G
Gamblers (dīvyant), language of, [141], [336].
Gambler’s hymn (RV. x. 24), [19].
Gambling, as an allegorical character, [255].
Gaṇadāsa, a dancing-master, [148].
Gandhāra, art of, relation to Greek art, [58].
Gāndhārī, wife of Dhṛtarāṣṭra, [214].
Gandharvas, [17], [23], [40], [100], [112], [339], n. [3];
dress of, [366].
Gaṇeça, propitiated in the preliminaries of the drama, [369].
Gan̄gā, river-goddess, [190], [191], [192], [245].
Gan̄gādhara, author of the Gan̄gadāsapratāpavilāsa, [251].
Garland, see Vīthī.
Garland of Fame, an allegorical character, [254].
Garuḍa, [79], [100], [175], [179].
Gātrasevaka, in the Pratijñāyaugandharāyaṇa, [108].
Gauḍa, or Gauḍī, style, [202], [331], [335].
Gaurī, the goddess, [174], [175], [176], [278].
Gautama, the Vidūṣaka of Agnimitra, [148], [155].
Gazelle, magic, in the Rāma legend, [221].
Gedrosians, knew Greek drama, [59].
Geldner, Prof. K., theory of dialogue hymns in Veda, [22], [23].
General (senāpati), exalted hero, [306], [312].
Gentleness, as an allegorical character, [254].
Germ (bīja), as an element of the plot, [298].
Gesture, [279], [338], n. [1], [364], [365], [367].
Ghanaçyāma, author of the Ānandamañjarī, [257].
Ghaṭikāçata, see Kṛṣṇa.
Ghaṭotkaca, son of Bhīma and Hiḍimbā, [95], [106], [109], [111], [213].
Gobaṁ°, a character, [85];
Prākrit used by, [86], [87].
Godāvarī, river goddess, as a character, [245].
Gods, as heroes of the Ḍima, [347];
in the Samavakāra, [346];
dress of, [366];
characteristics of, [260].
Goethe, views of, on Kālidāsa, [160], [280].
Goha, in the Mṛcchakaṭikā, [136].
Gokulanātha, author of the Amṛtodaya, [253], n. [3], [343].
Good Conduct, as an allegorical character, [254].
Gopāla, father of Āryaka, [129].
Gopāla, patron of Kṛṣṇamiçra, [251].
Gopīnātha Cakravartin, author of the Kautukasarvasva, [262].
Gopīs, cowherdesses, loved by Kṛṣṇa, [40], [274].
Gorī Īsapa, a Mahomedan, [250].
Graceful (kaiçikī) manner, [326], [327], [346], [347], [349], [350].
Graces, of the heroine, [310].
Grammarians, evidence of, as to drama, [31]–6.
Grammatical, peculiarities, in Sanskrit, [85], [86];
in Prākrit, [86]–9, [121], [122].
Great Dionysia, plays produced at, [66].
Greece, absence in the main of female dramatists, [288].
Greek astrology, known to Kālidāsa, [146].
Greek drama, compared with Indian, [276], [277], [279], n. [2], [280], [281], [311];
origin of, [37]–39;
stage for, [360].
Greek influence on the Sanskrit drama, [57]–68, [355], [356].
Guards, present in the auditorium, [370].
Guha, a forest chief, [228].
Guha, son of Çiva, [170].
Guhasena, of Valabhī, [275].
Guhyakas, propitiated in the preliminaries, [339], n. [3].
Guildsmen, or rich merchants (çreṣṭhin), language of, [87], [141], [336].
Guṇabhara, epithet of Mahendravikramavarman, [182].
Guṇāḍhya, author of the Bṛhatkathā, [52], [102].
Guptas, dynasty, [60], [144], [281], [334];
of Magadha, [212].