Compound letters, produce strength of style, [332].
Compounds, [217], [274], [332], [333];
irregular forms in Bhāsa, [121].
Conclusion (nirvahaṇa) as fifth juncture of the drama, [299].
Concubinage, as an allegorical character, [255].
Confiscation of property of persons dying without heirs, [253].
Conflict in character, un-known to Indian drama, [278], [279].
Confusion, as an allegorical character, [251], [252], [254], [255].
Conjunct consonants, produce strength of style, [332].
Conscience, struggle of, unknown in Sanskrit drama, [279].
Consequents (anubhāva), in dramatic theory, [315] ff.