pours in all day—in fact, every room is sunny, even the kitchen." The Reading Club regarded the bedroom rather nervously. Celia Sprague had been one of them, so long. And now.... Two small French beds of dark mahogany, with a silken counterpane on each. "No, just you put your things right down on the beds, girls. It won't hurt the spreads a bit. Everything in this house is going to be used. That's what it's for." On the bed nearest the wall a little rosy mound of lingerie pillows, all afroth with filet, and Irish, and eyelet embroidery and cut work. Celia had spent countless Reading Club afternoons on this handiwork. The rosy mound served no more practical purpose than the velvet and embroidered slippers that used to hang on the wall in her grandmother's day. Two silver-backed military brushes on the dull mahogany chest of drawers—"chiffo-robe," Celia would tell you. The Reading Club eyed them, smiling a little. Celia opened a closet door to dilate upon its roominess. A whole battalion of carefully-hung trousers leaped out at them from the door-rack. The Reading Club actually stepped back a little, startled. "Orville's clothes take up more room than mine, I always tell him. And everything just so. I never saw such a man!" She talked as one to whom men and their ways were an old, though amusing, story. "He's the neatest thing."

Out to the living room. "Oh, Celia this is sweet! I love your desk. It's so different." The room was the conventional bridal living room; a plum-coloured velvet davenport, its back against a long, very retiring table whose silk-shaded lamp showed above the davenport's broad back like someone playing hide-and-seek behind a hedge. There were lamps, and lamps, and lamps—a forest of them. The book-shelves on either side of the gas-log grate held a rather wistful library, the wedding gift "sets" of red and gold eked out with such school-girl fillers as the Pepper Books, Hans Brinker, and Louisa Alcott.

"A woman twice a week—one day to clean and one to wash and iron. Orville wants me to have a maid but I say what for? She'd have to sleep out and you never can depend—besides, it's just play. We have dinner out two or three nights——"

They were seated now, twittering, each with her knitting. A well-dressed, alert group of women, their figures trim in careful corsets, their hair, teeth, complexions showing daily care and attention. The long slim needles—ebony, amber, white—flew and flashed in the sunlight.

"... This is my sixth sweater. I do 'em in my sleep."

"... It's the heel that's the trick. Once I've passed that——"

"... My brother says we'll never go in. We're a peace-loving nation, he says. We simply don't believe in war. Barbaric."

The handiwork of each was a complete character index. The bride was painstaking and bungling. Her knitting showed frequent bunches and lumps. Beck Schaefer's needles were swift, brilliant, and slovenly. Effie Case's sallow sensual face, her fragile waxen fingers, showed her distaste for the coarse fabric with which she was expertly occupied. Amy Stattler, the Social Service worker, knitted as though she found knitting restful. A plume of white showed startlingly in the soft black of her hair. Prim sheer white cuffs and collar finished her black gown at wrists and throat. Beck Schaefer, lolling on the other side of the room, her legs crossed to show plump gray silk calves, her feet in gray suede slippers ornamented with huge cut-steel buckles, seemed suddenly showy and even vulgar in comparison. She was, paradoxically, good-hearted and unpopular. This last because she was given to indulging in that dangerous pastime known as "being perfectly frank." Instinctively you shrank when Beck Schaefer began a sentence with, "Now, I'm going to be perfectly frank with you." She was rarely perfectly frank with the men, however. She had a way of shaking a coquettish forefinger at the more elderly of these and saying, "Will you never grow up!" People said of Beck that she lighted up well in the evening.

Lottie Payson was knitting a sleeveless, olive-drab sweater. Row after row, inch after inch, it grew and lengthened, a flawless thing. Lottie hated knitting. As she bent over the work her face wore a look for definition of which you were baffled. Not a sullen look nor brooding, but bound. That was it! Not free.

The talk at first was casual, uninteresting.

"Lot, is that the skirt to the suit Heller made you last winter?... His things are as good the second season as they are the first. Keep their shape. And he certainly does know how to get a sleeve in. His shoulder line...."

"... the minute I begin to gain I can tell by my waistbands——"

"... if you purl three knit two——"

Beck Schaefer had ceased to knit. She was looking at the intent little group. She represented a certain thwarted type of unwed woman in whom the sensual is expressed, pitifully enough, in terms of silk and lacy lingerie; in innuendo; in a hungry roving eye; in a little droop at the corners of the mouth; in an over-generous display of plump arms, or bosom, or even knees. Beck's married friends often took her with them in the evenings as a welcome third to relieve the tedium of a wedded tête-à-tête. They found a vicarious pleasure in giving Beck a good time.

Suddenly, in the midst of the brittle chatter and laughter, was thrust the steel edge of Beck Schaefer's insolent voice, high, shrill.

"Well, Cele, tell us the truth: are you happy?"

The bride, startled, dropped a stitch, looked up, looked down, flushed. "Why yes, of course, you bad thing!"

"Ye-e-es, but I mean really happy. Come on now, give us the truth. Come on. Let's all tell the truth, for once. Are you really happy, Cele?"

The others laughed a little uncomfortably. Celia's face was red. Lottie's voice, rather deeper than most women's, and with a contralto note in it., was heard through the staccato sounds.

"Well, at least, Beck, she won't have to listen to her married friends saying, 'What's the matter with the men nowadays! What do they mean by letting a wonderful girl like you stay single, h'm?'"

They laughed at that. The atmosphere cleared a little. But Beck Schaefer's eyes were narrowed. "Now I'm looking for information. We're all friends here. We're all in the same boat—all except Celia, and she's climbed out of the boat and onto a raft. I want to know if it was worth the risk of changing. Here we all are—except Celia—failures. Any unmarried woman is a self-confessed failure."

A babel of protest. "How about Jane Addams!... Queen Elizabeth.... Joan of Arc!"

"Queen Elizabeth was a hussy. Jane Addams is a saint. Joan of Arc—well——"

Lottie Payson looked up from her knitting. "Joan of Arc had the courage to live her own life, which is more than any of us have. She called it listening to the voices, but I suppose what she really wanted was to get away from home. If she had weakened and said, 'Ma, I know I oughtn't to leave you. You need me to tend the geese,' her mother might have been happier, and Joan would have lived a lot longer, but the history of France would have been different."

Beck Schaefer frankly cast aside her knitting, hugged one knee with her jewel-decked hands, and waited for the laughter to subside. "You're all afraid of the truth—that's the truth. I'm willing to come through——"

"Goodness, Beck, where do you pick up that low talk!"

"I'm willing to come through if the rest of you are. We're all such a lot of liars. We all know Cele there had to wait ten years for her Orville because he had to support two selfish sisters and an invalid mother; and even after the mother died the two cats wouldn't go to live in two rooms as they should have, so that Celia and Orville could afford to be happy together. No! They wanted all the comforts he'd given them for years and so Celia——"

"Beck Schaefer I won't have——" the bride's face was scarlet. She bit her lip.

"Now I know you're going to say I'm a guest in your house and so you can't—and all that. But I'm not ashamed to say what you all know. That I'd be married to-day if it weren't for Sam Butler's mother who ought to have died fifteen years ago."

"Beck, you're crazy! Now stop it! If you're trying to be funny——"

"But I'm not. I'm trying to be serious. And you're all scared. Old Lady Butler—'Madame Butler' she insists on it! I could die!—is almost eighty-six, and Sam's crowding fifty. He's a smart business man—splendid mind—a whole lot superior to mine; I know that. And yet when he's with her—which is most of his spare time—he's like a baby in her hands. She makes a slave of him. She hates any girl he looks at. She's as jealous as a maniac. She tells him all sorts of things about me. Lies. He has to go out of the house to telephone me. Once I called him up at the house and he had to have the doctor in for her. That's the way she works it; tells him that if she dies it will be on his head, or something Biblical like that. Imagine! In this day! And Sam pays every cent of the household expenses and dresses his mother like a duchess. Look at me and my mother. We're always going around to summer resorts together. Just two pals! M-m-m! 'Don't tell me you're the mother of a big girl like that! Why, you look like sisters!' Big girl—me! That ought to have five chil—not that I want 'em ... now. But whenever I see one of those young mothers with her old daughter on a summer resort veranda I want to go up to the tired old daughter and say, 'Listen, gal. Run away with the iceman, or join a circus, or take up bare-legged dancing—anything to express yourself before it's too late.'"

They had frankly stopped their knitting now. The bride's lip was caught nervously between her teeth. Even thus her face still wore a crooked and uncertain smile—the smile of the harassed hostess whose party had taken an unmanageable turn for the worse.

It was Amy Stattler who first took up her knitting again, her face serene. "How about those of us who are doing constructive work? I suppose we're failures too!" She straightened a white cuff primly. "I have my Work."

"All right. Have it. But I notice that didn't keep you from wanting to marry that brainy little kike Socialist over on the West Side; and it didn't keep your people from interfering and influencing you, and making your life so miserable that you hadn't the spirit left to——"

But Amy Stattler's face was so white and drawn and haggard—she was suddenly so old—that even Beck Schaefer's mad tongue ceased its cruel lashing for a moment; but only for a moment.

Lottie Payson rolled her work into a neat bundle and jabbed a needle through it. She sat forward, her fine dark eyebrows gathered into a frown of pain and decent disapproval.

"Beck, dear, you're causing a lot of needless discomfort. You're probably nervous to-day, or something——"

"I'm nothing of the kind. Makes me furious to be told I'm nervous when I'm merely trying to present some interesting truths."

"The truth isn't always helpful just because it hurts, you know."

"A little truth certainly wouldn't hurt you, Lottie Payson. I suppose it wouldn't help any, either, to acknowledge that you're a kind of unpaid nurse-companion to two old women who are eating you alive!—when your friend Judge Barton herself says that you've got a knack with delinquent girls that would make you invaluable on her staff. And now that you're well past thirty I suppose your mother doesn't sometimes twit you with your maiden state, h'm? Don't tell me! As for Effie Case there——"

"Oh, my goodness Beck, spare muh! I've been hiding behind my knitting needle hoping you wouldn't see me. I know what's the matter with you. You've been sneaking up to those psycho-analysis lectures that old Beardsley's giving at Harper Hall. Shame on you! Nice young gal like you."

"Yes—and I know what's the matter with you, too, Effie. Why you're always lolling around at massage parlors and beauty specialists, sleeping away half the day in some stuffy old——"

With lightning quickness Effie Case wadded her work into a ball, lifted her arm, and hurled the tight bundle full at Beck Schaefer's head. It struck her in the face, rebounded, unrolled softly at her feet. Effie laughed her little irritating hysterical laugh. Beck Schaefer kicked the little heap of wool with a disdainful suede slipper.

"Well, I wouldn't have spilled all this if Cele had been willing to tell the truth. I said we were failures and we are because we've allowed some one or something to get the best of us—to pile up obstacles that we weren't big enough to tear down. We've all gone in for suffrage, and bleeding Belgium, and no petticoats, and uplift work, and we think we're modern. Well, we're not. We're a past generation. We're the unselfish softies. Watch the eighteen-year-olds. They've got the method. They're not afraid."

Lottie Payson laughed. Her face was all alight. "You ought to hear my niece Charley talk to me. You'd think I was eighteen and she thirty-two."

Beck Schaefer nodded vehemently. "I know those girls—the Charley kind. Scared to death of 'em. They're so sorry for me. And sort of contemptuous. Catch Charley marrying ten years too late, like Celia here, and missing all the thrill."

"I haven't!" cried the harassed Celia, in desperation. "I haven't! Orville's the grandest——"

"Of course he is. But you can't have any thrill about a man you've waited ten years for. Why won't you be honest!"

And suddenly the plump little silk-clad hostess stood up, her face working, her eyes bright with tears that would not wink away.

"All right, I'll tell you the truth."

"No, Cele—no!"

"Sit down, Celia. Beck's a little off to-day."

"Don't pay any attention to her. Waspish old girl, that's what——"

Beck regarded her victim between narrowed lids. "You're afraid."

"I'm not. Why should I be. Orville's the kindest man in the world. I thought so before I married him, and now I know it."

"Oh—kind!" scoffed Beck. "But what's that got to do with happiness? Happiness!"

"If you mean transports—no. Orville's fifty. He's set in his ways. I—I'm nearer thirty-seven than thirty-six. And at that I've only lied one year about my age—don't tell Orville. He's crazy about me. He just follows me around this flat like a—like a child. And I suppose that's really what he is to me now—a kind of big, wonderful child. I have to pamper him, and reason with him, and punish him, and coax, and love, and—tend him. I suppose ten years ago we'd—he'd——"

She stopped suddenly, with a little broken cry.

"Beck, you're a pig!" Lottie Payson's arms were about Celia. "In her own house, too, and her first party. Really you're too——"

A coloured maid stood in the doorway—a South Side Hebe—her ebony face grotesque between the lacy cap and apron with which Celia had adorned her for the day. She made mysterious signals in Celia's direction.

"'F yo' ladies come in ev'thin's all—" She smiled; a sudden gash of white in the black. The tantalizing scent of freshly made coffee filled the little flat. They moved toward the dining room, talking, laughing, pretending.

"Oh, how pretty!... Cele! A real party! Candles and everything.... What a stunning pattern—your silver. So plain and yet so rich.... My word! Chicken salad! Bang goes another pound!"

Chicken salad indeed. Little hot flaky biscuits, too, bearing pools of golden butter within. Great black oily ripe olives. Salted almonds in silver dishes. Coffee with rich yellow cream. A whipped-cream covered icebox cake.

"I think we ought to spank Beck and send her from the table. She doesn't deserve this."

At five-thirty, as they stood, hatted and ready for the street, chorusing their good-byes in the little hallway, a key clicked in the lock. Orville!

They looked a little self-conscious.

"Well, well, well! I've run into a harem!"

"We haven't left a thing for your dinner. And it was so good."

"Not running away because I'm home, are you?" His round face beamed on them. He smelled of the fresh outdoors, and of strong cigars, and of a vaguely masculine something that was a blending of business office and barber's lotion and overcoat. The Reading Club scented it, sensitively. Celia came over to him swiftly, there in the little hall, and slid one arm about his great waist. A plump man, Orville, with a round, kindly, commonplace face. He patted her silken shoulder. She faced the Reading Club defiantly, triumphantly. "What have you girls been talking about, h'mm?" Orville laughed a tolerant chuckling laugh. "You girls. Settled the war yet?"

Beck Schaefer threw up her chin a little. "We've been talking about you, if you really want to know."

He reeled. "Oh, my God! Cele, did you take the old man's part?"

Celia moved away from him then a little, her face flushing. Constraint fell upon the group. Lottie Payson stepped over to him then and put one hand on his broad shoulder. "She didn't need to take your part, Orville. We were all for you."

"Except me!" shrilled Beck.

"Oh, you!" retorted Orville, heavily jocular. "You're jealous." He rubbed his chin ruefully. "Wait till I've shaved, Beck, and I'll give you a kiss to make you happy."

"Orville!" But Celia's bearing was again that of the successful matron—the fortunate beloved woman.

Beck Schaefer took the others home in her electric. Lottie, seized with a sudden distaste for the glittering enamelled box elected to walk, though she knew it would mean being late.

"Figger?" Beck Schaefer asked, settling her own plump person in the driver's seat.

"Air," Lottie answered, not altogether truthfully; and drew a long breath. She turned away from the curb. The electric trundled richly off, its plate glass windows filled with snugly tailored shoulders, furs, white gloves, vivid hats. Lottie held one hand high in farewell, palm, out, as the glittering vehicle sped silently away, lurched fatly around a corner and was gone.

CHAPTER VII

Lottie was late. Shockingly late. Even though, tardily conscience-stricken, she had deserted walk, sunset, and lake mist for a crowded and creeping Indiana Avenue car at Forty-seventh Street, she was unforgivably late, according to her mother's stern standards. This was Friday night. Every Friday night Henry, Belle, and Charley Kemp took dinner with the Paysons in the old house on Prairie Avenue. Every Friday night. No matter what else the Kemps might prefer to do on that night, they didn't do it. Each Friday morning Belle Kemp would say to her husband, "This is Friday, Henry. We're having dinner at mama's, remember."

"I might have to work to-night, Belle. We're taking inventory this week."

"Henry, you know how mama feels about Friday dinner."

"M-hmph," Henry would grunt; and make a mental note about an extra supply of cigars for the evening. His favorite nightmare was that in which he might slap his left-hand vest pocket only to find it empty of cigars at 8:30 on a Friday evening at Mother Payson's. The weekly gathering was a tradition meaninglessly maintained. The two families saw quite enough of one another without it. Mrs. Payson was always "running over to Belle's for a minute." But these Friday dinners had started before Charley was born. Now they constituted an iron-clad custom. Mrs. Payson called it "keeping up the family life."

Lottie, hospitable by nature, welcomed dinner guests; but she rather dreaded these Friday nights. There was so little of spontaneity about them, and so much of family frankness. Some time during the evening Belle would say, "Lottie, that dress is at least two inches too long. No wonder you never look smart. Your clothes are always so ladylike."

Lottie would look ruefully down her own length, a mischievous smile crinkling the corners of her eyes. "And I thought I looked so nice! Not chic, perhaps, but nice!" Her slim, well-shod feet, her neat silken ankles, her sensible skirt, her collars and cuffs, or blouses and frills were always so admirably trim, so crisply fresh where freshness was required. Looking at her you had such confidence in the contents of her bureau drawers.

"Oh—nice! Who wants to look nice, nowadays!"

Mrs. Payson always insisted on talking business with her courteous but palpably irked son-in-law. Her views and methods were not his. When, in self-defense, he hinted this to her she resented it spiritedly with, "Well, I ran a successful business and supported a household before you had turned your first dollar, Henry Kemp. I'm not a fool."

"I should think not, Mother Payson. But things have changed since your time. Methods."

He knew his wife was tapping a meaningful foot; and that Charley's mischievous intelligent eyes held for him a message of quick understanding and sympathy. Great friends, he and Charley, though in rare moments of anger he had been known to speak of her to his wife as "your daughter."

Mrs. Payson was always ready with a suggestion whereby Henry Kemp could improve his business. Henry Kemp's business was that of importing china, glassware, and toys. Before the war he had been on the road to a more than substantial fortune. France, Italy, Bohemia, and Bavaria meant, to Henry Kemp, china from Limoges; glassware from Venice and Prague; toys from Nürnberg and Munich. But Zeppelin bombs, long-distance guns, and U-boats had shivered glass, china, and toys into fragments these two years past. The firm had turned to America for these products and found it sadly lacking. American dolls were wooden-faced; American china was heavy, blue-white; American glass-blowing was a trade, not an art. Henry Kemp hardly dared think of what another year of war would mean to him.

Lottie thought of these things as the Indiana Avenue car droned along. Her nerves were pushing it vainly. She'd be terribly late. And she had told Hulda that she'd be home in time to beat up the Roquefort dressing that Henry liked. Oh, well, dinner would be delayed a few minutes. Anyway, it was much better than dinner alone with mother and Aunt Charlotte. Dinner alone with mother and Aunt Charlotte had grown to be something of a horror. Lottie dreaded and feared the silence that settled down upon them. Sometimes she would realize that the three of them had sat almost through the meal without speaking. Lottie struggled to keep up the table-talk. There was something sodden and deadly about these conversationless dinners. Lottie would try to chat brightly about the day's happenings. But when these happenings had just been participated in by all three, as was usually the case, the brightness of their recounting was likely to be considerably tarnished.

Silence. A sniff from Mrs. Payson. "That girl's making coffee again for herself. If she's had one cup to-day she's had ten. I get a pound of coffee every three days, on my word."

"They all do that, mother—all the Swedish girls."

Silence.

"The lamb's delicious, isn't it, Aunt Charlotte?"

Mrs. Payson disagreed before Aunt Charlotte could agree. "It's tough. I'm going to have a talk with that Gus to-morrow."

Silence.

The swinging door squeaking at the entrance of Hulda with a dish.

"No; not for me." Aunt Charlotte refusing another helping.

Silence again except for the sound of food being masticated. Great-aunt Charlotte had an amazingly hearty appetite. Its revival had dated from the acquisition of the new teeth. Now, when Aunt Charlotte smiled, her withered lips drew away to disclose two flawless rows of blue-white teeth. They flashed, incongruously perfect, in contrast with the sere and wrinkled fabric of her face. There had been talk of drawing Mrs. Payson's teeth as a possible cure for her rheumatic condition, but she had fought the idea stubbornly.

"They make me tired. When they don't know what else to do they pull your teeth. They pull your teeth for everything from backache to diabetes. And when it doesn't help they say, 'Pardon me. My mistake,' and there you are without your teeth and with your aches. Fads!"

She had aired these views most freely during the distressing two weeks following Aunt Charlotte's dental operation, when soft, slippery shivery concoctions had had to be specially prepared for her in the Payson kitchen.

Lottie would scurry about in her mind for possible table-talk. Anything—anything but this sodden silence.

"How would you two girls like to see a picture this evening, h'm? If we go early and get seats well toward the front, so that Aunt Charlotte can see, I'll drive you over to Forty-third. I wonder what's at the Vista. I'll look in the paper. I hope Hulda saved the morning paper. Perhaps Belle will drive over and meet us for the first show—no, she can't either, I remember; she and Henry are having dinner north to-night. Most of Belle's friends are moving north. Do you know, I think—"

"The South Side's always been good enough for me and always will be. I don't see any sense in this fad for swarming over to the north shore. If they'd improve the acres and acres out Bryn Mawr way——"

Mrs. Payson was conversationally launched on South Side real estate. Lottie relaxed with relief.

Sometimes she fancied that she caught Great-aunt Charlotte's misleadingly bright old eyes upon her with a look that was at once knowing and sympathetic. On one occasion that surprising septuagenarian had startled and mystified Mrs. Payson and Lottie by the sudden and explosive utterance of the word, "Game-fish!" It was at dinner.

"What? What's that?" Mrs. Payson had exclaimed; and had looked about the table and then at her sister as though that thoughtful old lady had taken leave of her senses. "What!" They were undeniably having tongue with spinach.

"Game-fish!" repeated Aunt Charlotte Thrift, gazing straight at Lottie. Lottie waited, expectantly. "Your Grandfather Thrift had a saying: 'Only the game-fish swim upstream.'"

"Oh," said Lottie; and even coloured a little, like a girl.

Mrs. Payson had regarded her elder sister pityingly. "Well, how did you happen to drag that in, Charlotte?" In a tone which meant, simply—"Childish! Senile!"

On this particular Friday night the Kemps were indeed there as Lottie ran quickly up the front steps of the house on Prairie. The Kemp car, glossy and substantial, stood at the curb. Charley drove it with dashing expertness. At the thought of Charley the anxious frown between Lottie Payson's fine brows smoothed itself out. Between aunt and niece existed an affection and understanding so strong, so deep, so fine as to be more than a mere blood bond. Certainly no such feeling had ever existed between Lottie and her sister Belle; and no such understanding united Belle and her daughter Charley.

The old walnut and glass front door slammed after Lottie. They were in the living room—the back parlor of Isaac Thrift's day.

"Lottie!" Mrs. Payson's voice; metallic.

"Yes."

"Well!"

Mrs. Payson was standing, facing the door as Lottie came in. She was using her cane this evening. She always walked with her cane when she was displeased with Lottie or Belle; some obscure reason existed for it. She reminded you of one of these terrifying old dowagers of the early English novels.

"Hello, Belle! Hello, Henry! Sorry I'm late."

Charley Kemp came over to Lottie in the doorway. Niece and aunt clasped hands—a strange, brief, close grip, like that between two men. No words.

"Late! I should think you are late. You knew this was Friday night."

"Now, now mother." Henry Kemp had a man's dread of a scene. "Lottie's not a child. We've only been here a few minutes."

"She might as well be—" ignoring his second remark. "Tell Hulda we're all here. Call Aunt Charlotte."

"I'll just skip back and beat up the Roquefort dressing first. Hulda gets it so lumpy.... Minute...."

"Lottie!" Mrs. Payson's voice was iron. "Lottie Payson, you change your good suit skirt first!"

Henry Kemp shouted. Mrs. Payson turned on him. "Well, what's funny about that!" He buried his face in the evening paper.

Belle's rather languid tones were heard now for the first time. "Lot, is that your winter hat you're still wearing?"

"Winter?—You don't mean to tell me I ought to be wearing a summer one! Already!" Lottie turned to go upstairs, dutifully. The suit skirt.

"Already! Why, it's March. Everybody——"

"I slipped and almost fell on the ice at the corner of twenty-ninth," Lottie retorted, laughingly, leaning over the balustrade.

"What earthly difference does that make!"

A rather grim snort here from Charley who was leaping up the stairs after her aunt, like a handsome young colt.

Lottie's room was at the rear of the second floor looking out upon the back yard. A drear enough plot of ground now, black with a winter's dregs of snow and ice. In the spring and summer Lottie and Great-aunt Charlotte coaxed it into a riot of colour that defied even the South Side pall of factory smoke and Illinois Central cinders. A border of old-fashioned flowers ran along either side of the high board fence. There were daisies and marigolds, phlox and four-o'clocks, mignonette and verbenas, all polka-dotted with soot but defiantly lovely.

On her way up the stairs, Lottie had been unfastening coat and skirt with quick, sure fingers. She tossed the despised hat on the bed. Now, as Charley entered, her aunt stepped out of the suit skirt and stood in her knickers, a trim, well set-up figure, neatly articulated, hips flat and well back; bust low and firm; legs sturdy and serviceable, the calf high and not too prominent. She picked up the skirt, opened her closet door, snatched another skirt from the hook.

Mrs. Payson's voice from the foot of the stairway. "Lottie, put on a dress—the blue silk one. Ben Gartz is coming over. He telephoned."

"Oh dear!" said Lottie; hung the skirt again on its hook; took out the blue silk.

"Do you mean," demanded Charley, "that Grandma made an engagement for you without your permission?" (You ought to hear Charley on the subject of personal freedom).

"Oh, well—Ben Gartz. He and mother talk real estate, or business."

"But he comes to see you."

Charley had swung herself up to the footboard of the old walnut bed that Lottie herself had cream-enamelled. A slim, pliant young thing, this Charley, in her straight dark blue frock. She was so misleadingly pink and white and golden that you neglected to notice the fine brow, the chin squarish in spite of its soft curves, the rather deep-set eyes. From her perch Charley's long brown-silk legs swung friendlily. You saw that her stockings were rolled neatly and expertly just below knees as bare and hardy as a Highlander's. She eyed her aunt critically.

"Why in the world do you wear corsets, Lotta?" (This "Lotta" was a form of affectation and affection.)

"Keep the ol' tum in, of course. I'm no lithe young gazelle like you."

"Gained a little, haven't you—this winter?"

"I'm afraid I have." Lottie was stepping into the blue silk and dancing up and down as she pulled it on to keep from treading on it. "I don't get enough exercise, that's the trouble. That darned old electric!"

Charley faced her sternly from the footboard. "Well, if you will insist on being the Family Sacrifice. Making a 'bus line of yourself between here and the market—the market and the park—the park and our house. The city ought to make you pay for a franchise."

"Now—Charley——"

"Oh, you're disgusting, that's what you are, Lotta Payson! You practically never do anything you really want to do. You're so nobly self-sacrificing that it's sickening. It's a weakness. It's a vice."

"Yes ma'am," said Lotta gravely. "And if you kids don't do, say, and feel everything that comes into your heads you go around screaming about inhibitions. If you new-generation youngsters don't yield to every impulse you think you're being stunted."

"Well, I'd rather try things and find they're bad for me than never try them at all. Look at Aunt Charlotte!"

Lottie at the mirror was dabbing at her nose with a hasty powder-pad. She regarded Charley now, through the glass. "Aunt Charlotte's more—more understanding than mother is."

"Yes, but it's been pretty expensive knowledge for her, I'll just bet. Some day I'm going to ask her why she never married. Great-grandmother Thrift had a hand in it; you can tell that by looking at that picture of her in the hoops trimmed with bands of steel, or something. Gosh!"

"You wouldn't ask her, Charley!"

"I would too. She's probably dying to tell. Anybody likes to talk of their love affairs. I'm going to cultivate Aunt Charlotte, I am. Research work."

"Yes," retorted Lottie, brushing a bit of powder from the front of the blue silk, "do. And lend her your Havelock Ellis and Freud first, so that she'll at least have a chance to be shocked, poor dear. Otherwise she won't know what you're driving at."

"You're a worm," said Charley. She jumped off the footboard, took her aunt in her strong young arms and hugged her close. An unusual demonstration for Charley, a young woman who belonged to the modern school that despises sentiment and frowns upon weakly emotional display; to whom rebellion is a normal state; clear-eyed, remorseless, honest, fearless, terrifying; the first woman since Eve to tell the truth and face the consequences. Lottie, looking at her, often felt puerile and ineffectual. "You don't have half enough fun. And no self-expression. Come on and join a gymnastic dancing class. You'd make a dancer. Your legs are so nice and muscular. You'd love it. Wonderful exercise."

She sprang away suddenly and stood poised for a brief moment in what is known as First Position in dancing. "Tour jeté—" she took two quick sliding steps, turned and leaped high and beautifully—"tour jeté—" and again, bringing up short of the wall, her breathing as regular as though she had not moved. "Try it."

Lottie eyed her enviously. Charley had had lessons in gymnastic dancing since the age of nine. Her work now was professional in finish, technique, and beauty. She could do Polish Csárdás in scarlet boots, or Psyche in wisps of pink chiffon and bare legs, or Papillons d'Amour in flesh tights, ballet skirts aflare and snug pink satin bodice, with equal ease and brilliance. She was always threatening to go on the stage and more than half meant it. Charley would no more have missed a performance of the latest Russian dancers, or of Pavlova, or the Opera on special ballet nights than a student surgeon would miss an important clinic. In the earlier stages of her dancing career her locomotion had been accomplished entirely by the use of the simpler basic forms of gymnastic dance steps. She had jeté-d and coupé-d and sauté-d and turné-d in and out of bed, on L train platforms, at school, on the street.

Lottie, regarding her niece now, said, "Looks easy, so I suppose it isn't. Let's see." She lifted her skirt tentatively. "Look out!"

"No, no! Don't touch your skirts. Arms free. Out. Like this. Hands are important in dancing. As important as feet. Now! Tour jeté! Higher! That's it. Tou——"

"Lot-tie!" Mrs. Payson's voice at the foot of the staircase.

"Oh, my goodness!" All the light, the fun, the eagerness that had radiated Lottie's face vanished now. She snatched a handkerchief from the dresser and made for the stairs, snapping a fastener at her waist as she went. "Call Aunt Charlotte for dinner," she flung over her shoulder at Charley.

"All right. Can I have a drop of your perfume on my hank?" (Not quite so grown-up, after all.)

As she flew past the living room on her way to the pantry Lottie heard her mother's decided tones a shade more decisive than usual as she administered advice to her patient son-in-law.

"Put in a side-line then, until business picks up. Importing won't improve until this war is over, that's sure. And when will it be over? Maybe years and years——"

Henry Kemp's amused, tolerant voice. "What would you suggest, Mother Payson? Collar buttons—shoe strings—suspenders. They're always needed."

"You may think you're very funny, but let me tell you, young man, if I were in your shoes to-day I'd——"

The pantry door swung after Lottie. As she ranged oil, vinegar, salt, pepper, paprika on the shelf before her and pressed the pungent cheese against the bottom and sides of the shallow bowl with her fork, her face had the bound look that it had worn earlier in the day at Celia's. She blended and beat the dressing into a smooth creamy consistency.

They were all at table when Great-aunt Charlotte finally came down. She entered with a surprisingly quick light step. To-night she looked younger than her sister in spite of ten years' seniority. Great-aunt Charlotte was undeniably dressy—a late phase. At the age of seventy she had announced her intention of getting no more new dresses. She had, she said, a closet full of black silks and more serviceable cloth dresses collected during the last ten or more years. "We Thrifts," she said, "aren't long livers. I'll make what I've got do."

The black silks and mohairs had stood the years bravely, but on Aunt Charlotte's seventy-fifth birthday even the mohairs, most durable of fabrics, began to protest. The dull silks became shiny; the shiny mohairs grew dull. Cracks and splits showed in the hems and seams and folds of the taffetas. Great-aunt Charlotte at three-score ten and five had looked them over, sniffed, and had cast them off as an embryo butterfly casts off its chrysalis. She took a new lease on life, ordered a complete set of dresses that included a figured foulard, sent her ancient and massive pieces of family jewelry to be cleaned, and went shopping with Lottie for a hat instead of the bonnet to which she had so long clung.

She looked quite the grande dame as she entered the dining room now, in one of the more frivolous black silks, her white hair crimped, a great old-fashioned cabachon gold and diamond brooch fastening the lace at her breast, a band of black velvet ribbon about her neck, her eyes brightly interested beneath the strongly marked black brows. Belle came over and dutifully kissed one withered old cheek. She and Aunt Charlotte had never been close. Henry patted her shoulder as he pulled out her chair. Charley gave her a quick hug to which Great-aunt Charlotte said, "Ouch!"—but smiled. "Dear me, I haven't kept you waiting!"

"You know you have," retorted Mrs. Carrie Payson; and dipped her spoon in the plate of steaming golden fragrant soup before her. Whereupon Great-aunt Charlotte winked at Henry Kemp.

The Friday night dinner was always a good meal, though what is known as "plain." Soup, roast, a vegetable, salad, dessert.

"Well," said Mrs. Carrie Payson, "and how've you all been? I suppose I'd never see you if it weren't for Friday nights."

Charley looked up quickly. "Oh, Gran, I'm sorry but I shan't be able to come to dinner any more on Fridays."

"Why not?"

"My dancing class."

Mrs. Payson laid down her spoon and sat back, terribly composed. "Dancing class! You can change your dancing class to some other night, I suppose? You know very well this is the only night possible for the family. Hulda's out Thursdays; your father and mother play bridge on Wednesdays; Lottie——"

"Yes, I know. But there's no other night."

"You must dance, I suppose?" This Charley took to be a purely rhetorical question. As well say to her, "You must breathe, I suppose?" Mrs. Payson turned to her daughter Belle. "This is with your permission?"

Belle nibbled celery tranquilly. "We talked it over. But Charley makes her own decisions in matters like this you know, mother."

As with one accord Great-aunt Charlotte and Aunt Lottie turned and regarded Charley. A certain awe was in their faces, unknown to them.

"But why exactly Friday night?" persisted Mrs. Payson. "Lottie, ring." Lottie rang, obediently. Hulda entered.

"That was mighty good soup, mother," said Henry Kemp.

Mrs. Payson refused to be mollified. Ignored the compliment. "Why exactly Friday night, if you please?"

Charley wiggled a little with pleasure. "I hoped you'd ask me that. I'm dying to talk about it. Oo! Roast chickens! All brown and crackly! Well, you see, my actual class-work in merchandising and business efficiency will be about finished at the end of the month. After that, the university places you, you know."

"Places you!"

Mrs. Carrie Payson had always had an uneasy feeling about her granddaughter's choice of a career. That she would have a career Charley never for a moment allowed them to doubt. She never called it a career. She spoke of it as "a job." In range her choice swung from professional dancing (for which she was technically and temperamentally fitted) to literature (for the creating of which she had no talent). Between these widely divergent points she paused briefly to consider the fascinations of professions such as licensed aviatrix (she had never flown); private secretary to a millionaire magnate (again the influence of the matinee); woman tennis champion (she held her own in a game against the average male player but stuck her tongue between her teeth when she served); and Influence for Good or Evil (by which she meant vaguely something in the Madame de Staël and general salon line). She had never expressed a desire to be a nurse.

In the middle of her University of Chicago career this young paradox made up of steel and velvet, of ruthlessness and charm, had announced, to the surprise of her family and friends, her intention of going in for the University's newest course—that in which young women were trained to occupy executive positions in retail mercantile establishments. Quite suddenly western co-educational universities and eastern colleges for women—Vassar, Smith, Wellesley, Bryn Mawr—were training girl students for business executive positions. Salaries of ten—twenty—twenty-five thousand a year were predicted, together with revolutionary changes in the conduct of such business. Until now such positions had been occupied, for the most part, by women who had worked their way up painfully, hand over hand, from a cash or stock-girl's job through a clerkship to department head; thence, perhaps, to the position of buyer and, later, office executive. On the way they acquired much knowledge of human nature and business finesse, but it was a matter of many years. These were, usually, shrewd, hard-working, successful women; but limited and often devoid of education other than that gained by practical experience. This new course would introduce into business the trained young woman of college education. Business was to be a profession, not a rough-and-tumble game.

Charley's grandmother looked on this choice of career with mingled gratification and disapproval. Plainly it was the Isaac Thrift in Charley asserting itself. But a Thrift—a woman Thrift—in a shop!—even though ultimately occupying a mahogany office, directing large affairs, and controlling battalions of push buttons and secretaries. Was it ladylike? Was it quite nice? What would the South Side say?

So, then—"Places you?" Mrs. Payson had echoed uneasily, at dinner.

"For beginning practical experience. We learn the business from the ground up as an engineer does, or an interne. I've just heard to-day they've placed me at Shield's, in the blouses. I'm to start Monday."

"You don't say!" exclaimed Henry Kemp, at once amused and pleased. He could not resist treating Charley and her job as a rare joke. "Saleswoman, I suppose, to begin with. Clerk, h'm? Say, Charley, I'm coming in and ask about——"

"Clerk?" repeated Mrs. Payson, almost feebly for her. She saw herself sliding around corners and fleeing up aisles to avoid Shield's blouse section so that her grandchild need not approach her with a softly insinuating "Is there something, Madam?"

"Saleswoman! I should say not!" Charley grinned at their ignorance. "No—no gravy, thanks—" to Hulda at her elbow. Charley ate like an athlete in training, avoiding gravies, pastries, sweets. Her skin was a rose-petal. "I'm to start in Monday as stock-girl—if I'm in luck."

Mrs. Payson pushed her plate aside sharply as Henry Kemp threw back his head and roared. "Belle! Henry, stop that laughing! It's no laughing matter. No grandchild of mine is going to be allowed to run up and down Shield's blouse department as a stock-girl. The idea! Stock——"

"Now, now Mother Payson," interrupted Henry, soothingly, as he supposed, "you didn't expect them to start Charley in as foreign buyer did you?"

Belle raised her eyebrows together with her voice. "The thing Charley's doing is considered very smart nowadays, mother. That Emery girl who has just finished at Vassar is in the veilings at Farson's, and if ever there was a patrician-looking girl—Henry dear, please don't take another helping of potatoes. You told me to stop you if you tried. Well, then, have some more chicken. That won't hurt your waistline."

"Why can't girls stay home?" Mrs. Payson demanded. "It's all very well if you have to go out into the world, as I did. I was unfortunate and I had the strength to meet my trial. But when there's no rhyme nor reason for it, I do declare! Surely there's enough for you at home. Look at Lottie! What would I do without her!"

Lottie smiled up at her mother then. It was not often that Mrs. Payson unbent in her public praise.

Great-aunt Charlotte, taking no part in the discussion, had eaten every morsel on her plate down to the last crumb of sage dressing. Now she looked up, blinking brightly at Charley. She put her question.

"Suppose, after you've tried it, with your education, and the time, and money you've spent on it, and all, you find you don't like it, Charley—then what? H'm? What then?"

"If I'm quite sure I don't like it I'll stop it and do something else," replied Charley.

Great-aunt Charlotte leaned back in her chair with a sigh of satisfaction. It was as though she found a vicarious relaxation and a sense of ease in Charley's freedom. She beamed upon the table. "It's a great age," she announced, "this century. If I'd died at seventy, as I planned, I'd be madder'n a hornet now to think of all I'd missed." She giggled a little falsetto note. "I've a good mind to step out and get a job myself."

"Don't be childish Charlotte!"—sister Carrie, of course.

Charley leaped to her defense. "I'd get one this minute if I were you, Aunt Charlotte, yes I would. If you feel like it. Look at mother! Always having massages and taking gentle walks in the park, and going to concerts, when there's the whole world to wallop."

Belle was not above a certain humourous argument. "I consider that I've walloped my world, Miss Kemp. I've married; I manage a household; I've produced a—a family."

"Gussie runs your household, and you know it. Being married to father isn't a career—it's a recreation. And as for having produced a family: one child isn't a family; it's a crime. I'm going to marry at twenty, have five children one right after the other——"

The inevitable "Charley!" from Mrs. Carrie Payson.

"—and handle my job besides. See if I don't."

"Why exactly five?" inquired Henry Kemp.

"Well, four is such a silly number; too tidy. And six is too many. That's half a dozen. Five's just nice. I like odd numbers. Three would be too risky in case anything should happen to one of them, and seven——"

"Oh, my God!" from Henry Kemp before he went off into roars again.

"I never heard such talk!" Mrs. Payson almost shouted. "When I was your age I'd have been sent from the room for even listening to such conversation, much less——"

"That's where they were wrong," Charley went on; and she was so much in earnest that one could not call her pert. "Look at Lottie! The maternal type absolutely, or I don't know my philosophy and biology. That's what makes her so corking in the Girls' Court work that she never has time to do—" she stopped at a sudden recollection. "Oh, Lotta, Gussie's having trouble with that sister of hers again."

Gussie was the Kemp's cook, and a pearl. Even Mrs. Payson was hard put to it to find a flaw in her conduct of the household. But she interposed hastily here with her weekly question, Hulda being safely out of the room.

"Is your Gussie out to-night, Belle?"

"She was still there when we left—poor child."

"And why 'poor child!' You treat her like a princess. No washing, and a woman to clean. I don't see what she does all day long. And why can't she go home for her dinner when you're out? You're always getting her extra pork chops and things."

Henry Kemp wagged his head. "She's the best little cook we ever had, Gussie is. Neat and pleasant. Has my breakfast on the table, hot, the minute I sit down. Coffee's always hot. Bacon's always crisp without being burned. Now most girls——"

"Henry, she was crying in her room when I left the house to-night. Charley told me." A little worried frown marred the usual serenity of Mrs. Kemp's forehead.

"Crying, was she?"

"That sister of hers again," explained Charley. "And Gussie's got so much pride. Jennie—that's the sister—ran away from home. Took some money, I think. It's a terrible family. Her case comes up in Judge Barton's court to-morrow."

Lottie nodded understandingly. She and Gussie had had many unburdening talks in the Kemp kitchen. "I think Judge Barton could straighten things out for Gussie. That sister, anyway."

Belle grasped at that eagerly. "Oh, Lottie, if she could. Gussie's mind isn't on her work. And I've got that luncheon next Tuesday."

Lottie ranged it all swiftly. "I'll tell you what. I'll come over to your house to-morrow morning, early, and talk with Gussie. To-morrow's the last day of the week and the Girls' Court doesn't convene again until Tuesday. Perhaps if I speak for this Jennie when her case comes up to-morrow——"

"Oh, dear, Tuesday wouldn't do!" from Belle.

"Yes, I know. So I'll see Gussie to-morrow, and then go right down to Judge Barton's before the session opens. Gussie can come with me, if you want her to, or——"

Mrs. Payson's voice, hard, high, interrupted. "Not to-morrow, Lottie. It's my day for collecting the rents. You know that perfectly well because I spoke of it this morning. And all my Sunday marketing to do, too. It's Saturday."

Lottie fingered her spoon nervously. An added colour crept into her cheeks. "I'll be back by eleven-thirty—twelve at the latest. Judge Barton will see me first, I know. We'll drive over to collect the rents as soon as I get back and then market on the way home."

"After everything's picked over on Saturday afternoon!"

Lottie looked down at her plate. Her hands were clasped in her lap, beneath the tablecloth, but there was a tell-tale tenseness about her arms, a rigidity about her whole body. "I thought just this once, mother, you wouldn't mind. Gussie——"

"Are the affairs of Belle's kitchen maid more important than your own mother's! Are they?"

Lottie looked up, slowly. It was as though some force impelled her. Her eyes met Charley's, intent on her. Her glance went from them to Aunt Charlotte—Aunt Charlotte, a spare little figure, erect in her chair—and Aunt Charlotte's eyes were on her too, intent. Those two pairs of eyes seemed to will her to utter that which she now found herself saying to her own horror:

"Why, yes, mother, I think they are in this case. Yes."

CHAPTER VIII

The family rose from the table and moved into the living room, a little constraint upon them. Mrs. Payson stayed behind to give directions to Hulda. Hulda, who dined in a heap off the end of the kitchen table, was rarely allowed to consume her meal in peace. Between Hulda and Mrs. Payson there was waged the unending battle of the coffee-pot. After breakfast, luncheon, dinner the mistress of the house would go into the kitchen, take the coffee-pot off the gas stove and peer into its dark depths.

"My goodness, Hulda, you've made enough coffee for a regiment! That's wasteful. It'll only have to be thrown away."

"Ay drink him."

"You can't drink all this, girl. You'll be sick. You drink altogether too much coffee. Coffee makes you nervous, don't you know that? Yellow!"

Hulda munched a piece of bread and took another long gulp of her beloved beverage, her capable red hand wrapped fondly about the steaming cup. "Naw Mrs. Pay-son. My grandfather he was drink twenty cup a day in old country."

"Yes, but what happened to him? He'd be living to-day——"

"He ban living to-day. Ninety years and red cheeks like apples."

In the living room Lottie took up her knitting again. The front parlor was unlighted but Charley went in and sat down at the old piano. She did not play particularly well and she had no voice. Lottie, knitting as she went, walked into the dim front room and sat down near Charley at the piano. Charley did not turn her head.

"That you, Lotta?" She went on playing.

"Yes, dear."

A little silence. "Now you stick to it!"

"I will."

In the living room Henry Kemp leaned over and kissed his wife. Straightening, he took a cigar out of his vest pocket and eyed it lovingly. He pressed its resilient oily black sides with a tender thumb and finger. He lighted it, took a deep pull at it, exhaled with a long-drawn pf-f-f, and closed his eyes for a moment, a little sigh of content breathing from him. He glanced, then, at his watch. Only seven-fifty. Good Lord! He strolled over to Great-aunt Charlotte who was seated near the front parlour doorway and the music. Her head was cocked. He patted her black-silk shoulder, genially.

"That cigar smells good, Henry."

"Good cigar, Aunt Charlotte." He rolled it between his lips.

Aunt Charlotte's fingers tapped the arm of her chair. She waggled her head a little in time with the music. "It's nice to have something that smells like a man in the house."

"You vamp!" shouted Henry Kemp. He came over to Belle again who was seated in the most gracious chair the room boasted, doing nothing with a really charming effect. "Say, listen Belle, we don't have to stay so very late this evening, do we? I'm all tired out. I worked like a horse to-day downtown."

Before Belle could answer Charley called in from the other room, "Oh, mother, I'm going to be called for, you know."

Belle raised her voice slightly. "The poet?"

"Yes."

"In the flivver?" Her father's question.

"Yes. Now roar, Dad, you silly old thing. Imagine a girl like me being cursed with a father who thinks poets and flivvers are funny. If you'd ever tried to manage either of them you'd know there's nothing comic about them."

"There is too," contended Henry Kemp. "Either one of 'em's funny; and the combination's killing. The modern—uh—what's this horse the poets are supposed to ride?"

His wife supplied the classicism, "Pegasus."

"Pegasus!" he called in to Charley.

"You stick to your importing, Henry," retorted his gay young daughter, "and leave the book larnin' to mother and me."

Henry Kemp, suddenly serious, strolled over to his wife again. He lowered his voice. "About nine o'clock, anyway, can't we? Eh, Belle?"

"Not before nine-thirty. You know how mama——"

Henry sighed, resignedly. He stood a moment, balancing from heel to toe. "Lot's a peach, that's what she is," he confided irrelevantly to his wife. He puffed a moment in silence, his eyes squinting up through the smoke. "And it's a damn shame, that's what. Damn shame."

He picked up the discarded newspaper and seated himself in the buffalo chair. The buffalo chair was a hideous monstrosity whose arms, back, and sides were made of buffalo horns ingeniously put together. Fortunately, their tips curved away from the sitter. The chair had been presented to old Isaac Thrift by some lodge or real estate board or society. It was known to the family as Ole Bull. The women never sat in it and always warned feminine callers away from it. Its horns had a disastrous way with flounces, ruffles, plackets, frills. It was one of those household encumbrances which common sense tells you to cast off at every housecleaning and sentiment bids you retain. Thus far sentiment had triumphed on Prairie Avenue. Once you resigned yourself to him Ole Bull was unexpectedly comfortable. Here Henry Kemp sat reading, smoking, glancing up over the top of his paper at the women folk of his family—at his wife, his daughter, his mother-in-law, thoughtfully through the soothing haze of his cigar. He pondered on many things during these family Friday evenings, did Henry Kemp. And said little.

The conversation was the intimate, frank, often brutal talk common to families whose members see each other too often and know one another too well. Belle to Lottie, for example:

"Oh, why don't you get something a little different! You've been wearing blue for ten years."

"Yes, but it's so practical; and it always looks well."

"Cut loose and be impractical for a change. They're going to wear a lot of that fawn colour this spring—sand, I think they call it.... How did Mrs. Hines get along with that old taffeta she made over for you?"

"I don't know; it kind of draws across the front, and the sleeves—I have to remember to keep my arms down. I wish you'd look at it."

"You'd have to put it on. How can I tell?"

"Too much trouble."

"Well, then, go on looking frumpy. These home dressmakers!"

Lottie did not look frumpy, as a matter of fact. No one with a figure so vigorous and erect, a back so straight, a head so well set on its fine column of a throat, a habit of such fastidious cleanliness of person, could be frumpy. But she resorted to few feminine wiles of clothing, as of speech or manner. Lottie's laces, and silks and fine white garments, like her dear secret thoughts and fancies, were worn hidden, by the world unsuspected. All the dearer to Lottie for that.

To-night Belle sat dangling her slipper at the end of her toe, her knees crossed. She had a small slim foot and a trick of shooting her pump loose at the heel so that it hung half on half off as she waggled her foot in its fine silk stocking. Henry Kemp had found it an entrancing trick when first they were married. He found it less fascinating now, after twenty years. Sometimes the slipper dropped—accidentally. "Henry dear, my slipper." Well, even the Prince must have remonstrated with Cinderella if she made a practice of the slipper-dropping business after their marriage. Twenty years after.

Belle, dangling the slipper, called in now to Lottie: "Nice party, Lot?"

"Oh, nice enough."

"Who was there?"

"The girls. You know."

"Is her flat pretty? What did she serve?"

"Chicken salad with aspic—hot biscuits—olives—a cake——"

"Really!"

"Oh, yes. A party."

"Is she happy with her Orville—now that she's waited ten years for him?"

"Yes—at least, she was until this afternoon."

"Until!—Oh, come in here, Lottie. I can't shout at you like——"

Lottie, knitting as she walked, came back into the living room. Charley followed her after a moment; came over to her father, perched herself on a slippery arm of Ole Bull and leaned back, her shoulder against his.

Lottie stood, still knitting. She smiled a little. "Beck Schaefer was on one of her reckless rampages. She teased Celia until Celia cried."

"About what? Teased her about what? Pretty kind of guest, I must say."

"Oh, marriage. Marriage and happiness and—she said every unmarried woman was a failure."

"That shouldn't have bothered Celia. She's married, safe enough. She certainly had Beck there."

"Beck intimated that Orville wasn't worth waiting ten years for."

"Most men aren't," spoke up great-aunt Charlotte from her corner, "and their wives don't know it until after they've been married ten years; and then it's too late. Celia had plenty of time to find it out first and she married him anyway. That's better. She'll be happy with him."

"Charlotte Thrift!" called Charley, through the laughter. "You couldn't be so wise just living to be seventy-four. Oh, you hoop-skirted gals weren't so prunes-and-prismy. You've had a past. I'm sure of it."

"How d'you suppose I could have faced the future all these years if I hadn't had!" retorted Aunt Charlotte.

"That Schaefer girl had better go slow." Henry Kemp blew a whole flock of smoke-rings for Charley's edification at which Charley, unedified, announced that she could blow better rings than any of these in size, number, and velocity with a despised gold-tipped perfumed cigarette and cold-sore on the upper lip. "Some day," he predicted, "some day she'll run away with a bell-hop. Just the type."

"Who's run away with a bell-hop?" Mrs. Payson chose this unfortunate moment to enter the living room after her kitchen conference.

"Beck Schaefer," said Charley, mischievously.

You should have seen, then, the quick glance of terror that Mrs. Payson darted at Lottie. You might almost have thought that Lottie had been the one who had succumbed to the lure of youth in blue suit and brass buttons.

"Beck! She hasn't! She didn't! Beck Schaefer!"

"No mama, she hasn't. Henry just thinks she will—in time."

Mrs. Payson turned on the overhead electric lights (they had been sitting in the soothing twilight of the lamps), signified that Charley was to hand her the evening paper that lay at the side of Henry's chair, and seated herself in an ancient rocker—the only rocker the house contained. It squeaked. She rocked. Glaring lights, rustling paper, squeaking chair. The comfort of the room, of the group, was dispelled.

"I'd like to know why!" demanded Mrs. Payson, turning to the stock market page. "A good family. Money. And Beck Schaefer's a fine looking girl."

One thought flashed through the minds of all of them. The others looked at Lottie and left the thought unspoken. Lottie herself put it into words then. Bluntly: "She isn't a girl, mother. She's thirty-five."

"Thirty-five's just a nice age." The paper crackled as she passed to the real estate transfers. "If this keeps on I'd like to know what they're going to do about building. Material's so high now it's prohibitive." More rustling of paper and squeaking of chair. "Beck Schaefer's got her mother to look out for her."

"That's why," said Aunt Charlotte, suddenly. Lottie looked at her, knitting needles poised a moment.

"Why what?" asked Mrs. Payson. Then, as her sister Charlotte did not answer, "You don't even know what we're talking about, Charlotte. Sit there in the corner half asleep."

"It's you who're asleep," snapped great-aunt Charlotte tartly. "With your eyes wide open."

When the doorbell rang then, opportunely, they all sighed a little, whether in relief or disappointment.

"I'll go," said Lottie. So it was she who opened the door to admit Ben Gartz.

You heard him as Lottie opened the door. "Hello! Well, Lottie! How's every little thing with you?... That's good! You cer'nly look it."

Ben Gartz came into the living room, rubbing his hands and smiling genially. A genial man, Ben, and yet you did not warm yourself at his geniality. A little too anxious, he was. Not quite spruce. Looking his forty-nine years. A pale and mackerel eye in a rubicund countenance, had Ben Gartz. Combed his thinning hair in careful wisps across the top of his head to hide the spreading bald spot. The kind of man who says, "H'are you, sir!" on meeting you, and offers you a cigar at once; who sits in the smokers of Pullmans; who speaks of children always as "Kiddies." He toed in a little as he walked. A plumpish man and yet with an oddly shrunken look about him somehow. The flame had pretty well died out in him. He and his kind fought a little shy of what they called "the old girls." But he was undoubtedly attracted to Lottie. Ben Gartz had been a good son to his mother. She had regarded every unmarried woman as her possible rival. She always had said, "Ben ought to get married, I'd like to see him settled." But it was her one horror. The South Side, after her death, said as one voice, "Well, Ben, you certainly have nothing to reproach yourself with. You were a wonderful son to her." And the South Side was right.

Once Mrs. Payson said of him, "He's a good boy."

Aunt Charlotte had cocked an eye. "He's uninteresting enough to be good. But I don't know. He looks to me as if he was just waiting for a chance to be bad." She had caught in Ben Gartz's face a certain wistfulness—a something unfulfilled—that her worldly-wise sister had mistaken for mildness.

Henry Kemp brightened at the visitor's entrance as well he might in this roomful of women. "Well, Ben, glad to see you. Come into the harem."

Ben shook hands with Mrs. Payson, with Aunt Charlotte, with Belle, with Charley. "My, my, look at this kiddy! Why, she's a young lady! Better look out, Miss Lottie; you'll be letting your little niece get ahead of you." Shook hands with Henry Kemp. Out came the cigar.

"No, no!" protested Henry. "You've got to smoke one of mine." They exchanged cigars, eyed them, tucked them in vest pockets and lighted one of their own, according to the solemn and ridiculous ritual of men. Ben Gartz settled back in a chair and crossed his chubby knees. "This is mighty nice, let me tell you, for an old batch living in a hotel room. The family circle, like this. Mighty nice." He glanced at Lottie. He admired Lottie with an admiration that had in it something of fear, so he always assumed a boisterous bluffness with her. Sometimes he felt, vaguely, that she was laughing at him. But she wasn't. She was sorry for him. He was to her as obvious as a child to its mother.

"You might have come for dinner," Lottie said, kindly, "if I'd known, earlier. The folks had dinner here."

"Oh, no!" protested Ben as though the invitation were now being tendered. "I couldn't think of troubling you. Mighty nice of you, though, to think of me. Maybe some other time——"

Mrs. Carrie Payson said nothing. She did not issue dinner invitations thus, helter-skelter. She did not look displeased, though.

"Well, how's business?"

Great-aunt Charlotte made a little clucking sound between tongue and palate and prepared to drift from the room. She had a knack of drifting out of the room—evaporating, almost. You looked up, suddenly, and she was not there. Outside there sounded the sharp bleat of a motor horn—a one-lung motor horn. Two short staccato blasts followed by a long one. A signal, certainly.

"The poet, Charley," said Henry Kemp; and laughed his big kind laugh.

"Ask him in," Mrs. Payson said. "Aren't you going to ask your young man to come in?" Charley was preparing to go.

"What for?" she asked now.

"To meet the family. Unless you're ashamed of him. When I was a girl——"

Great-aunt Charlotte sat back again, waiting.

"All right," said Charley. "He'll hate it." She walked across the room smiling; opened the door and called out to the bleat in the blackness:

"Come on in!"

"What for?"

"Meet the family."

"Oh, say, listen——"

You heard them talking and giggling a little together in the hall. Then they came down the hall and into the living room, these two young things; these two beautiful young things. And suddenly the others in the room felt old—old and fat and futile and done with life. The two stood there in the doorway a moment. The very texture of their skin; the vitality of their vigorous hair as it sprang away in a fine line from their foreheads; the liquid blue-white clearness of the eyeball; the poise of their slim bodies—was youth.

She was tall but he was taller. His hair had a warmer glint; it was almost red. In certain lights it was red. The faun type. Ears a little pointed. Contemptuous of systems, you could see that; metric or rhythmic. A good game of tennis, probably. Loathing golf. So graceful as to seem almost slouchy. Lean, composed, self-possessed. White flannel trousers for some athletic reason (indoor tennis, perhaps, at the gym); a loose great-coat buttoned over what seemed to be no shirt at all. Certainly not a costume for a Chicago March night. He wore it with a full dress air. And yet a certain lovable shyness.

Charley waved a hand in a gesture that somehow united him with the room—the room full of eyes critical, amused, appraising, speculative, disapproving.

"Mother and Dad you know, of course. Grandmother Payson, my Aunt Lottie—Lotta for short. Mr. Ben Gartz.... Oh, forgive me, Aunt Charlotte, I thought you'd gone. There in the corner—my great-aunt Charlotte Thrift.... This is Jesse Dick."

It is a terrible thing to see an old woman blush. The swift, dull almost thick red surged painfully to great-aunt Charlotte's face now, and her eyes were suddenly wide and dark, like a young girl's, startled. Then the red faded and left her face chalky, ghastly. It was as though a relentless hand had wrapped iron fingers around her heart and squeezed it and wrenched it once—tight and hard!—and then relaxed its grip. She peered at the boy standing there in the doorway; peered at him with dim old eyes that tried to pierce the veil of years and years and years. The others were talking. Charley had got her wraps from the hall, and was getting into her galoshes. This cumbersome and disfiguring footgear had this winter become the fad among university co-eds and South Side flappers. They wore galoshes on stormy days and fair. The craze had started during a blizzardy week in January. It was considered chic to leave the two top clasps or the two lower clasps open and flapping. The origin of this could readily be traced to breathless co-eds late for classes. All young and feminine Hyde Park now clumped along the streets, slim silken shins ending grotesquely in thick black felt-and-rubber.

Jesse Dick stooped now to assist in the clasping of Charley's galoshes. He was down on one knee. Charley, teetering a little, put one hand on his head to preserve her balance. He looked up at her, smiling; she looked down at him, smiling. Almost sixty years of life swept back over great-aunt Charlotte Thrift and left her eighteen again; eighteen, and hoop-skirted in her second-best merino, with a green-velvet bonnet and a frill of blond lace, and little muddied boots and white stockings.

She could not resist the force that impelled her now. She got up from her corner and came over to them. The talk went on in the living room. They did not notice her.

"I knew your—I knew a Jesse Dick," she said, "years ago."

The boy stood up. "Yes? Did you?"

"He died in the Civil War. At Donelson. He was killed—at Donelson."

The boy spatted his hands together a little, briskly, to rid them of a bit of dried mud that had clung to the galoshes. "That must have been my grandfather's brother," he said politely. "I've heard them speak of him."

He had heard them speak of him. Charlotte Thrift, with seventy-four years of a ruined life heavy upon her, looked at him. He had heard them speak of him. "Pomroy Dick? Your grandfather? Pomroy Dick?"

"Why, yes! Yes. Did you know him, too? He wasn't—we Dicks aren't—How did you happen to know him?"

"I didn't know your grandfather Pomroy Dick," said Great-aunt Charlotte, and smiled so that the withered lips drew away from the blue-white, even teeth. "It was Jesse I knew." She looked up at him. "Jesse Dick."

Charley leaned over and pressed her fresh dewy young lips to the parchment cheek. "Now isn't that interesting! Good-bye dear." She stopped and flashed a mischievous glance at the boy. "Was he a poet too, Aunt Charlotte?"

"Yes."

Jesse Dick turned his head quickly at that. "He was? I didn't know that. Are you sure? No one in our family ever said——"

"I'm sure," Great-aunt Charlotte Thrift said, quietly. "Families don't always know. About each other, I mean."

"No, indeed," both he and Charley agreed, politely. They were anxious to be off. They were off, with a good-bye to the group in the living room. Charlotte Thrift turned to go upstairs. "Jesse Dick——" she heard, from the room where the others sat. "Dick——" She turned and came back swiftly, and seated herself again in the dim corner. Henry Kemp was speaking, his face all agrin.

"She's a case, that kid. We never know. Some weeks it's the son of one of the professors, with horn glasses and no hat. And then it'll be a millionaire youngster she's met at a dance, and the place will be cluttered up with his Stutz and his orchids and Plow's candy for awhile. Now it's this young Dick."

Ben Gartz waggled his head. "These youngsters!" he remarked, meaninglessly. "These youngsters!"

But Mrs. Carrie Payson spoke with meaning. "Who is he? Dick? I've never heard the name. Who're his folks?"

An uneasy rustle from Belle. "He is a poet," she said. "Quite a good one, too. Some of his stuff is really——"

"Who're his folks?" demanded Mrs. Carrie Payson. "They're not poets too, are they?"

Henry Kemp's big laugh burst out again, then, in spite of Belle's warning rustle. "His father's 'Delicatessen Dick,' over on Fifty-third. We get all our cold cuts there, and the most wonderful pickled herring. They say they're put up in some special way from a recipe that's been in the family for years. Holland Dutch, I guess——"

But Mrs. Carrie Payson had heard enough. "Well, I must say, Belle, you're overdoing this freedom business with Charley. 'Delicatessen Dick!' I suppose the poet sells the herrings over the counter? I suppose he gives you an extra spoonful of onions when you——"

Belle spoke up tartly: "He isn't in the store, mother. His people have loads of money. They're very thrifty and nice respectable people. Of course—everybody in Hyde Park goes to Dick's for their Sunday night supper things."

"His mother's a fine looking woman," Henry Kemp put in. "She's the smart one. Practically runs the business, I hear. Old Dick is kind of a dreamer. I guess dreaming doesn't go in the delicatessen business."

"It'll be nice for Charley," Mrs. Payson remarked, grimly. "With her training at college. I shouldn't wonder if they'd put her in charge of all the cold meats, maybe. Or the cheese."

"Now Mother Payson, Charley's only a kid. Don't you go worrying——"

Belle spoke with some hauteur. "He does not live at home. He has a room near the University. He's fond of his parents but not in sympathy with the business. His work appears regularly in Poetry, and they accept only the best. He worked his way through college without a penny from his people. And," as a triumphant finish—"he has a book coming out this spring."

"Ha!" laughed Henry Kemp, jovially. Then suddenly sobering, regarded the glowing end of his cigar. "But they do say it's darned good poetry. People who know. Crazy—but good. I read one of 'em. It's all about dead horses and entrails and——" he stopped and coughed apologetically. "His new book is going to be called——" Here he went off into a silent spasm of laughter.

"Henry, you know that's just because you don't understand. It's the new verse."

"His new book," Henry Kemp went on, gravely, "is called 'White Worms.'"

He looked at Ben Gartz. The two men laughed uproariously.

Mrs. Payson sat forward stiffly in her rocking chair. "And you let Charley go about with this person!"

"Oh, mother, please. Let's not discuss Charley's affairs. Mr. Gartz can't be interested."

"Oh, but I am! Aren't you, Miss Lottie? Young folks——"

"Besides, all the girls are quite mad about him. Charley's the envy of them all. He's the most sought-after young man in Hyde Park. He wrote a poem to Charley that appeared in Poetry last month." Belle dismissed the whole affair with a little impatient kick of her foot that sent the dangling slipper flying. "Oh, Henry—my slipper!" Henry retrieved it. "Besides they're only children. Charley's a baby."

Mrs. Carrie Payson began to rock in the squeaky chair, violently. "You heard what she said about the five."

"The five?"

"About the five—you know."

In the laughter that followed great-aunt Charlotte slipped out of the room, vanished up the stairs.

Then the War, of course. Ben Gartz was the sort that kept a map in his office, with coloured pins stuck everywhere in it. They began to talk about the War. They say it'll go on for years and years; it can't, the Germans are starving; don't you believe it, they've prepared for this for forty years; aren't the French wonderful, would you believe it to look at them so shrimpy; it's beginning to look pretty black for them just the same; we'll be in it yet, you mark my words; should have gone in a year ago, that was the time; if ever we do—zowie.

Lottie sat knitting. Ben Gartz reached over and fingered the soft springy mass of wool. There was an intimacy about the act. "If we go into it and I go off to war will you knit me some of these, Miss Lottie? H'm?"

Lottie lifted her eyes. "If you go off to fight I'll knit you a whole outfit, complete: socks, muffler, helmet, wristlets, sweater."

"'Death, where is thy sting'!" Ben Gartz rolled a pale blue eye.

Henry Kemp was not laughing now. His face looked a little drawn and old. He had allowed his cigar to go dead in the earnestness of the war talk. "You're safe, Lottie. It'll be over before we can ever go into it."

Ben Gartz flapped a hand in disagreement. "Don't you be too sure of that. I've heard it pretty straight that we'll be in by this time next year—if not before. I've had an offer to go into the men's watch-bracelet business on the strength of it. And if we do I'm going to take it. Fortune in it."

"Men's watch bracelets! Real men don't wear them. Mollycoddles!"

"Oh, don't they! No I guess not! Only engineers, and policemen and aviators and soldiers, that's all. Mollycoddles like that. They say they aren't wearing any kind but wrist watches over there. Well, if we go into the war I go into the men's watch-bracelet business, that's what. Fortune in it."

"Yeh," said Henry Kemp, haggardly. "If we go into the war I go into the poor-house."

Belle stood up, decisively. "It's getting late, Henry."

Mrs. Payson bristled. "It's only a little after nine. You only come once a week. I should think you needn't run off right after dinner."

"But it isn't right after dinner, mother. Besides Henry has been working terribly hard. He's worn out."

Mrs. Payson, who knew the state of Henry's business, sniffed in unbelief. But they went. In the hall:

"Then you'll be in to-morrow morning, Lottie?"

"Yes." Lottie seemed a little pale.

Mrs. Payson's face hardened.

You heard a roar outside. Henry warming up the engine. Snorts and chugs, then a gigantic purr. They were off.

The three settled down again in the living room. Mrs. Payson liked to talk to men. Years of business intercourse had accustomed her to them. She liked the way their minds worked, clear and hard. When Lottie had company she almost always sat with them. Lottie had never hinted that this was not quite as it should be. She never even told herself that perhaps this might have had something to do with her being Lottie Payson still.

She was glad enough to have her mother remain in the room this evening. She sat, knitting. She was thinking of Orville Sprague, and of Ben Gartz. Of Charley and this boy—this Jesse Dick. How slim the boy was, and how young, and how—vital! That was it, vital. His jaw made such a clean, clear line. It almost hurt you with its beauty.... Beck Schaefer.... Bell hop.... So that was what Henry had meant. Youth's appeal to women of her age. A morbid appeal....

She shook herself a little. Her mother and Ben Gartz were talking.

"That's a pretty good proposition you got there, Mrs. Payson, if you can swing it. I wouldn't be in any hurry, if I was you. You hang on to it."

There always was talk of "propositions" and "deals" when Mrs. Payson conversed with one of Lottie's callers.

"I think a good deal of your advice, Mr. Gartz. After all, I'm only a woman alone. I haven't got anyone to advise me."

"You don't need anybody, Mrs. Payson. You're as shrewd as that Rolfe is, any day. He's waiting to see how this war's going to go. Well, you wait too. You've got a good proposition there——"

Lottie rose. "I'll get you something to drink," she said.

He caught her arm. "Now don't you bother, Miss Lottie." He always called her "Miss Lottie" when others were there, and "Lottie" when they were alone.

But she went, and came back with ginger ale, and some cookies. Something in his face as he caught sight of these chaste viands smote her kindly and understanding heart. She knew her mother would disapprove, would oppose it. But the same boldness that had prompted her to speak at dinner now urged her to fresh flights of daring.

"What would you say to a cup of nice hot coffee and some cold chicken sandwiches!"

"Oh, say, Miss Lottie! I couldn't think—this is all right." But his eyes brightened.

"Nonsense, Lottie!" said Mrs. Payson, sharply. "Mr. Gartz doesn't want coffee."

"Yes he does. Don't you? Come on in the kitchen while I make it. We'll all have a bite at the dining room table. I'll cut the bread if you'll butter it."

Ben Gartz got up with alacrity. "No man who lives in a hotel could resist an offer like that, Miss Lottie." He frisked heavily off to the kitchen in her wake. Mrs. Payson stood a moment, tasting the unaccustomed bitter pill of opposition. Then she took her stout cane from a corner where she had placed it and followed after them to the kitchen, sniffing the delicious scent of coffee-in-the-making as though it were poison gas. Later they played dummy bridge. Lottie did not play bridge well. She failed to take the red and black spots seriously. Mrs. Payson would overbid regularly. If you had told her that this was a form of dishonesty she would have put you down as queer. Ben Gartz squinted through his cigar smoke, slapped the cards down hard, roared at Mrs. Payson's tactics (he had been a good son to his mother, remember) and sought Lottie's knee under the table.

"... going to marry at twenty and have five children, one right after the other——"

"Lottie Payson, what are you thinking of!" Her mother's outraged voice.

"Why—what——"

"You trumped my ace!"

CHAPTER IX

Every morning between eight-thirty and nine a boy from the Élite Garage on Twenty-sixth Street brought the Payson electric to the door. He trundled it up to the curb with the contempt that it deserved. Your self-respecting garage mechanic is contemptuous of all electric conveyances, but this young man looked on the Payson's senile vehicle as a personal insult. He manipulated its creaking levers and balky brakes as a professional pitcher would finger a soft rubber ball—thing beneath pity. As he sprang out of it in his jersey and his tight pants and his long-visored green cap he would slam its ancient door behind him with such force as almost to set it rocking on its four squat wheels. Then he would pass round behind it, kick one of its asphalt-gnawed rubber tires with a vindictive boot and walk off whistling back to the Élite Garage. Lottie had watched this performance a thousand times, surely. She was always disappointed if he failed to kick the tire. It satisfied something in her to see him do it.

This morning Lottie was up, dressed, and telephoning the Élite Garage before eight o'clock. She wanted to make an early start. She meant to use the electric in order to save time. Without it the trip between the Payson's house on Prairie Avenue and the Kemp's on Hyde Park Boulevard near the lake was a pilgrimage marked by dreary waits on clamorous corners for dirty yellow cars that never came.

Early as she was Lottie had heard Aunt Charlotte astir much earlier. She had not yet come down, however. Mrs. Payson had already breakfasted and read the paper. After Mrs. Payson had finished with a newspaper its page-sequence was irrevocably ruined for the next reader. Its sport sheet mingled with the want ads; its front page lay crumpled upon Music and the Drama. Lottie sometimes wondered if her own fondness for a neatly folded uncrumpled morning paper was only another indication of chronic spinsterhood. Aunt Charlotte had once said, as she smoothed the wrinkled sheets with her wavering withered fingers, "Reading a newspaper after you've finished with it, Carrie, is like getting the news three days stale. No flavour to it."

Lottie scarcely glanced at the headlines as she drank her coffee this morning. Her mother was doing something or other at the sideboard. Mrs. Payson was the sort of person who does slammy flappy things in a room where you happened to be breakfasting, or writing, or reading; things at which you could not express annoyance and yet which annoyed you to the point of frenzy. She lifted dishes and put them down. She rattled silver in the drawer. She tugged at a sideboard door that always stuck. She made notes on a piece of wrapping paper with a hard pencil and tapping sounds. All interspersed with a spasmodic conversation carried on in a high voice with Hulda in the kitchen, the swinging door of the pantry between them.

"Need any rice?"

"W'at?"

"Rice!"

"We got yet."

More tapping of the pencil accompanied by a sotto voce murmur—"Soap ... kitchen cleanser ... new potatoes ... see about electric light bulbs ... coffee——" she raised her voice again: "We've got plenty of coffee I know."

Silence from the kitchen.

"Hulda, we've got plenty of coffee! I got a pound on Wednesday."

Silence. Then—"He don't last over Sunday."

"Not—why my dear young woman——" the swinging door whiffed and whoofed with the energy of her exit as she passed into the kitchen to do battle with the coffee-toper.

Lottie was quite unconscious of the frown that her rasped nerves had etched between her eyes. She was so accustomed to these breakfast irritations that she did not know they irritated her. She was even smiling a little, grimly amused.

It was a lowering Chicago March morning, gray, foggy, sodden, with a wet blanket wind from the lake that was more chilling than a walk through water and more penetrating than severe cold. The months-old soot-grimed snow and ice lay everywhere. The front page predicted rain. Not a glint of sunlight filtered through the yellow pane of the stained-glass window in the Payson dining room. "Ugh!" thought Lottie picturing the downtown streets a morass of mud trampled to a pudding consistency. And yet she smiled. She was to have the morning alone; the morning from eight until almost noon. There was Gussie to interview. There was Judge Barton to confer with—dear Emma Barton. There was poor Jennie to dispose of. There was work to do. Real work. Lottie rose from the table and stood in the pantry doorway holding the swinging door open with one foot as she was getting into her coat.

"I'll be back by noon, mother, surely. Perhaps earlier. Then we'll go right over to your buildings and collect the rents and market on the way back."

"Oh," said Mrs. Payson only. Her mouth was pursed.

"For that matter, I think it's so foolish to bother about Sunday dinner. We always get up later on Sunday, and eat more for breakfast. Let's just have lunch this once. Let's try it. Forget about the leg of lamb or the roast beef——"

Mrs. Payson raised her eyebrows in the direction of the listening Hulda. "I'll leave that kind of thing to your sister Belle—this new idea of getting up at noon on Sunday and then having no proper Sunday dinner. We've always had Sunday dinners in this house and we always will have as long as I'm head of the household."

"Well, I just thought——" Lottie released the swinging door. She came back into the dining room and glanced at herself in the sideboard mirror. Lottie was the kind of woman who looks well in the morning. A clear skin, a clear eye, hair that springs cleanly away from the temples. This morning she looked more than usually alert. A little half-smile of anticipation was on her lips. The lowering weather, her mother's dourness, Hulda's slightly burned toast—she had allowed none of these things to curdle the cream of her morning's adventure. She was wearing her suit and furs and the small velvet hat whose doom Belle had pronounced the evening before. As she drew on her gloves her mother entered the dining room.

"I'll be back by noon, surely." Mrs. Payson did not answer. Lottie went down the long hall toward the front door. Her mother followed.

"Going to Belle's?"

"Yes. I'll have to hurry."

At the door Mrs. Payson flung a final command.

"You'd better go South Park to Grand."

Lottie had meant to. It was the logical route to Belle's. She had taken it a thousand times. Yet now, urged by some imp of perversity, she was astonished to hear herself saying, "No, I'm going up Prairie to Fifty-first." The worst possible road.

She did not mind the wet gray wind as she clanked along in the little box-like contrivance, up Prairie Avenue, over Thirty-first, past gray stone and brick mansions whose former glory of façade and stone-and-iron fence and steps showed the neglect and decay following upon negro occupancy. It was too bad, she thought. Chicago was like a colossal and slovenly young woman who, possessing great natural beauty, is still content to slouch about in greasy wrapper and slippers run down at heel.

The Kemps lived in one of the oldest of Hyde Park's apartment houses and one as nearly aristocratic as a Chicago South Side apartment house can be. It was on Hyde Park Boulevard, near Jackson Park and the lake. When Belle had married she had protested at an apartment. She had never lived in one, she said. She didn't think she could. She would stifle. No privacy. Everything huddled together on one floor and everybody underfoot. People upstairs; people downstairs. But houses were scarce in Hyde Park and she and Henry had compromised on an apartment much too large for them and as choice as anything for miles around. There were nine rooms. The two front rooms were a parlour and sitting room but not many years had passed before Belle did away with this. Belle had caused all sorts of things to be done to the apartment—at Henry's expense, not the landlord's. Year after year partitions had been removed; old fixtures torn out and modern ones installed; dark woodwork had been cream enamelled; the old parlour and sitting room had been thrown into one enormous living room. They had even built a "sun-parlour" without which no Chicago apartment is considered complete. As it eats, sleeps, plays bridge, reads, sews, writes, and lounges in those little many-windowed peep-shows all Chicago's family life is an open book to its neighbour.

Belle's front room was a carefully careless place—livable, inviting—with its books, and lamps, and plump low chairs mothering unexpected tables nestled at their elbows—tantalising little tables holding the last new novel, face downward; a smart little tooled leather box primly packed with cigarettes; a squat wooden bowl, very small, whose tipped cover revealed a glimpse of vivid scrunchy fruit-drops within. Splashes of scarlet and orange bitter-sweet in lustre bowls, loot of Charley's autumn days at the dunes. A roll of watermelon-pink wool and a ball of the same shade in one corner of the deep davenport, with two long amber needles stuck through prophesied the first rainbow note of Charley's summer wardrobe. The grand piano holding a book of Chopin and a chromo-covered song-hit labeled, incredibly enough, Tya-da-dee. It was as unlike the Prairie Avenue living room as Charley was unlike Mrs. Carrie Payson. Belle had recently had the sun-parlour done in the new Chinese furniture—green enameled wood with engaging little Chinese figures and scenes painted on it; queer gashes of black here and there and lamp shades shaped like some sort of Chinese head-gear; no one knew quite what. Surely no Mongolian—coolie or mandarin—would have recognised the origin of anything in the Chinese sun-parlour.

Gussie answered the door. An admirable young woman, Gussie, capable, self-contained, self-respecting. Sprung from a loose-moraled slovenly household, she had, somehow, got the habit of personal cleanliness and of straight thinking. Gussie's pastry hand was a light, deft, clean one. Gussie's bedroom had none of the kennel stuffiness of the average kitchen-bedroom. Gussie's pride in her own bathroom spoke in shining tiles and gleaming porcelain.

"Oo, Miss Lottie! How you are early! Mrs. ain't up at all yet. Miss Charley she is in bathtub."

"That's all right, Gussie. I came to see you."

Gussie's eyes were red-rimmed. "Yeh ... Jennie...." She led the way back to the kitchen; a sturdy young woman facing facts squarely. Her thick-tongued speech told of her Slavic origin. She went on with her morning's work as she talked and Lottie listened. Hers was a no-good family. Her step-father she dismissed briefly as a bum. Her mother was always getting mixed up with the boarders—that menace of city tenement life. And now Jennie. Jennie wasn't bad. Only she liked a good time. The two brothers (rough, lowering fellows) were always a-jumping on Jennie. It was fierce. They wouldn't let her go out with the fellas. In the street they yelled at her and shamed Jennie for Jennie's crowd right out. They wanted she should marry one of the boarders. Well, say, he had money sure, but old like Jennie's own father. Jennie was only seventeen. All this while Gussie was slamming expertly from table to sink, from sink to stove.

"Seventeen! Why doesn't she leave home and work out as you do, Gussie? Housework."

Jennie, it appeared was too toney for housework. "Like this Jennie is." Gussie took a smudged envelope from her pocket and opened it with damp fingers. With one blunt finger-tip she pointed to the signature. It was a pencil-scrawled letter from Jennie to her sister and it was signed, flourishingly, "Jeannette."

"Oh," said Lottie. "I see."

Jennie, then, worked by factory. She paid board at home. She helped with the housework evenings and Sundays. But always they yelled at her. And then Jennie had taken one hundred dollars and had run away from home.

"Jennie is smart," Gussie said, in conclusion, "she is smart like machine. She can make in her head figgers. She finished school, she wanted she should go by business college for typewriter and work in office, but ma and my brothers they won't let. They yell and they yell and so Jennie works by factory."

It was all simple enough to Lottie. She had sat in many sessions of Judge Barton's court. "You'd rather not go with me, Gussie?"

Gussie shook a vehement head. "Better you should go alone. Right away I cry and yell for scared, Jennie she begin cry and yell, ma she begin cry and——"

"All right, Gussie.... Whose hundred dollars was it?"

"Otto. He is big brother. He is mad like everything. He say he make Jennie go by jail——"

"Oh, no, Gussie. He can't do that without Judge Barton, and she'll never——"

Gussie vanished into her bedroom. She emerged again with a stout roll of grimy bills in her hand. These she proffered Lottie. "Here is more as fifty dollar. I save'm. You should give to judge he shouldn't send Jennie to jail." Gussie was of the class that never quite achieves one hundred dollars. Seventy—eighty—eighty-five—and then the dentist or doctor.

Lottie gave the girl's shoulder a little squeeze. "Oh, Gussie, you funny dear child. The judge is a woman. And besides it isn't right to bribe the——"

"No-o-o-o! A woman! In my life I ain't heard how a woman is judge."

"Well, this one is. And Jennie won't go by jail. I promise you."

Down the hall sped a figure in a pongee bathrobe, corded at the waist, slim and sleek as a goldfish. Charley.

"I heard you come in. Finished? Then sit and talk sociable while I dress. You can speed a bit on the way downtown and make it. Step on the ol' batteries. Please! Did you fix things with Gussie?"

"Yeh," Gussie answered, comfortably, but she wore a puzzled frown. "She fix. Judge is woman. Never in my life——"

"Gussie, ma'am, will you let me have my breakfast tray in the sun-parlour? It's such a glummy morning. That's a nice girl. About five minutes."

And it wasn't more than five. Lottie, watching Charley in the act of dressing wondered what that young woman's grandmother or great-aunt would have thought of the process. She decided that her dead-and-gone great-grandmother—that hoop-skirted, iron-stayed, Victorian lady all encased in linings, buckram, wool, wire, merino, and starch—would have swooned at the sight. Charley's garments were so few and scant as to be Chinese in their simplicity. She wore, usually, three wispy garments, not counting shoes and stockings. She proceeded to don them now. First she pulled the stockings up tight and slick, then cuffed them just below the knee. This cuff she then twisted deftly round, caught the slack of it, twisted that rope-like, caught the twist neatly under a fold, rolled the fold down tight and hard three inches below the knee and left it there, an ingenious silken bracelet. There it stayed, fast and firm, unaided by garter, stay, or elastic. Above this a pair of scant knickers of jersey silk or muslin; a straight little shirt with straps over the shoulders or, sometimes, just a brassière that bound the young breasts. Over this slight foundation went a slim scant frock of cloth. That was all. She was a pliant wheat-sheaf, a gracile blade, a supple spear (see verses "To C.K." in Poetry Magazine for February, signed Jesse Dick). She twisted her hair into a knot that, worn low on the neck, would have been a test for anyone but Charley. She now pursed her lips a little critically, and leaned forward close to her mirror. Charley's lips were a little too full, the carping said; the kind of lips known as "bee-stung." Charley hated her mouth; said it was coarse and sensual. Others did not think so. (See poem "Your Lips" in Century Magazine, June.)

"There!" she said and turned away from the mirror. The five minutes were just up.

"Meaning you're dressed?"

"Dressed. Why of——"

"Sketchy, I calls it. But I suppose it's all right. You're covered, anyway. Only I hope your grandmother'll never witness the sight I've seen this morning. You make me feel like an elderly Esquimau sewed up for the winter."

Charley shrugged luxuriously. "I hate a lot of clothes."

Her tray awaited her on the table in the sun-parlour—fruit, toast, steaming hot chocolate. "I've got to go," Lottie kept murmuring and leaned in the doorway watching her. Charley attacked the food with a relish that gave you an appetite. She rolled an ecstatic eye at the first sip of chocolate. "Oo, hot! Sure you won't have some?" She demolished the whole daintily and thoroughly. As she sat there in the cruel morning light of the many-windowed little room she was as pink-cheeked and bright-eyed and scrubbed-looking as a Briggs boy ready for supper. You could see the fine pores of her skin.

Lottie began to button her coat. Charley chased a crumb of toast around her plate. "What, if any, do you think of him?"

Lottie had seen and met shoals of Charley's young men. "Suitors" was the official South Side name for them. But Charley had never asked Lottie's opinion of one of them.

"Charming youngster. I grew quite mooney, after you'd gone, thinking about him, and trumped mother's ace. He doesn't look like a poet—that is, poet."

"They never do. Good poets, I mean. I've often thought it was all for the best that Rupert Brooke—that Byron collar of his. Fancy by the time he became forty ... you really think he's charming?"

"So does your mother. Last night she was enthusiastic—about his work."

"M-m-m. Mother's partial to young poets."

Between Charley and her mother there existed an unwritten code. Charley commanded whole squads of devoted young men in assorted sizes, positions, and conditions. Young men who liked country hikes and wayside lunches; young men who preferred to dance at the Blackstone on Saturday afternoons; young men who took Charley to the Symphony concerts; young men who read to her out of books. And Mrs. Henry Kemp, youngish, attractive, almost twenty years of married life with Henry Kemp behind her, relished a chat with these slim youngsters. A lean-flanked graceful crew they were, for the most part, with an almost feline co-ordination of muscle. When they shook hands with you their grip drove the rings into your fingers. They looked you in the eye—and blushed a little. Their profiles would have put a movie star to shame. Their waists were slim as a girl's (tennis and baseball). They drove low-slung cars around Hyde Park corners with death-defying expertness. Nerveless; not talkative and yet well up on the small-talk of the younger set—Labour, Socialism, sex, baseball, Freud, psychiatry, dancing and—just now—the War. Some were all for dashing across to join the Lafayette Escadrille. Belle Kemp would have liked to sit and talk with these young men—talk, and laugh, and dangle her slipper on the end of her toe. Charley knew this. And her mother knew she knew. No pulling the wool over Charley's eyes. No pretending to play the chummy young mother with her. "Pal stuff."

So, then, "M-m-m," said Charley, sipping the last of her chocolate. "Mother's partial to young poets."

Lottie had to be off. She cast a glance down the hall. "Do you suppose she's really asleep still? I'd like to talk to her just a minute."

"You might tap once at the door. I never disturb her in the morning. But I don't think she's sleeping."

Another code rule. These two—mother and daughter—treated one another with polite deference. Never intruded on each other's privacy. Rarely interfered with each other's engagements. Mrs. Kemp liked her breakfast in bed—a practice Charley loathed. Once a week a strapping Swedish damsel came to the apartment to give Mrs. Kemp a body massage and what is known as a "facial." You should have heard Mrs. Carrie Payson on the subject. Belle defended the practice, claiming that it benefited some obscure digestive ailment from which she suffered.

Lottie tapped at Belle's door. A little silence. Then an unenthusiastic voice bade her enter. Belle was in bed, resting. Belle looked her age in bed in the morning. Slightly haggard and a little yellow.

"I thought it must be you."

"It is."

Belle rolled a languid eye. "I woke up feeling wretched. How about this Gussie business?"

"I'm just going downtown. It'll turn out all right, I think."

"Just arrange things so that Gussie won't be upset for Tuesday. You wouldn't think she was nervous, to look at her. Great huge creature. But when she's upset! And I do so want that luncheon to be just right. Mrs. Radcliffe Phelps——"

Lottie could not restrain a little smile. "Oh, Belle."

Belle turned her head pettishly on the pillow. "Oh, Belle!" she mimicked in an astonishingly un-grown-up manner. Indeed, she sounded amazingly like the school-girl of Armour Institute days. "You're more like mother every day, Lottie." Lottie closed the door softly.

Charley was waiting for her at the end of the hall. "Don't say I didn't warn you. Here—I'll give you a chocolatey kiss. Are you lunching downtown? There's a darling new tea-room just opened in the Great Lakes Building——"

"I've promised to be home by noon, at the latest."

"What for?"

"To take mother marketing and over to the West Side——"

"Oh, for Heaven's sake!"

"You have your job, Charley. This is mine."

"Oh, is it? Do you like it?"

"N-n-no."

"Then it isn't."

Lottie flung a final word at the door. "Even a free untrammelled spirit like you will acknowledge that such a thing as duty does exist, I suppose?"

Charley leaned over the railing to combat that as Lottie flew downstairs. "There is no higher duty than that of self-expression."

"Gabble-gabble!" laughed Lottie, at the vestibule door.

"Coward!" shouted Charley over the railing.

CHAPTER X

When she came out the fog was beginning to lift over the lake and there was even an impression of watery lemon-coloured sunshine behind the bank of gray. Lottie's spirits soared. As she stepped into the swaying old electric there came over her a little swooping sensation of freedom. It was good to be going about one's business thus, alone. No one to say, "Slower! Not so fast!" No one to choose the maelstrom of State and Madison streets as the spot in which to ask her opinion as to whether this sample of silk matched this bit of cloth. A licorice lane of smooth black roadway ahead. Down Hyde Park Boulevard and across to Drexel. Down the long empty stretch of that fine avenue at a spanking speed—spanking, that is, for the ancient electric whose inside protested at every revolution of the wheels. She negotiated the narrows of lower Michigan Avenue and emerged into the gracious sweep of that street as it widened at Twelfth. She always caught her breath a little at the spaciousness and magnificence of those blocks between Twelfth and Randolph. The new Field Columbian museum, a white wraith, rose out of the lake mist at her right. Already it was smudged with the smoke of the I. C. engines. A pity, Lottie thought. She always felt civic when driving down Michigan. On one side Grant Park and the lake beyond; on the other the smart shops. You had to keep eyes ahead, but now and then, out of the corner of them, you caught tantalising glimpses of a scarlet velvet evening wrap in the window of the Blackstone shop; a chic and trickily simple poiret twill in Vogue; the glint of silver as you flashed past a jeweller's; the sooted façade of the Art Institute. She loved it. It exhilarated her. She felt young, and free, and rather important. The sombre old house on Prairie ceased to dominate her for the time. What fun it would be to stay down for lunch with Emma Barton—wise, humourous, understanding Emma Barton. Maybe they could get hold of Winnie Steppler, too. Then, later, she might prowl around looking at the new cloth dresses for spring.

Well, she couldn't. That was all there was to it.

She parked the electric and entered the grim black pile that was the City Hall and County Building, threaded her way among the cuspidors of the dingy entrance hall, stepped out of the elevator on the floor that held Judge Barton's court: the Girls' Court. The attendant at the door knew her. There was no entering Judge Barton's court as a public place of entertainment. In the ante-room red-eyed girls and shawled mothers were watching the closed door in mingled patience and fear. Girls. Sullen girls, bold girls, frightened girls. Girls who had never heard of the Ten Commandments and who had broken most of them. Girls who had not waited for the apple of life to drop ripe into their laps but had twisted it off the tree and bitten deep into the fruit and found the taste of gall in their mouths. Tear-stained, bedraggled, wretched girls; defiant girls; silk-clad, contemptuous, staring girls. Girls who had rehearsed their rôles, prepared for stern justice in uniform. Girls who bristled with resentment against life, against law, against maternal authority. They did not suspect how completely they were to be disarmed by a small woman with a misleadingly mild face, graying hair, and eyes that—well, it was hard to tell about those eyes. They looked at you—they looked at you and through you.... What was that you had planned to say ... what was that you had.... Oh, for God's sakes, ma, shut up your crying! Between the girls in their sleazy silk stockings and the mothers in their shapeless shawls lay the rotten root of the trouble. New America and the Old World, out of sympathy with each other, uncomprehending, resentful. The girls in the outer room rustled, and twisted, and jerked, and sobbed, and whispered, and shrugged, and scowled; and stared furtively at each other. But the shawled and formless older women stood or sat animal-like in their patience, their eyes on the closed door.

Lottie wondered if she could pick Jennie from among them. She even thought of asking for her, but she quickly decided against that. Better to see Emma Barton first.

It lacked just five minutes of ten. Lottie nodded to the woman who guarded the door and passed through the little room in which Judge Barton held court, to the private office beyond. Never was less official-looking hall of justice than that little court room. It resembled a more than ordinarily pleasant business office. A long flat table on a platform four or five inches above the floor. Half a dozen chairs ranged about the wall. A vase of spring flowers—jonquils, tulips, mignonette—on the table. Not a carefully planned "woman's touch." Someone was always sending flowers to Judge Barton. She was that kind of woman. You were struck with the absence of official-looking papers, documents, files. All the paraphernalia of red tape was absent.

Judge Barton sat in the cubby-hole of an office just beyond this, a girl stenographer at her elbow. Outside the great window the City Hall pigeons strutted and purled. Bright-eyed and alert as an early robin, the judge looked up as Lottie came in. She took Lottie's hand in her own firm fingers.

"Well!" Then they smiled at each other, these two women. "You'll stay down and have lunch with me. I've the whole afternoon—Saturday."

"I can't."

"Of course you can. Why not?"

"I've got to be home by noon to take mother to market and to——"

"It sounds like nonsense to me," Emma Barton said, gently. And, somehow, it did sound like nonsense.

Lottie flushed like a school-girl. "I suppose it does——" she broke off, abruptly. "I came down to talk to you about Jennie. Jennie's the sister of Belle's housemaid, Gussie, and she's in trouble. Her case comes up before you this morning."

Emma Barton's eyes travelled swiftly over the charted sheets before her. "Jennie? Jennie?—Jeannette Kromek?"

"Jeannette."

"I see," said Judge Barton, just as Lottie had before her in Belle's kitchen that morning. She glanced at the chart of Jennie's case. A common enough case in that court. She listened as Lottie talked briefly. She knew the Jennie kind; Jennie in rebellion against a treadmill of working and eating and sleeping. Jennie, the grub, vainly trying to transform herself into Jeannette the butterfly. Excitement, life, admiration, pretty clothes, "a chance." That was what the Jeannettes vaguely desired: a chance.

Judge Barton did not waste any time on sentiment. She did not walk to the window and gaze out upon the great gray city stretched below. She did not say, "Poor little broken butterfly." She had not become head of this judicature thus. She said, "The world's full of Jennie—Jeannettes. I wonder there aren't more of them." The soft bright eyes were on Lottie. They said, "You're one, you know." But she did not utter the thought aloud. She glanced at her watch then (it actually hung from an old-fashioned chatelaine pinned near her right shoulder), rose and led the way into the larger room, followed by Lottie and the girl stenographer. She mounted the low platform, slipped into the chair at the desk.

She had placed the chart of Jennie's case uppermost on the table, was about to have the case summoned when the door flew open and Winnie Steppler entered. Doors always flew open before Winnie's entrance. White-haired, pink-cheeked as a girl, looming vast and imposing in her blue cloak and gray furs, she looked more the grande dame on an errand of mercy than a newspaper reporter on the job. She rarely got a story in Judge Barton's court because Judge Barton's girls' names were carefully kept out of the glare of publicity. The human quality in the place drew her; and her friendship and admiration for Emma Barton; and the off-chance. There might be a story for her. She ranged the city, did Winnie Steppler, for her stuff. Her friends were firemen and policemen, newsboys and elevator starters; movie ticket-sellers, news-stand girls, hotel clerks, lunch-room waitresses, manicures, taxi-drivers, street-sweepers, doormen, waiters, Greek boot-blacks—all that vast stratum of submerged servers over whom the flood of humanity sweeps in a careless torrent leaving no one knows what sediment of rich knowledge.

At sight of Lottie, Winnie Steppler's Irish blue eyes blazed. She affected a brogue, inimitable. "Och, but you're the grand sight and me a-sickening for ye these weeks and not a glimpse. You'll have lunch with me—you and Her Honour there."

"I can't," said Lottie.

"And why not, then!"

It really was beginning to sound a little foolish. Lottie hesitated. She fidgeted with her fingers, looked up smiling uncertainly. "I've"—with a rush—"I've got to be home by twelve to drive mother to market and to the West Side."

"Telephone her. Say you won't be home till two. It's no life-and-death matter, is it—the market and the West Side?"

Lottie tried to picture that driving force at home waiting complacently until she should return at two. "Oh, I can't! I can't!"

Winnie Steppler, the world-wise, stared at her a moment curiously. There had been a note resembling hysteria in Lottie's voice. "Why, look here, girl——"

"Order in the court!" said Judge Barton, with mock dignity. But she meant it. It was ten o'clock. Two probation officers came in. A bailiff opened the door and stuck his head in. Judge Barton nodded to him. He closed the door. You heard his voice in the outer room. "Jeannette Kromek! Mrs. Kromek! Otto Kromek!"

A girl in a wrinkled blue cloth dress, a black velvet tam o'shanter, slippers and (significant this) black cotton stockings. At sight of those black cotton stockings Lottie Payson knew, definitely, that beneath the top tawdriness of Jeannette was Jennie, sound enough. A sullen, lowering, rather frightened girl of seventeen. Her hair was bobbed. The style went oddly with the high-cheek-boned Slavic face, the blunt-fingered factory hands. With her was a shawled woman who might have been forty or sixty. She glanced about dartingly beneath lowered lids with quick furtive looks. An animal, trapped, has the same look in its eyes. The two stood at the side of the table facing Judge Barton.

"Where is Otto Kromek?"

"He didn't show up," the bailiff reported.

No case, then. But Judge Barton did not so state. She leaned forward a little toward the girl whose face was blotched and swollen with weeping.

"What's the trouble, Jennie?"

Jennie set her jaw. She looked down, looked up again. The brown eyes were still upon her, questioningly. "I——"

The shawled woman plucked at the girl's skirt and whispered fiercely in her own tongue.

"Le' me alone," hissed the girl, and jerked away.

Judge Barton turned toward the woman. "Mrs. Kromek, just stand away from Jennie. Let her talk to me. Afterward you can talk."

The two separated, glaring.

"Now then, Jennie, how did it all happen?"

The girl begins to speak. The older woman edges closer again to catch what the low voice says.

"We went ridin' with a couple fellas."

"Did you know them? Were they boys you knew?"

"No."

"How did you happen to go riding with them, Jennie?"

"We was walkin'——"

"We?"

"Me an' my girl friend. We was walkin'. These fellas was driving 'round slow. We seen 'em. An' they come up to the curb where we was passin' by an' asked us would we like to take a ride. Well, we didn't have nothin' else to do so——"

I-sez-to-him and he-sez-to-me. The drive. Terror. A fight in the car, the sturdy girls defending themselves fiercely. Home safe but so late that the usual tirade became abuse. They had said things at home ... well ... she'd show'm. She'd run away. She had taken the hundred to spite him—Otto.

"Why did you go, Jennie? You knew, didn't you?"

The girl's smouldering resentment flared into open hatred. "It's her. She's always a-yellin' at me. They're all yellin' all the time. I come home from work and right away they jump on me. Nothin' I do ain't right. I'm good and sick of it, that's what. Good and sick——" She was weeping again, wildly, unrestrainedly. The older woman broke into a torrent of talk in her own thick tongue. She grasped the girl's arm. Jennie wrenched herself free. "Yeh, you!" She turned again to Judge Barton, the tears streaming down her cheeks. She made no attempt to wipe them away. The Jennies of Judge Barton's court, so prone to tears, were usually poorly equipped for the disposal of them.

Emma Barton did not say, "Don't cry, Jennie." Without taking her eyes from the girl she opened the upper right-hand drawer of her desk, and from a neatly stacked pile of plain white handkerchiefs she took the topmost one, shook it out of its folds and handed it wordlessly to Jennie. As wordlessly Jennie took it and wiped her streaming eyes and blew her nose, and mopped her face. Emma Barton had won a thousand Jennies with a thousand neat white handkerchiefs extracted in the nick of time from that upper right-hand drawer.

"Now then, Mrs. Kromek. What's the trouble between you and Jennie? Why don't you get along, you two?"

Mrs. Kromek, no longer furtive, squared herself to state her grievance. Hers was a polyglot but pungent tongue. She made plain her meaning. Jennie was a bum, a no-good, a stuck-up. The house wasn't clean enough for Jennie. Always she was washing. Evenings she was washing herself always with hot water it was enough to make you sick. And Jennie was sassy on the boarders.

And, "I see," said Judge Barton encouragingly, at intervals, as the vituperative flood rolled on. "I see." Jennie's eyes, round with hostility, glared at her accuser over the top of the handkerchief. Finally, when the poison stream grew thinner, trickled, showed signs of stopping altogether, Judge Barton beamed understandingly upon the vixenish Mrs. Kromek. "I understand perfectly now. Just wait here, Mrs. Kromek. Jennie, come with me." She beckoned to Lottie. The three disappeared into the inner office. Judge Barton laid a hand lightly on the girl's shoulder. "Now then, Jennie, what would you like to do, h'm? Just talk to me. Tell me, what would you like to do?"

Jennie's hands writhed in the folds of her skirt. She twisted her fingers. She sobbed final dry, racking sobs. And then she rolled the judicial handkerchief into a tight, damp, hard little ball and began to talk. She talked as she had never talked to Ma Kromek. Translated, it ran thus:

At home there was no privacy. The house was full of hulking men; pipe-smoke; the smell of food eternally stewing on the stove; shrill or guttural voices; rough jests. Book-reading, bathing, reticence on Jennie's part were all shouted down as attempts at being "toney." When she came home from the factory at night, tired, nerve-worn, jaded, the house was as cluttered and dirty as it had been when she left it in the morning. The mother went with the boarders (this Jennie told as evenly and dispassionately as the rest). She had run away from home after the last hideous family fracas. She had taken the money in a spirit of hatred and revenge. She'd do it again. If they had let her go to school, as she had wanted to—she used to talk English all right, like the teacher—but you heard the other kind of talk around the house and at the factory and pretty soon you couldn't talk the right way. They made fun of you if you did. A business college course. That was what she wanted. She could spell. At school she could spell better than anyone in the room. Only they had taken her out in the sixth grade.

What to do with Jennie?

The two older women looked at each other over Jennie's head. The course in stenography could be managed simply enough. Judge Barton met such problems hourly. But what to do with Jennie in the meantime? She shrank from consigning to a detention home or a Girls' Refuge this fundamentally sound and decent young creature.

Suddenly, "I'll take her," said Lottie.

"How do you mean?"

"I'll take her home with me. We've got rooms and rooms in that barracks of ours. The whole third floor. She can stay for awhile. Anyway, she can't go back to that house."

The girl sat looking from one to the other, uncomprehending. Her hands were clutching each other tightly. Emma Barton turned to her. "What do you say, Jennie? Would you like to go home with Miss Payson here? Just for awhile, until we think of something else? I think we can manage the business college course."

The girl seemed hardly to comprehend. Lottie leaned toward her. "Would you like to come to my house, Jeannette?" And at that the first stab of misgiving darted through Lottie. "My house?" She thought of her mother.

"Yes," answered Jennie with the ready acquiescence of her class. "Yes."

And so it was settled, simply. Ma Kromek accepted the decision with dumb passiveness. One of the brothers would bring Jennie's clothes to the Prairie Avenue house. Jennie had only spent half of the stolen hundred. The unspent half she had returned to him. The rest she would pay back, bit by bit, out of her earnings. Winnie Steppler bemoaned her inability to make a feature story of Jennie—Jeannette. Lottie smiled at Jennie, and propelled her down the corridor and into the elevator, to the street. In her well-fitting tailor suit, and her good furs and her close little velvet hat, she looked the Lady Bountiful. The girl, shabby, tear-stained, followed. Lottie was racked with horrid misgivings. Why had she suggested it! What a mad idea! Her mother! She tried to put the thought out of her mind. She couldn't face it. And all the while she was unlocking the door of the electric, settling herself in the seat, holding out a hand to help Jennie's entrance. The watery sunshine of the early morning had been a false promise. It was raining again.

Out of the welter of State Street and Wabash, and into the clear stretch of Michigan once more she turned suddenly to look at Jennie and found Jennie looking fixedly at her. Jennie's eyes did not drop shiftily at this unexpected encounter. That was reassuring.

"Gussie works at my sister's," she told the girl, bluntly. "That's how I happened to be in court this morning when your case came up."

"Oh," said Jennie, accepting this as of a piece with all the rest of the day's happenings. Then, after a moment, "Is that why you said you'd take me? Gussie?"

"No, I didn't even think of Gussie at the time. I just thought of you. I didn't even think of myself." She smiled a little grimly. "I'm going to call you Jeannette, shall I?"

"Yeh. Jennie's so homely. What's your name?"

"Lottie."

Jeannette politely made no comment. Lottie found herself defending the name. "It's short for Charlotte, you know. My Aunt Charlotte lives with us. We'd get mixed up. My niece is named Charlotte, too. We call her Charley."

Jeannette nodded briskly. "I know. I seen her once. I was at Gussie's. Gussie told me. She's awful pretty.... She's got it swell.... You like my hair this way?" She whisked off the dusty velvet tam.

"I think I'd like it better the other way. Long."

"I'll let it grow. I can do it in a net so it looks like long." They rode along in silence.

What to say to her mother! She glanced at her watch. Eleven. Well, at least she wasn't late. They were turning into Prairie at Sixteenth. She was terrified at what she had done; furious that this should be so. She argued fiercely with herself, maintaining all the while her outwardly composed and dignified demeanour. "Don't be a silly fool. You're a woman of thirty-two—almost thirty-three. You ought to be at the head of your own household. If you were, this is what you'd have done. Well, then!" But she was sick with apprehension, even while she despised herself because it was so.

Jeannette was speaking again. "The houses around here are swell, ain't they?"

"Yes," Lottie agreed, absently. Her own house was a block away.

Jeannette's mind grasshoppered to another topic. "I can talk good if you keep telling me. I forget. Home and in the works everybody talks bum English. I learn quick."

"Well, then," said Lottie. "I shouldn't say 'swell' nor 'ain't'."

Jeannette thought a moment. "The—houses—around—here—are—grand—are—they—not?"

Suddenly Lottie reached over and covered the girl's hand with her own.

Jeannette smiled back at her. She thought her a fine looking middle-aged person. Not a very swell dresser but you could see she had class.

"Here we are!" said Lottie aloud. The direct, clear-headed woman who had acted with authority and initiative only an hour before in the court room was now thinking, "Oh, dear! Oh, dear!" in anticipative agony. She stepped out of the electric. "Gussie'll be glad."

"Yeh—Gussie!" Jeannette's tone was not without venom. "She's her own boss. She's got it good. Sometimes for a whole month she didn't come home." She stared curiously at the grim old Prairie Avenue house. It was raining hard now. Lottie glanced quickly up at the parlour window. Sometimes her mother stood there, watching for her, impatient of any waiting. She was not there now. She opened the front door, the two entered—Jeannette the braver of the two.

"Yoo-hoo!" called Lottie with an airy assumption of cheeriness. Jeannette stood looking up and down the long dim hallway with wide ambient eyes. There was no answer to Lottie's call. She sped back to the kitchen.

"Where's mother?"

"She ban gone out."

"Out! Where? It's raining. Pouring!"

"She ban gone out."

Even in her horror at the thought of her rheumatism-stricken mother in the downpour she was conscious of a feeling of relief. It was the relief a condemned murderer feels whose hanging is postponed from to-day until to-morrow.

She came back to Jeannette. Oh, dear! "Come upstairs with me, Jeannette." Lottie ran up the stairs quickly, Jeannette at her heels. She went straight to Aunt Charlotte's room. Aunt Charlotte was asleep in her old plush armchair by the window. She often napped like that in the morning. She dropped off to sleep easily, sometimes dozing almost immediately after breakfast. It was light, fitful sleep. She started up, wide awake, as Lottie came in.

"Where's mother?"

Aunt Charlotte smiled grimly. "She bounced out the minute you left."

"But where?"

"Her rents and the marketing."

"But it's raining. She can't be out in the rain. Way over there!"

"She said she was going to take the street car.... What time is it, Lottie? I must have.... Who's that in the hall?" She stopped in the middle of a yawn.

"Jeannette, come here. This is Jeannette, Aunt Charlotte. Gussie's sister. You know—Gussie who works for Belle. I've brought Jeannette home with me."

"That's nice," said Aunt Charlotte, pleasantly.

"To live, I mean."

"Oh! Does your mother know?"

"No. I just—I just brought her home." Lottie put a hand on Aunt Charlotte's withered cheek. She was terribly near to tears. "Dear Aunt Charlotte, won't you take care of Jeannette; I'm going out after mother. Show her her room—upstairs; you know. And give her some hot lunch. On the third floor you know—the room."

Jeannette spoke up, primly. "I don't want to make nobody trouble."

"Trouble!" echoed Aunt Charlotte. She rose spryly to her feet, asked no explanation. "You come with me, Jeannette. My, my! How pretty your hair is cut short like that. So Gussie is your sister, h'm? Well, well." She actually pinched Jeannette's tear-stained cheek.

"The dear thing!" Lottie thought, harassed as she was. "The darling old thing!" And then, suddenly: "She should have been my mother."

Lottie ran downstairs and into the electric. She jerked its levers so that the old vehicle swayed and cavorted on the slippery pavement.

She would drive straight over to the one-story buildings on west Halsted, near Eighteenth. Her mother usually went there first. It was a Polish settlement. Mrs. Payson owned a row of six stores occupied by a tobacconist, a shoemaker, a delicatessen, a Chinese laundry, a grocer, a lunch room. She collected the rents herself, let out bids for repairs, kept her own books. Lottie had tried to help with these last but she was not good at accounts. Unless carefully watched she mixed things up hopelessly. Mrs. Payson juggled account books, ledgers, check books, rental lists like an expert accountant. Eighteenth Street, as Lottie drove across it now, was a wallow of liquid mud, rain, drays, spattered yellow street-cars, dim drab-looking shops. The slippery car tracks were a menace to drivers. She had to go slowly. The row of Halsted Street buildings reached at last, Lottie ran in one store and out the other.

"Is my mother here?"

"She's gone."

"Has Mrs. Payson been here?"

"Long. She left an hour ago."

There were the other buildings on Forty-third Street. But she couldn't have gone way up there, Lottie told herself. But she decided to try them. On the way she stopped at the house. Her mother had not yet come in. She went on up to Forty-third, the spring rain lashing the glassed-in hood of the electric. Yes, her mother had been there and gone. Lottie was conscious of a little hot flame of anger rising, rising in her. It seemed to drum in her ears. It made her eyelids smart and sting. She set her teeth. She swung the car over to Gus's market on Forty-third. Her hands gripped the levers so that the ungloved knuckles showed white.

"It's a damned shame, that's what it is!" she said, aloud; and sobbed a little. "It's a damned shame, that's what it is. She could have waited. It's just pure meanness. She could have waited. I wish I was dead!"

It was as though the calm, capable, resourceful woman of the ten o'clock court room scene had never been.

"Gus, has my mother——?"

"She's just went. You can ketch her yet. I told her to wait till it let up a little. She was wetter'n a drowned rat. But not her! You know your ma! Wait nothin'."

Lottie headed toward Indiana Avenue and the car line. Her eyes searched the passers-by beneath their dripping umbrellas. Then she spied her, a draggled black-garbed figure, bundle laden, waiting on the corner for her car. Her left arm—the bad one—was held stiffly folded in front of her, close to her body. That meant pain. Her shoulders were hunched a little. Her black hat was slightly askew. Lottie noted, with the queer faculty one has for detail at such times, that her colour was slightly yellow. But as she peered up the street in vain hope of an approaching street car, her glance was as alert as ever. She walked forward toward the curb to scan the empty car tracks. Lottie noticed her feet. In the way she set them down; in their appearance of ankle-weakness and a certain indescribable stiffness that carried with it a pathetic effort at spryness there was, somehow, a startling effect of age, of feebleness. She toed in a little with weariness. A hot blur sprang to Lottie's eyes. She drew up sharply at the curb, flung open the door, was out, had seized the bundles and was propelling her mother toward the electric almost before Mrs. Payson had realised her presence.

"Mother dear, why didn't you wait!"

For a moment it looked as if Mrs. Payson meant to resist stubbornly. She even jerked her arm away, childishly. But strong as her will was, her aching body protested still more strongly. Lottie hoisted her almost bodily into the electric. She looked shrunken and ocherous as she huddled in a corner. But her face was set, implacable. The car sped down the rain-swept street. Lottie glanced sideways at her mother. Her eyes were closed. They seemed strangely deep-set in their sockets.

"Oh, mama——" Lottie's voice broke; the tears, hot, hurt, repentant, coursed down her cheeks—"why did you do it! You knew—you knew——"

Mrs. Carrie Payson opened her eyes. "You said Belle's hired girl's sister was more important than I, didn't you? Well!"

"But you knew I didn't——" she stopped short. She couldn't say she hadn't meant it. She had. She couldn't explain to her mother that she had meant that her effort to help Jeannette was her protest against stifled expression. Her mother would not have understood. It sounded silly and pretentious even in her unspoken thought. But deeper than this deprecatory self-consciousness was a new and growing consciousness of Self.

She remembered Jeannette; Jeannette installed in the third floor room, a member of the household. At the thought of breaking the news of her presence to her mother Lottie felt a wild desire to giggle. It was a task too colossal, too hopeless for seriousness. You had to tackle it smilingly or go down to defeat at once. Lottie braced herself for the effort. She told herself, dramatically, that if Jeannette went she, too, would go.

"I brought Jeannette home with me."

"Who?"

"Jeannette—Gussie's sister. The one who's had trouble with the family."

"Home! What for!"

"She's—she's a nice little thing, and bright. There wasn't any place to send her. We've got so much room."

"You must be crazy."

"Are you going to turn her out into the storm, mom, like the girl in the melodrama?"

Mrs. Payson was silent a moment. Then, "Does she know anything about housework? Belle's always saying her Gussie's such a treasure. I'm about sick of that Hulda. Wastes more every week than we eat. I don't see what they do with it—these girls. If we used a pound of butter this last week we used five and I hardly touch——"

"Jeannette doesn't want to do housework. She wants to go to business college."

"Well, of course, if you're running a reform school."

But she made no further protest now. Lottie, peeling off her mother's wet clothing as soon as they entered the house, pleaded with her to go to bed.

She was startled when her mother agreed. Mrs. Payson had always said, "When I go to bed in the middle of the day you can know I'm sick." Now she crept stiffly between the covers of her big old-fashioned walnut bed with a groan that she tried to turn into a cough. An hour later they sent for the doctor. An acute arthritis attack. Lottie reproached herself grimly, unsparingly.

"I'll get up around four o'clock," Mrs. Payson said. "You don't find me staying in bed. Belle does enough of that for the whole family." At four she said, "I'll get up in time for dinner.... Where's that girl? Where's that girl that was so important, h'm? I want to see her."

She was in bed for a week. Lottie covered herself with reproaches.

THE GIRLS

Contents

THE GIRLS

CHAPTER I

CHAPTER II

CHAPTER III

CHAPTER IV

CHAPTER V

CHAPTER VI

CHAPTER VII

CHAPTER VIII

CHAPTER IX

CHAPTER X

CHAPTER XI