POMPEII.
Having thus given the accounts of Kotzebue, and also of an English tourist, as to Pompeii and Herculaneum, we will now add the narrative of our distinguished fellow-citizen, Professor Silliman, who passed over the same ground in 1851. All these views are given, because the subject is one of so much intrinsic interest, and because some objects are mentioned by each writer that are not by the others. Professor Silliman says: “We passed rapidly along through Portici, Resina, and Torre del Greco,[[6]] which form one long-continued street, lying over Herculaneum, a large city, whose entombed remains were far beneath our carriage wheels. Vesuvius was on our left, quiet and sublime. Clouds vailed its crater from our view, but its venerable sides were enveloped in the black drapery of its own lava floods. The currents have often flowed over the road on which we were traveling. Here and there, the lava had been cut through in the streets, and it protrudes in black, rocky masses, upon which many of the houses have been erected. Lava formed the walls of the houses, and the fences around the fields, and lava, only lava, was everywhere around us. After a short interval of cultivated fields, we arrived in Torre del Annunciata, in a street similar to those we had passed, and surrounded by a country in the highest state of cultivation, where every foot of the rich volcanic soil is made available. Farm-houses and villas appeared clustering around the eastern and southern foot of Vesuvius, and creeping up its sloping sides, so reckless are the people of past catastrophes, although Herculaneum reposes in its profound grave at the foot of the mountain, and the great sepulcher of Pompeii, with its funereal monuments, is in full view before them. They have also been very recently warned again, by the terrific eruption of February, 1850, which, bursting out back of Vesuvius, on the east, took an unwonted direction, thus giving another proof that no situation on or near the mountain is safe; but still the inhabitants repose in careless security.
[6]. “Torre del Greco, a town containing eighteen thousand people, was overwhelmed, in 1794, by an eruption of lava from Vesuvius, flowing from the middle of its western slope, only five miles above the town. The melted torrent buried the place, and inundated the sea, encroaching upon it one-third of a square mile.”
“As we drove slowly onward, checking the horses from time to time, in order to realize the scenes around us, Antonio, from the coach-box, suddenly exclaimed, ‘There is Pompeii!’ We eagerly looked, and saw a low, green ridge of land, covered by grass and shrubs. It appeared as an extended mound, over which the traveler might have driven, as thousands have heedlessly done in centuries past, unconscious that a city of the dead slumbered beneath the hoofs of the horses. Only a few minutes elapsed, before standing erect in the carriage, we discerned the still naked heaps of pumice that have been thrown out during the excavations; and immediately after, in breathless silence, we were at the door of the house of Diomede! An elegant country-house, a Roman villa, just outside of the walls of the city, still stands, almost eighteen hundred years after the great catastrophe. Its columns are erect, its walls entire, and its open doors seem to invite the stranger to enter; but the family are not there, and silence reigns in the halls of Diomede!
“I never before felt as I did when I entered this deserted house—pensive, solemn, and in full sympathy with the tragical story. Sentinels still keep these doors; not the helmeted Roman, who, firm and unmoved, surveyed the storm of fire but yielded not to fear, preferring to die at his post,[[7]] but Neapolitans stationed there by the government to prevent invasion of the ruins. One there was, a veteran, whose snowy hair, and visage so deeply marked by time, made us almost feel as if he must have been present when the volcanic tempest raged, and had, Salathiel-like, come down to our time to relate the events of those dreadful days. But a garrulous guide, who spoke tolerable English, placed himself at the head of our party, and was our cicerone through an intensely interesting day. We mused for a few minutes in the vacant rooms of the house of Diomede, walked upon the still beautiful mosaic pavements and floors, passed through the dormitories, the triclinium, the impluvium, and the hall for conversation; observed the water-cistern, and the channels worn in the stone curb by the friction of the rope, and then descended to the vaults beneath, in which so many members of the family met their fate. This gallery is strongly arched with brick, and was used as a wine-cellar, as appears from twenty-five amphoræ still remaining there, and which were found filled with volcanic matter.
[7]. “In the Pompeian museum at Naples, we afterward saw the skull of such a Roman, whose head was still covered by his helmet, and whose skeleton was found at his station in the gate of Pompeii.”
“On the twenty-fourth of August, in the year 79 of our own era, and not long after midday, Vesuvius broke the repose of untold ages, and resumed, with tragical energy, his ancient reign of fire, awakening the slumbering echoes of his power with terrible detonations and fearful earthquakes. A darkness that might be felt, shrouded in the profoundest gloom the midday sun, and ashes fell like snow upon the mountain, the plain, the bays of Naples and Baiæ, and far into the surrounding country. Rain from the condensed steam of the eruption deluged the whole district; torrents of fluid mud, formed by the ashes and water, swept over every obstruction, and filled to overflowing every depression of the surface. The terrified inhabitants, overwhelmed by superstitious fears, joined the droves of domestic animals, whose keener instincts had already impelled them to desert a district filled with sulphureous vapors, and vibrating with ominous and unwonted sounds, wandering, they knew not where, in search of some place where the frightful evidences of the wrath of the gods might be avoided.
“But the family of Diomede sought refuge from the falling pumice under the strong arch of the wine-cellar, strong enough to resist and sustain the load of falling materials, but not proof against the deluge of volcanic mud, whose unexpected inundation brought death to the mistress, her children, and fifteen female slaves. The record of the manner of their death is even now perfectly legible. The form of the mistress, with her back and head to the wall, with outstretched arms, is clearly delineated by the difference of color. Surrounding her are the impressions of the persons of seventeen others, various in stature, but all standing, save one infant in the arms. When these silent vaults were excavated, here stood the skeletons of these unfortunate people, the rich jewels of the mistress and of her daughter circling the bony fingers and wrists and neck. These we afterward saw in the museum at Naples, the left shoulder of the mother, as also the skull of the daughter, whose name, Julia, was engraved upon her bracelet. Equally strange and wonderful was it to see the cast of the bosom of this Roman matron, taken with lifelike precision, in the soft and fluid tufa. Her hand still grasped the purse, whose contents are also among the wonderful treasures of the same museum. Beyond the garden and the fish-pond, which are contiguous to the wine-cellar, there is a gateway where were found two skeletons, with valuable vessels and money; one hand held a rusted key, and the other a bag with coin and cameos, and vessels of silver and bronze were here. These are believed to have been the remains of the master Diomede and his servant. A wrapper contained eighty pieces of silver money, ten of gold, and some bronze. It appears highly probable that, having left the family in a place which was believed to be safe, they were engaged in transporting valuables to a place of deposit, when they were overtaken by the same deluge which destroyed their friends.
“The water-line to which the fluid magma rose in this quadrangular vaulted gallery, is still visible upon the walls, (some twelve to fifteen inches above the tallest head,) nearly even with several small apertures through which, as well as through the door, it probably flowed. It is not unlikely that this inundation was accompanied by torrents of carbonic acid and other noxious gases, so abundantly exhaled in more modern eruptions of Vesuvius, by which these refugees from the dangers above ground were perhaps so suddenly suffocated as to remain unmoved in the positions where they were found. The sudden death of the elder Pliny, who, his nephew says, was suffocated by a noxious exhalation upon the same occasion, and at no great distance from Pompeii, may, with much probability, be ascribed to the same cause.
“The facts now detailed clearly show that vast torrents of mud must have passed through the streets of Pompeii, since dry ashes and ejections of lapilli and pumice, unaided by water, could never have found their way into the interior of closed amphoræ, nor made perfect molds of the human form, nor left a level water-line upon the inner walls of close arched passages. The shower of materials which buried the city, was mainly composed of small pieces of white pumice and rounded lapilli of various colors, interspersed with some large projected masses of rock-bombs, such as Vesuvius has often thrown out in later times. These by their fall broke through the roofs, and at the places where they struck, depressed the mosaic pavements into a concave form, as we saw in several of the houses. A darker colored sand appears to have alternated with the pumice, and often forms a distinct and thick layer upon it. Numerous such alternations have been made out by the Neapolitan geologists, and we afterward saw the same order of stratification distinctly in another part of the town, where fresh excavations were going on. The fresh section here showed, that these loose materials fell much as snow falls in our northern climates when driven by the wind, being thicker in the angles than in the centers of the houses, and rising in curves corresponding to the elevations and depressions of the surface.
“The celebrated Appian way passed by the house of Diomede, and through Pompeii to Stabiæ. The road is now above ground, and is evidently as perfect as when Pompeii was buried. It is paved with large blocks of the ancient lava of Mount Somma, which, of course, proves the occurrence of early eruptions of the volcano, although at an unknown era. Deep ruts are worn by the wheels in the solid lava, which is as firm as trap, while the stones are strongly marked by the rust of the iron worn off from the wheel-tires. The furrows prove that the wheels were not more than four feet apart. This is proved also by the position of the stepping-stones for crossing the streets, which were so placed that the wheels passed between them. The stepping-stones were very large, and two and a half or three feet long, their longest diameter coinciding with the direction of the street; and they were laid so near to each other that the passengers could pass quite across the street from one side-walk to the opposite, without stepping down. There were side-walks in the principal streets, about three feet wide, and two feet above the pavement. The streets were paved with the same hard lava rock, and in many places it was worn into deep hollows by human feet, thus proving the high antiquity of the city. The street near the barracks is only thirteen feet wide. We passed through one street in which the pavement was in very bad order; the ruts were worn irregularly and very deep, the stones were tilted out of the proper level, and there, as sometimes happens in modern cities, the street commissioners had evidently not done their duty.
“The Appian way, near to Pompeii, but outside of the walls and immediately contiguous to them, is, as at Rome, bordered on both sides by tombs. and in general they are in good condition, having been preserved during seventeen centuries equally from injuries by the weather and by wanton violation. They are of marble, and their Latin inscriptions still commemorate their tenants. One tomb, constructed in the manner of the columbaria, is dedicated to the gladiators, and is decorated with bas-reliefs representing their combats. Near the tombs, and outside of the walls, we saw sheds for the horses of those who arrived after the gates of the city were closed. No stables have been discovered in the town, but skeletons of horses were found at this place, where there was a large tavern.
“Pompeii was first discovered in 1748. It lies about twelve miles south-east from Naples. The town was extremely compact, and appears to have been only three-fourths of a mile long by half a mile wide. The houses were joined together. Twenty streets, which are only fifteen feet wide, had been uncovered twenty years since. Although only one-third part of the city has been cleared of its covering, five or six hours were industriously employed by us, with our two guides, in visiting the most interesting private dwellings and the public buildings. We were indeed richly rewarded for our effort. Here we were, walking in the very streets and on the very pavements on which the ancient Romans trod; we were surveying the very houses in which they dwelt: we saw the vestibules, the impluvium (an interior and central receptacle for the rain-water from the roofs;) their triclinia, or dining-halls; their colonnades, surrounding an interior open area, in which they walked and conversed with their families and friends; the fish-ponds, also in an open area; the private marble baths; the kitchens and other arrangements for culinary purposes; the gardens in the rear of the houses, the halls and colonnades opening into the garden; the whole forming a domestic dominion secure from public inspection. All these arrangements were perfectly intelligible to us; and as we walked from house to house, it was not difficult to imagine that we were making calls, and that the people were not at home.
“Everywhere, even in the smaller houses, the floors were adorned with mosaic; many of the best designs have been sent to Naples, but, including what is still covered, much more remains in place, and not essentially injured. When it is considered that no melted lava flowed into Pompeii, but that it was covered solely by a volcanic shower of comminuted pumice and other pulverulent materials, which accumulated until the roofs were crushed inward by the weight, it will be easily understood that the mosaic floors may have remained for seventeen or eighteen hundred years, substantially uninjured. The mosaic of Pompeii is uncovered in many places, and when the dust is brushed away and the surface is wiped with a wet cloth, as was done for our gratification, all the original brightness and beauty of the figures shine forth, and in the finest patterns, the execution was in a high degree tasteful and elegant. At the door of the mansion of the edile Glaucus, which was one of the largest and best in the city, there was, in the vestibule and before entering the house, a very startling mosaic figure of a large and powerful dog, secured by a chain around his neck, but crouching and fierce, as if about to spring upon the visitor; and immediately before this vigilant sentinel, you read in large Roman letters, CAVE CANEM—beware of the dog! The inscription is preserved in the original place where we saw it, but the dog has been removed to the museum at Naples. It is still a perfect figure of a Roman dog.
“The frescoes of Pompeii and Herculaneum, have put us in possession of very perfect specimens of the skill of the Romans in the art of painting. The only examples of their pictorial talent previously known, were the comparatively imperfect decorations in the baths of Titus at Rome. In these buried cities nearly all the walls of the houses are frescoed, and among these, have been found many superb specimens of ancient art. Most of the best have been removed to the museum of Naples, but some of considerable merit still remain in place, and no doubt further excavations will show numerous others now unknown. The colors are somewhat faded, but are bright when wet. The copies in water-colors, sold at Naples, give very perfectly the idea of these frescoes, but with more brilliancy than is possessed by the original. Many of these figures are nude, although many are draped. We were particularly struck with the singularity of some of the figures on the walls, having shoes very much like our modern ones. As the great object of art is to present Nature in her forms of greatest purity and grace, these nude figures can not meet with more objections than their modern representatives. We saw nothing in Pompeii or Herculaneum, worthy of so much criticism in point of taste, as may be seen in almost any of the European galleries of modern painting. Titian’s Loves of the Gods in Blenheim palace, certainly surpass the ancients in this respect.
“An expected visit of the Duke d’Aumale (son of Louis Philippe, and allied by marriage to the royal family of Naples) has been made the occasion of an additional excavation, which is now being carried on by order of the king. We thought it rare good fortune, that we could stand by and see the moving of materials which had not been disturbed since the catastrophe. They are entirely unconsolidated, and are easily moved by the shovel. The accumulations did not appear to be more than ten feet above the tops of the houses, but if measured from the level of the streets, they might have been twenty feet in thickness. In it were distinctly visible the alternation of fine pumice, coarse pumice, lapilli and dark colored sand, before mentioned.
“We had the pleasure of seeing apartments that had been recently opened, and of going into several of them. In these, the pictures are fresh, and far less faded than in those that have been long exposed. In one of these houses, all the marble figures found around the impluvium, and colonnade, and fountain, have been allowed to remain intact, as the Romans left them, when they fled for their lives. Around the fountain in one of these houses, there were numerous grotesque jets formed of marble, in the shape of miniature bulls, ducks and dolphins, and associated with them was a Bacchus. A leaden tube which formerly conveyed water for the fountain, remains in place as it passed through the wall. We observed, as illustrating the condition of the art of working this metal among the Romans, that the pipe was not drawn nor cast, but was made by folding up a sheet into the tubular form, and closing the joint by a lap without solder. In this house was a large vaulted music room, the walls of which are nearly perfect. The object for which the room was constructed, was sufficiently indicated by figures of musical instruments, and of persons playing upon them. Columns were in general use in the better houses, around the included area, in the gardens, and in other places. In the best dwellings they are of polished marble, in many they are stuccoed. Some of the Roman houses, in their most perfect and uninjured condition, must have been very beautiful, although their accommodations were much more limited than those of modern times. The rooms, the dormitories especially, were much smaller, and the houses were low, and rarely rose above two stories. They were so constructed as to admit of the most perfect domestic seclusion: no eye could scrutinize the family privacy from the street, or from another house. Various names have been given to several of the larger and more beautiful houses in Pompeii, sometimes fanciful, but more frequently from some statue, mosaic, painting, or other distinctive work of art found in them, referring, as is sometimes supposed, to the owner. Thus we saw the houses of the Faun, of the Medusa, of the three Fountains, and those of Pansa, of Glaucus, of Sallust, and of Cicero. It is doubtful whether Cicero had a house at Pompeii, and still more doubtful whether the one called by his name had any connection with him. The three fountains in the house of that name, are decorated with modern sea-shells, such as now abound in the Mediterranean, and in a style of patterns still prevalent in Naples. The fountains in the two houses newly exposed were very elegant, and in perfect condition.
“The forum was large and handsome, and surrounded with double rows of columns for a covered colonnade. In connection with it, was a temple of Jupiter, and another opposite to it, of Venus, both decorated with massive monolithic columns. Half-dressed blocks of marble and portions of columns lie on the ground in the forum, where they were in process of preparation, to repair the injuries done to the building by the shocks of an earthquake, before the destructive eruption. Numerous dislocated and propped walls in the city bear testimony to the same event, which occurred in the year 63. Connected with the forum, was the basilica or hall of justice, a structure adorned with columns, and provided with an elevated tribune for the judges. Vaulted apartments beneath, were used as a prison, communicating by a circular opening in the crown of the arch, with the hall above. In this prison, which we entered, were found three skeletons of prisoners, ironed to the floor, doubtless waiting their examination at the time of the catastrophe, which so unexpectedly changed the venue of their trial to another bar! Many acres are inclosed by the various structures of the forum, whose very ruins, with their numerous columns, make a grand appearance. Among the ruins, are those of a temple to Esculapius, one for Hercules, and another for Fortune.
“Numerous monuments and inscriptions in Pompeii, indicate the Greek origin of the original colony, and the Egyptian customs and society which preceded the Roman dynasty. The temple of Isis still shows its sacrificial altar, and inscriptions in Egyptian characters cover the columns. Some of the largest and most beautiful of the silver vessels in the museum at Naples, were found in this temple. Curiously enough, as we entered these ancient precincts, in which the serpent was held sacred, a snake, reputed by the guide as venomous, crossing our path, was made a victim, which we offered on the altar.
“Beneath a superb portico in the street of the tombs, the skeletons of a female and several children were discovered; in the street near the temple of Isis, another skeleton was found at the depth of ten feet, and below it, a large collection of gold and silver medals in perfect preservation, chiefly of the reign of Domitian.
“The theaters, whose remains are distinct, are the comic, the tragic, and the amphitheater. They were lined with polished marble, and were, in every way, highly finished and elegant. Of the two former, the entire plan and the greater part of the structure are visible, and most of the seats are in place.
“The amphitheater was in a remote part of the city, near the eastern wall. It has undergone so little dilapidation, that it appears almost perfect. We approached it by ascending the ground until we were quite at the top, and we then descended by the stone seats, quite to the arena, which, by pacing, we found to be two hundred and forty feet by one hundred and twenty. From the arena we looked up over the entire circuit and elevation of the seats, which are almost perfectly preserved—thanks to the sepulture of seventeen hundred years. Had this amphitheater been in the midst of Naples, as the Coliseum was at Rome, it would, no doubt, have fared as ill at the hands of the architects. It was easy for us now to people it in imagination, with the thousands of Romans who have so often gazed and applauded from these seats, while blood, both brute and human, was flowing in the arena where we were standing. Such may have been the scenes when the tempest of fire broke forth, for the people of Pompeii are said to have been then engaged in the amphitheater.
“There are two buildings for public baths, which are well preserved; the bronze seats and braziers still remain in them. For men, there was a common bath, circular and large enough for entire immersion; it is of marble, and is now in good condition. The dome, or ceiling, has in part fallen in, but the portion over the bath is preserved. We measured the room and found it to be sixty feet by twenty. There was another bath for women, contiguous to this, but at a proper distance. This marble bath is quite perfect, and the room being entirely arched has been preserved uninjured. It is most interesting. There is a living fountain at one end, and there was an arrangement, whose object is even now quite apparent, for warming the room by hot air or steam. Here, in this ancient ladies’ bath, we dined upon our stores brought out from Naples. Intruding upon this retreat, once so sacred, we seated ourselves quite conveniently, on the side of the bath, in a fine frescoed room of sixty feet by sixteen. This was the most perfect building that we saw in Pompeii. In this vicinity, there is a living fountain still abundant, and the river Sarno runs at this moment beneath Pompeii. Through a wide opening we saw its copious and lively stream still flowing in its ancient channel, apparently undisturbed by volcanic and earthquake convulsions.
“The walls of Pompeii are still in good condition; they were three miles in circuit, from eighteen to twenty feet high, and twenty feet thick. Seven gates have been discovered; the gate of Herculaneum, of Vesuvius, of Capua, of Nola, of Sarno, of Stabiæ, and of the theaters. The sites of nine towers have been ascertained. We ascended the wall by stairs of stone, doubtless coeval with the wall itself: the view was imposing. Vesuvius rose above the desolated city, looking down upon its naked walls and roofless houses. The volcanic mound still covers two-thirds of the city, and nothing on its upper surface tells of what lies below. It were greatly to be desired, that an enlightened and energetic government, with adequate means, would uncover the entire city, with its numerous hidden works of art and materials of history.
“The baker’s shop, with his oven of arched and modern form, the tub of stone in which he wet his broom, and the hourglass-shaped mills of hard lava for grinding the grain, we saw all perfect. There were mills of two sizes: one small, such as could be turned by hand, as when ‘two women were grinding at the mill,’ and one much larger, and provided with square holes to receive the ends of levers, requiring, of course, much more force to turn them, and doubtless worked by men. The shops of the wine and oil merchants were provided with large amphoræ set in masonry under the counter, for storing those fluids, and numerous other arrangements for the convenience of the occupants were visible.
“In one house we saw a small circular window, in which part of the glass plate which originally filled it still remains. One other similar glass is said to have been found, although shutters were in general use for most of the windows. As there were no windows, as with us, opening upon the street, and all the doors and windows of the house opened upon private courts and gardens, there was in this mild and equable climate far less occasion for the use of glass than might seem at first requisite. That they understood the manufacture of glass, and how to color it, by the use of the oxyds of cobalt and copper, is abundantly proved by the remains of this ancient art now in the Borbonico museum, at Naples.
“One peculiarity in the construction of the Pompeian houses favors the removal and preservation of the frescoes. The walls upon which the pictures are painted are not solid, but the frescoed surface is supported by studs of masonry or iron, at a distance of some four or five inches in front of the brick walls. Security from dampness is thus obtained, and the task of removing the valued surface much simplified and facilitated. The declining sun found us still lingering on the seats of the amphitheater, at the remotest angle of the city wall, dwelling with delight upon these memorials of the past, and speculating upon the probability of renewed activity in Vesuvius, whose quiet blue cone rose over our right shoulders crowned with a soft cloud of vapor. It was late in the evening of this most interesting day when we reached the door of our hotel, long after darkness had hidden the landscape.