H
Hair, how worn on the stage, [366], [367].
Hāla, or Sātavāhana, [74], [76];
refers to drama, [45], n. [1].
Hamartia, Aristotelian doctrine of, [279], n. [1].
Hammīra, a Mahomedan invader, [248], [249], [250].
Haṅsavatī, a queen of Duḥṣanta, [158], [160].
Hanumant, [63], [111], [113], [190], [227], [245], [246], [266], [269].
Happy ending, necessary in drama, [38], n. [2], [140], [278], [354].
Haradatta, on Mahābhāṣya, [34].
Harem life, effect on drama, [65], [280].
Haribrahmadeva, of Raypur, [270].
Hāricandra, a poet, [91].
Harihara, author of the Bhartṛharinirveda, [248].
Harihara, brother of Mādhava, [268].
Hariçcandra, tale of, [240].
Harisiṅha, of Simraon, [261].
Harlequin, origin of the character of the, [39].
Harṣa, dramatist, of Kanyakubja (A.D. 606–48), [42], [85], [103], [155], [170]–81, [204], [239], [256], [278], [284], [303], [305], [311], [325], [355], n. [3], [368].
Harṣa, Candella, king of Jejākabhukti, [239].
Harshness, as an allegorical character, [255].
Hastigiri, lord of, [268].
Haughty, hero, [305], [306], [307], [347];
enemy of the hero, [307], [308].
Hemacandra, Jain author, [225], [243], [254], [255], [258], [260], [273], [275].
Hemakūṭa, place of abode of Mārīca, [154].
Hemān̄gada, a Vidyādhara, [229].
Hemān̄gī, a heroine, [263].
Herakleidai, of Euripides, known in India, [59].
Heresy, as a character, [252].
Heretics, parodied in the Prahasana, [348];
excluded from spectacles, [370].
Hero, in Sanskrit drama, [305]–7, [323];
should be on stage during each Act, [140], [301];
appropriate to several types of drama, [345]–51.
Heroic comedy, see Nāṭaka and Nāṭikā.
Heroic (vīra) sentiment, [320], [323], [346];
[[380]]metre and style appropriate to, [331], [332].
Heroine, in New Comedy, [62];
in Sanskrit drama, [308]–10;
in different types of play, [346]–8, [350], [351].
Heroism, [165], [168], [177], [195], [211], [278].
Hertel, Prof. J., theory of the origin of the drama, [16]–18.
Hetaera drama, Buddhist, [84], [85].
Hetaerae, [62], [133], [313], [334], [335], [346];
form of names of, [313].
Hiḍimbā, wife of Bhīma, [95], [96], [106], [109], [213].
Hillebrandt, Prof. A., view of origin of drama, [25], [35], [36], n. [1], [39], [49], [50], [51], [52], [53].
Hindi, vernacular drama in, [243].
Hindu revival under the Guptas, [60].
Hippolytos, of Euripides, [279], n. [1].
Historical drama, [248]–51.
Hoernle, Dr. A. F. R., theory as to identity of Vikramāditya, [144].
Holi festival, [41].
Horrible, descriptions of the, [192], [223].
Horror, sentiment of, [319], [320], [324], [325];
metre and style appropriate to, [331], [332].
Horse sacrifice, ritual abuse in, [25];
of Agnimitra and Samudragupta, [149].
Hultzsch, Prof. E., on date of Murāri, [225], [259].
Human sacrifice, as motif, [259].
Humorous speech (vyāhāra), [329].
Humour, [136], [159], [160], [177], [192], [211].
Hunters, speech of, [347].
Hunting, miseries of, [152], [160].
Huth, G., views on date of Kālidāsa, [145], n. [1];
on order of his poems, [167].