them with such patience until they drop into a more moderate pace. Ford has described those exciting starts, and the motion of the “dilly,” as away it goes, “pitching over ruts deep as routing prejudices, with its pole dipping and rising like a ship in a rolling sea.”
It goes without saying that the observant Ford did not fail to note the vituperative supremacy of the Spanish muleteer. “Their language,” he tells us, “is limited only by the extent of their anatomical, geographical, astronomical, and religious knowledge: it is so plentifully bestowed on their animals—‘un muletier a ce jeu vaut trois rois’—that oaths and imprecations seem to be considered as the only language a mute creation can comprehend: and as actions are generally suited to the words, the combination is remarkably effective.... The Spanish oath is used as a verb, as a substantive, as an adjective, just as it suits the grammar or the wrath of the utterer.” But why, the reader may ask, does the mayoral swear to this degree, or with this fluency? Unless it is a part of his habit, I cannot answer. It is told that a traveller once asked the same question, and received a similar reply. The mayoral had uttered an oath of such peculiar force and aptness that a fellow traveller remarked upon it with good humoured appreciation: “That’s one on the devil!” “But why?” queried the seeker for information, “why does he swear so?” The Spaniard stared in astonishment. “Because he is the mayoral!” was all he said.
In Southern Andalusía.
IDLE as a “painted ship upon a painted ocean,” fair Cadiz sleeps beneath her white mantle and dreams of the succeeding storms that she has endured since Hercules brought her into being eleven hundred years before the advent of the Messiah. For century after century Cadiz played her important part in the world—the world that ended at her glistening shores. Yet it might, from external evidence, have been built yesterday, and whitewashed this morning. But beneath that white covering lies the rust of three thousand years. The natives compare their spotless city to a silver dish; Fernan Caballero describes it as an ivory model set in emeralds. It is an architectural symbol of purity. Extreme neatness and scrupulous cleanliness are its leading characteristics—white is its prevailing and only colour. The Venice of Spain, so far as my opportunities of making a comparison extends, is decidedly the best-kept city in the Peninsula. The impression is heightened by the ever-ready brush of the whitewasher, which keeps the houses and walls in the most immaculate condition.
Although Cadiz is slowly recovering from the decadence into which it was sunk for so long, there is small activity either of commerce, trade, or manufacture to support its seventy thousand inhabitants; and suitable docks have yet to be constructed to enable it to take the commercial rank to which its situation entitles it. Its resemblance to Venice is remarkable. Lying as it does seven miles at sea, the inhabitants could, if they wished it, have had canals instead of streets, for most of the thoroughfares begin and end at the ocean. Coming straight from the
CADIZ—VIEW FROM THE TAVIRA TOWER.
ultra-Moorish Seville with its narrow winding streets, the traveller wonders why in neighbouring Cadiz, which also belonged to the Moors for over five hundred years, the streets should be so much wider and straighter, and why they possess so few patios and other Arabian characteristics. The explanation lies in the fact that almost the entire town was newly laid out and rebuilt after the bombardment in 1596. Cadiz being practically on an island is much cooler than Seville, so that Moorish patios are not essential to comfort, and their places are taken by the turrets on the top of the houses, from whence sea-breezes and a magnificent view can be obtained at the same time.
The history of Cadiz is an epitome of the progress of civilisation up to the time when Spain was the chiefest nation of the world. It capitulated to Hamilcar Barca in B.C. 237, it was fortified by Cæsar, rebuilt in marble by Balbus, and destroyed by the Goths. Its greatness was its misfortune. So rich it was that England in 1596 fitted out an expedition to sack the city. Lord Essex did his work so thoroughly that Cadiz was brought to the verge of bankruptcy, and Spain received the first blow to her supremacy. Two other English expeditions against this place proved unsuccessful; but it was bombarded at the end of the eighteenth century, it was devastated by the plague, and was the theatre of the horrible massacres in the revolution of 1820. Cadiz supplied the ancient Roman epicures with salt fish and anything but proper dancing girls; and was resorted to by philosophers, who came here to study the curious phenomena of the tides. A city with such a history might be expected to be full of antiquarian records; yet, from a mere archæological point of view, it is by no means a place of great attractiveness. In the convent of San Francisco is to be seen the last Murillo, the picture upon which the artist was engaged when he fell from the scaffold and sustained his fatal injuries; but beyond this and the cathedral, which is not remarkable, the city is destitute of works of art.