The wonders of the world

by John Loraine Abbott

THE MUSEUM.

“The Musæo Borbonico (as it is now called) contains all the most choice and valued works of art and objects of interest which the excavations at Herculaneum and Pompeii have brought to light. To this we repaired on the day following our visit to Pompeii, to follow up our researches into the details of these most interesting discoveries. Here we saw the golden ornaments found upon the skeletons in the house of Diomede, as before mentioned, and many others also. One pair of bracelets weighed a pound each. As for the workmanship, all that was said of the Etruscan golden ornaments is substantially true of the Pompeian. The ladies of these cities were certainly well provided with costly jewelry, both of pure gold and of the same metal set with precious stones. There was one ribbon of wrought gold. Ring stones and brooches without number are preserved here, and among the cameos in agate, are the largest as well as the smallest and most exquisite of these elaborate works of art ever found. Many of the latter can be appreciated only when examined under a strong magnifier.

“Utensils in earthen ware are abundant, but porcelain seems to have been unknown to the Romans. Blown and molded glass of various forms and colors, and designed for various uses, is also common. Pickle jars and olive jars, still retaining their preserved fruits in good condition, were found, and others contained cosmetics or colors. One elegant vase, of the color of lapis lazuli, has figures in white enamel cut on its sides, reminding us of the celebrated Portland vase. The Romans seldom employed iron for culinary purposes, but almost every vessel of this description was fashioned from bronze. A very extensive collection is found in this museum, reproducing nearly all our modern metallic vessels both of utility and ornament. They are generally elegant in form, and are often ornamented with artistic designs, especially in the attachment of the spouts, handles, feet or other prominent parts. They are generally also in a remarkable state of preservation, being for the most part merely covered by a thin coating of greenish rust, easily removed. Sometimes, however, they are corroded through and through with holes. Among the bronze vessels in the collection is one showing that the Romans were well acquainted with the modern device of a heater to keep liquids hot in a large vessel. It is quite on the model of the coffee urn of our day. They also employed, as is evident, steam and hot water to keep dishes hot; for there is a very pretty affair in bronze, like a shallow pan, to hold water, set on legs, with a fire beneath, and provided with valves for the escape of steam.

“Among the objects most frequently found in Pompeii are fishing-nets and tackle, showing the habits of the people in this particular to be similar to those of the modern towns of the same coast, although now Pompeii is a mile from the sea. The iron rings in the walls for fastening vessels were also found, and prove still more conclusively the accumulations in seventeen hundred years. Two vases were discovered in Pompeii full of water; in one it was tasteless and limpid, and in the other brown and alkaline. Among the things preserved in the buried cities were walnuts, chestnuts, almonds, dates, dried figs, prunes, corn, oil, peas, lentils, pies and hams. Papyri were found in large numbers, but the rolls were blackened, as were the timber and the corn, as vegetables are by inhumation in coal beds. Beside the pickles, and olives, and roe of fish, already mentioned, we saw in a glass globe, in this part of the museum, wheat, and barley also, blackened by age and dampness. The loaves of bread, bearing the baker’s stamp, which were found in the shop already named, are singularly perfect, showing distinctly the lines of quartering in which the loaf was designed to be cut.

“The works of art found in Herculaneum are in general much better than those from Pompeii, and every external sign proves it to have been a town of more refinement and wealth than its neighbor. Numerous statues in bronze and marble have been collected from these cities, and a large hall in the museum is devoted to their exhibition. Many are mythological, but busts and statues of the several emperors are also common. One bronze horse, considerably injured and corroded, has been found, and an admirable bronze Hercules. The candelabra were numerous and elegant. One we observed fitted to take apart for the convenience of traveling; its sliding rod drops into a case or sheath, and the tripod foot folds together as snugly as the wing of a bird. A very beautiful candelabrum, taken from the house of Diomede, has a basis formed of a small flat table of bronze standing upon feet. It is elegantly inlaid with silver in the form of a running vine and of leaves; some portions have been burnished, to give an idea of its original beauty. A perpendicular rod rises three feet in hight, and supports a cross upon which are suspended four lamps. All the parts are preserved; and were this tasteful candelabrum put in order and burnished, it would be a fine form for our modern artists to copy, who, indeed, often profit by ancient models.

“The Roman steelyards had a scale suspended so as to receive the thing to be weighed, and the weight slid, as with us, upon a graduated beam; in one the counterpoise is fashioned into an elegant female head. There is a collection of surgical instruments, some of them very similar to those used at the present day. Iron probes, iron teeth extractors, elevators for the operation of trepanning, a cauterizing iron, lancets, catheters, amputating instruments, spatulas and obstetric forceps. Along with these things are rolls of the apothecary, ready to be divided into pills. The articles of the toilet are abundant; pins of ivory in large numbers and great variety for the hair; combs, curling-tongs, boxes for perfumes and rouge, which is preserved in a small glass bottle; mirrors of metal, small, but sufficient for a lady’s face, and reflectors, to be used probably in a position to give seasonable notice of the approach of a visitor from the vestibule, similar to the arrangement now common in Holland and Germany. Numerous small objects attracted our attention, among which were the ivory dice, and tickets of bone or ivory for admission to the theater, marked and numbered. Musical instruments were common; among them numerous flutes or flageolets, prepared from bone. Numerous bronze penates, truly dii minores, often less than a finger’s length in hight, some partly finished, are to be seen in the museum at Naples.

“There is an apartment here, finished in the style of an ancient Roman house. This is in the extreme end of one of the long suites of rooms. The sky-blue panels have each, in the center, a female figure, volant or quiet; the upper part of the side walls, and of the dome, is divided into compartments, which are decorated by colored lines and forms of great beauty, the entire effect of which is charming. The eye delights to dwell upon them, and would never be tired, because the beauty, although exquisite, is simple and tasteful. We saw in the museum, as already mentioned, the helmet and skull of the Roman sentinel found at his post in the city gate at Pompeii, with his short sword by his side; there, too, was the complete armor of a Roman knight with a decorated and crested helmet, with figures embossed upon the breast-plate, and the coverings of the arms and limbs. We must not forget the iron stocks for punishment. A bar of iron or bronze of great weight had metallic projections standing upward, between which the feet were placed, and secured by a cross pin. It does not appear that the head was pinioned, as in modern times; but we could well understand how the feet of the apostles were rendered lame by confinement in the Roman stocks.

“The hall of ancient sculpture, chiefly from Pompeii and Herculaneum, with some figures from Rome, powerfully attracted our attention. These sculptures, usually of full size, and sometimes colossal, are very fine. Excellent, manly forms, and noble, elevated features of men, and of women, worthy of such companions, with great variety of characteristic attitude, and in general, in full costume, served to convey to us, as we may believe, a very perfect idea of the personal appearance of Roman citizens of that age. The family of Balbus found in Herculaneum, is particularly interesting. It is composed of the father, a noble figure, the mother, equally impressive, and sons and daughters worthy of such parentage. Their features are calm and mild. It is a most interesting group, and in perfect preservation. The moral and intellectual expression of the figures in these rooms—through a long series of apartments and a host of figures—is as various as that of living people.

“It is convenient to introduce here a notice of the Farnesian bull; for this inimitable piece of sculpture is in this place, although it was not found interred in Pompeii or Herculaneum, but buried among the ruins of the baths of Caracalla. A large bull, of perfect and beautiful form, is rearing upon his hind legs, as if about to bound away in his course; but this he is prevented from doing, as he is powerfully held by the horns and the nose by two resolute, athletic young men, one on each side, who have him in such durance that his massive neck is wrinkled in large folds, as he turns his head backward in his efforts to escape from their grasp. The cause of the struggle becomes apparent, when we glance at a fine female form recumbent, and see that her abundant tresses are interwoven with the strands of a rope which is noosed around the horns of the bull, and it flashes at once on the mind, that should the maddened animal escape from his keepers, she will be quickly torn in pieces. Her noble sons have, in a critical moment, sprung forward to her rescue, and are just able to arrest her impending fate. Filial love proves to be stronger than disapprobation of an imputed fault, for which their mother was to have been immolated by this horrible death. In such a crisis we are not careful to balance the moral question: we instinctively applaud the filial piety, and do not ask for the spirit of Brutus. This wonderful group was sculptured out of a single block of marble of nine feet eight inches by thirteen feet, by Appollonius and Tauriscus, two artists in Greece, from which country it was brought, to grace the baths of Caracalla. It is truly wonderful that such a ponderous mass, embracing so many figures, could be brought over seas, from a distant country, to Rome, and again be transported from that city to Naples, without injury, after being buried for fifteen centuries in the baths of Caracalla.